United Chain Theatres, Inc. v. Philadelphia Moving Picture MacHine Operators Union, Local No. 307

50 F.2d 189, 1931 U.S. Dist. LEXIS 1372
CourtDistrict Court, E.D. Pennsylvania
DecidedMay 5, 1931
Docket6509
StatusPublished
Cited by4 cases

This text of 50 F.2d 189 (United Chain Theatres, Inc. v. Philadelphia Moving Picture MacHine Operators Union, Local No. 307) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
United Chain Theatres, Inc. v. Philadelphia Moving Picture MacHine Operators Union, Local No. 307, 50 F.2d 189, 1931 U.S. Dist. LEXIS 1372 (E.D. Pa. 1931).

Opinion

*190 Findings of Fact.

KIRKPATRICK, District Judge.

1. The plaintiff, United Chain Theatres, Inc., is an operating company engaged in the business of operating a number of moving picture theatres in Philadelphia, including the two involved in this suit, which are, respectively, Nixon’s Grand Theatre at Broad street and Montgomery avenue, having a seating capacity of some 3,000, and the Roxy at Ridge avenue and Leverington street, with a seating capacity of about 1,700. Each of these theatres requires, in addition to other employees, two moving picture operators, an employment calling for a considerable amount of training and skill.

2. The defendant, the Philadelphia Moving Picture Machine Operators Union, Local No. 307, is a union consisting of 253 members. Affiliated with it are some 125 nonunion men known as “permit men” who obtain employment through the union and who are subject to union regulations and orders. • The total number of licensed moving picture operators in the city of Philadelphia is about 3,000. There are about 150 theatres in Philadelphia each of which employs two regular operators, a small number of additional men being required from time to time for relief and extra work.

3. When the plaintiff took over the operation of the Roxy Theatre and of Nixon’s Grand (December 1, 1929, and December 1, 1930, respectively), the operators were union men employed by the former owners of these theatres. Their wages and terms of employment were regulated by a contract between the theatre owners and the union which contract imposed upon the 'owners certain restrictions as to the employment and discharging of men, wages, hours, working conditions, and other matters. The plaintiff, upon taking-control of the theatres, promptly discharged the union men and employed nonunion men at a lower wage scale and without any contract restrictions upon its relations with them as employees.

4. The discharge of the union operators •by the plaintiff when it took over the theatres was intended by it and accepted by the defendant union as the definite and final inauguration of a policy not to employ union men. The union had already taken an equally definite and fixed stand upon the question of wages and conditions of employment, embodied in the regular union contract with the theatres. No negotiations looking toward employment of union men or to a modification of union terms have taken place between the parties at any time, and it is evident that any attempt at compromise by either side would be futile. It is more than probable that nothing short of a complete surrender by one side or the other can end the controversy and even so it is doubtful whether the plaintiff would again employ union men upon any terms.

5. The defendant union began the series of acts complained of in this bill about March 16, 1931. These acts consisted of three general classes and were as follows: (a) Sending of postal cards enclosed in envelopes to a very large number of potential patrons living in the general neighborhood of each of the theatres involved. These postals vary somewhat in language but in general notify the recipient that the plaintiff’s theatres do not employ union operators and do not pay “regular wages” or “an American living wage.” Some of the postals close with a request for “support” or for “moral support,” while others ask the recipient to help in the fight against the theatres by “patronizing other theatres which give the Philadelphia working men a square deal.” (b) Driving in the neighborhood of the theatres a “music wagon” bearing large printed signs and placards containing, messages similar to those appearing on the post cards, (e) Employing men, most of whom are members of the union or permit men, to walk up and down in front of the theatres, bearing print-' ed signs hung on their shoulders, examples of which signs are as follows: “Nixon’s Grand is unfair to organized labor.” “Nixon’s Grand refuses to employ union moving picture operators, members of the A. F. of L. at American living wages.” “Nixon’s Grand no longer employs union moving picture operators, members of A. F. of L.” “Nixon’s Grand locked out union moving picture operators members of A. F. of L.”

6. None of the messages conveyed by any of the above-mentioned means to the potential patrons of the plaintiff’s theatres contain any threat of injury or inconvenience of any kind to persons who patronize the theatres, nor do they contain any matter which is abusive or libelous. The statements that the theatres refused to pay American living wage and that they are unfair to organized labor are, in view of the fact that they have, without cause other than such as arises from their union affiliation, discharged union men and employed others at lower wages, at least matters of argument entitled to be taken as made in good faith.

*191 7. At Nixon’s Grand Theatre the sidewalk is patroled or picketed by four men during the hours when the theatre is open for business. In addition to this, a relief consisting of two, three, or four men sit continuously in a parked automobile along the curb within a few feet of the theatre property. The Roxy Theatre is picketed by two men during evenings and Saturday afternoons only. The defendant has instructed all of these men not to obstruct in any way free access of patrons to the theatre and not under any circumstances to speak to any one. In general these instructions have been observed and the picketing has been carried out without physical violence and without any threat, menace, insult, or annoyance to patrons of the theatre. There have been a few occasions where one or two of the men have overstepped the bounds of their instructions and have annoyed patrons by holding out their signs in front of them or by walking so close to the theatre entrance as to cause inconvenience in entering. These occasions have been exceptional and have not been authorized or countenanced by the defendant.

8. The effect of the defendant’s campaign has been very substantially to reduce the patronage at both theatres. At Nixon’s Grand Theatre the average weekly attendance has dropped from approximately 11,000 to-approximately 8,000; at the Roxy, from approximately 8,700 to approximately 7,200. This reduction in patronage is a substantial and serious injury to the plaintiff’s business and so long as it continues the plaintiff will be unable to operate the theatres at a profit.

Discussion.

This plaintiff’s business, or its reasonable expectation of continued patronage from the public, is property. Duplex Printing Press Company v. Deering, 254 U. S. 443, 465, 41 S. Ct. 172, 65 L. Ed. 349, 16 A. L. R. 196; Truax v. Corrigan, 257 U. S. 312, 327, 42 S. Ct. 124, 66 L. Ed. 254, 27 A. L. R. 375. Intentional injury to another’s property is prima facie a tort and, where necessary to prevent irreparable injury, will be restrained by injunction. A man’s business is, generally speaking, entitled to the same protection by law as any other kind of property; but where injury to business occurs or is threatened in the course of one of the conflicts generally accepted as necessarily incident to economic and social progress, the law may under certain circumstances permit the injury and withhold the remedy.

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Cite This Page — Counsel Stack

Bluebook (online)
50 F.2d 189, 1931 U.S. Dist. LEXIS 1372, Counsel Stack Legal Research, https://law.counselstack.com/opinion/united-chain-theatres-inc-v-philadelphia-moving-picture-machine-paed-1931.