Turtle Fur Co. v. Repro Digital
Opinion
Turtle Fur Co. v. Repro Digital, No. S0690-11 CnC (Tomasi, J., Sept. 26, 2011)
[The text of this Vermont trial court opinion is unofficial. It has been reformatted from the original. The accuracy of the text and the accompanying data included in the Vermont trial court opinion database is not guaranteed.]
STATE OF VERMONT
SUPERIOR COURT CIVIL DIVISION Chittenden Unit Docket No. S0690-11 CnC
REPRO DIGITAL, Plaintiff / Appellee,
v.
TURTLE FUR COMPANY, Defendant / Appellant.
Ruling On Appeal
Defendant/Appellant Turtle Fur Company (Turtle Fur) appeals from a Small Claims Court judgment entered in favor of Plaintiff/Appellee Repro Digital. Repro Digital sued Turtle Fur alleging that Turtle Fur failed to pay $4,500 for “prepress” services Repro Digital rendered and invoiced in the course of Turtle Fur’s production of a catalogue of Turtle Fur products. Turtle Fur answered and disputed that it owed the $4,500 because the parties had agreed on a rate for the services. Turtle Fur maintained that Repro Digital was attempting to change the terms of the arrangement between the parties.
The Small Claims Court held a hearing on June 2, 2011, took testimony, and made its findings of fact and conclusions of law orally. The Small Claims Court entered judgment in favor of Repro Digital in the amount of $4,000 plus court costs of $78.75. This appeal followed. This Court has reviewed the record, including the papers and the recording of the hearing
held in Small Claims Court. The Court has also considered the parties’ memoranda of law on appeal as well as their arguments at a hearing held on August 24, 2011.
Standard of Review
An appeal from a small claims judgment is heard and decided “based on the record made in the small claims procedure.” 12 V.S.A. § 5538. The “appeal is limited to questions of law.” V.R.S.C.P. 10(d). If the Small Claims Court has applied the correct law, this Court will affirm its “conclusions if they are reasonably supported by the findings.” Maciejko v. Lunenburg Fire Dist. No. 2, 171 Vt. 542, 543 (2000) (mem.). In turn, the findings of fact must be supported by the evidence, Brandon v. Richmond, 144 Vt. 496, 498 (1984), and such findings “must be construed, where possible, to support the judgment,” Kopelman v. Schwag, 145 Vt. 212, 214 (1984). The Court’s review of the Small Claims Court’s legal conclusions, however, is “non-deferential and plenary.” Maciejko, 171 Vt. at 543 (quoting N.A.S. Holdings, Inc. v. Pafundi, 169 Vt. 437, 439 (1999)).
Background
The Small Claims Court did not make written findings. Although the parties do not dispute what appears to be an unofficial transcription of Judge Villa’s statement at the end of the hearing,1 the Small Claims Court’s
1Attached as Exhibit B to Turtle Fur’s memorandum of law filed July 26, 2011 and as Exhibit 1 to Repro Digital’s memorandum of law filed August 10, 2011.
findings of fact are difficult to discern. A review of the record from the June 2, 2011 hearing reveals the following background facts, none of which appear to be in dispute.
Turtle Fur is in the business of selling garments such as hats and scarves. It markets its products in printed catalogues. For at least four years prior to 2010, Turtle Fur had hired Repro Digital to perform services related to producing its catalogues. Specifically, Repro Digital would take digital photographs of Turtle Fur products and then apply certain “prepress” processes to those photographs. The prepress processes included a silhouetting process, which involved removing any “background” from the photograph so that the product image consisted only of the product itself. For the years prior to 2010, Repro Digital simply “selected” and “removed” the backgrounds from the Turtle Fur product photographs to complete the silhouetting process.
Tiffany LoRe started work as Turtle Fur’s Marketing Director in May 2010. She wanted a new look for the magazine. Repro Digital conceded at the August 24, 2011 oral argument that it knew Turtle Fur was going for a new look for the upcoming magazine. A meeting was set up between LoRe and Repro Digital to determine what the new look would be and how to achieve it. In August 2010, LoRe met with Repro Digital representatives
Roger Moylan and John Goodman.2 At the meeting, LoRe explained to them that Turtle Fur wanted a different, more three-dimensional look in the catalogue. At the time of the meeting, LoRe did not know what would be required from the graphics perspective to achieve that look. The Repro Digital representatives who met with LoRe apparently did not know or appreciate that, in order to achieve the three-dimensional look, it was no longer adequate to simply select and remove the backgrounds as Repro Digital had done in the past. To get the desired look, it was necessary to “clip out” the images—a more labor-intensive (and therefore more expensive) process. There is no dispute, however, that Repro Digital was duly represented at the August 2010 meeting, and that LoRe showed Repro Digital’s representatives precisely what Turtle Fur wanted Following the meeting, in a letter dated September 10, 2010, Moylan wrote to LoRe, and supplied a quotation for the prepress processes at $9.11 per image. Although LoRe also had a quote from a competitor of Repro for $7.00 per image, Turtle Fur opted to use Repro Digital based on its track records with the company. Digital LoRe put in an order with Repro Digital for the work.
2 The documentation in the record does not indicate Moylan’s position with Repro Digital, although it appears he was involved in sales. The testimony at trial was that Goodman was an independent contractor hired by Repro Digital to take the digital photographs. There was also testimony that Repro Digital’s President and Owner Chuck Siegel was present, albeit only briefly.
Repro Digital began its prepress work on September 29, 2010. Repro Digital did not initially realize that the nature of the prepress work was different than it had been in the past until it had already processed many images.3 Upon realizing the issue, it made a telephone call to LoRe asking for increased compensation. It is undisputed that, during that call, she indicated she was not authorized to approve additional funding.
On October 20, 2010, Moylan sent LoRe an email stating as follows:
About a week ago you and I had a discussion regarding Repro Digital’s prepress charges to Turtle Fur. I brought it up then because the requirements have significantly changed since last year and years prior. For the past 4 years the product files we created were not “clipped out” per se., we prepared single layer photoshop files with the background deleted so it was not a clipping path but rather the background selected/removed.
This year we were required to perform actual clipping paths which has taken us an [sic] 60 additional hours as compared to last year. We had at any given time two to three additional employees working with Kevin in order to accommodate your schedule. About half of the hours were incurred on two Saturdays and Sundays. Based on 30 hours at $75.00 ($2,250.00) and 30 @ $112.50 ($3,375.00) for a total of $5,625.00.
In consideration of our long standing business relationship we are willing to discount the cost 20% to $4,500.00 or $12.50/Image (versus $9.20/Image for the past 4 years)) which will make us whole.
3 There was testimony that Repro Digital would have noticed the difference immediately, except for the fact that it had hired a new technician to perform the prepress work, and the new technician did not realize that the Turtle Fur job was different than it had been in the past.
Repro Digital did not receive any reply to this email. Repro Digital completed its prepress work on October 22, 2010.4 On December 1, 2010, Repro Digital sent Turtle Fur an invoice for $4,500. Turtle Fur refused to pay, and this litigation followed.
Analysis
Free access — add to your briefcase to read the full text and ask questions with AI
Turtle Fur Co. v. Repro Digital (Turtle Fur Co. v. Repro Digital) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.