Torres-Torres v. Martinez Lebron

CourtDistrict Court, D. Puerto Rico
DecidedJune 24, 2025
Docket3:25-cv-01082
StatusUnknown

This text of Torres-Torres v. Martinez Lebron (Torres-Torres v. Martinez Lebron) is published on Counsel Stack Legal Research, covering District Court, D. Puerto Rico primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Torres-Torres v. Martinez Lebron, (prd 2025).

Opinion

1 IN THE UNITED STATES DISTRICT COURT 2 FOR THE DISTRICT OF PUERTO RICO

4 RAVEN TORRES-TORRES, 5

Plaintiff, 6

7 v. CIVIL NO. 25-1082 (GMM)(HRV) 8 9 ROBERTO REVOL MARTINEZ-LEBRON, et al., 10 Defendants. 11

13 MEMORANDUM AND ORDER 14 This is a diversity jurisdiction suit filed by plaintiff Raven Torres-Torres (“Torres” 15 or “Plaintiff”) against Defendants Roberto Revol Martinez-Lebron (“Martinez”) and 16 Update Music Corp. (“Update Music”) (collectively “Defendants”) seeking to nullify a 17 18 contract and to recover damages for defamation, infringement of moral rights under 19 Puerto Rico law, unjust enrichment, and tortious interference. (Docket No. 1). Pending 20 before the court is Torres’ “Motion to Disqualify the Law Firm of Defendants.” (Docket 21 No. 15). More specifically, Plaintiff moves to disqualify the law firm of Prado, Nuñez & 22 Associates, P.S.C., (hereinafter “Prado Law”), raising a conflict of interest and pressing 23 24 the argument that disqualification is warranted under ABA Model Rule of Professional 25 Conduct 1.8, or, alternatively, under Rules 1.7, 1.9, and 1.10 of the Model Rules. 26 Subsequently, at a hearing held before me, Torres asserted a new ground for 27 28 1 1 disqualification—Rule 3.7 (Lawyer as Witness). The Defendants opposed the motion to 2 disqualify. (Docket No. 22). 3 The matter was referred to me by the presiding District Judge for disposition. 4 (Docket No. 18). I held a hearing on the motion on June 5, 2025. (Docket No. 27). For 5 the reasons set forth below, the motion to disqualify is DENIED. 6 7 I. FACTUAL AND PROCEDURAL BACKGROUND 8 I summarize the factual background from the allegations in the complaint but only 9 to provide context to the request for disqualification. Torres is a songwriter who in 10 September of 2018, entered into publishing, management and recording contracts with 11 Martinez and his company Update Music. (Complaint, Docket No. 1, ¶11). Torres avers 12 13 that he experienced difficulties dealing with Martinez from the start such as receiving 14 threats, witnessing erratic behavior, and being the subject of unreasonable requests. (Id., 15 ¶¶12-13). Due to the alleged ongoing discomfort, Torres requested in January of 2019 the 16 termination of the contracts and to be released from his obligations under them. (Id., 17 ¶14). It is alleged that on June 4, 2019, Torres received an email from Martinez releasing 18 19 him from his contracts with Update Music. (Id., ¶19). 20 Relevantly, on June 12, 2020, Torres signed an exclusive management, 21 representation and publication contract with Juan Carlos Monserrate (“Monserrate”) 22 and Edwin Prado-Galarza (“Prado”). (Id., ¶20). A few weeks later, Martinez contacted 23 Torres to request four compositions and agreed to pay $4,000. (Id., ¶22). This, the 24 complaint alleges, is evidence that Torres did not have a contractual relationship with 25 26 Martinez. (Id.). Subsequently, in either February or March of 2021, Martinez contacted 27 Torres requesting a composition for the artist Ozuna, which Plaintiff provided. (Id., ¶23). 28 2 1 However, Torres notified Martinez that he had signed the contract with Monserrate and 2 Prado, to which Martinez reacted surprised and claimed that their 2018 contracts were 3 still in effect. (Id., ¶24). Attempts by Torres to contact Prado were unsuccessful. In fact, 4 it is alleged that Torres visited Prado’s office and was told by security personnel that he 5 was not welcomed there. (Id., ¶25). Because of the lack of communication, Torres 6 7 assumed that Monserrate and Prado had put an end to their agreement. (Id., ¶26). Said 8 contract was never executed. (Id., ¶27). 9 On April 26, 2021, Torres received a threatening call from Martinez. During said 10 call, Martinez sent a document titled in Spanish “Adendum para Acuerdo y Compromiso 11 de Contrato Excistente.1” (Id., ¶28). Torres signed this agreement. Nevertheless, he 12 13 claims that he did so out of fear and due to Martinez’ threats. (Id., ¶29). It is also alleged 14 that he was unable to have an attorney look at the agreement before he signed it. (Id.). 15 Thereafter, the complaint alleges that Torres felt compelled to perform under this 16 contract and did so by delivering 15 songs to Update Music. (Id., ¶31). Despite this, 17 Martinez allegedly continued making threats to Torres. (Id., ¶¶33-34). The threats 18 19 included damaging Plaintiff’s reputation in the music industry. (Id., ¶34). 20 Further, Martinez allegedly interfered with Torres’ ability to obtain a publishing 21 deal on his own. (Id., ¶36). Notwithstanding the alleged interference, at the beginning of 22 2022, there were discussions about a potential publishing deal with PeerMusic III, Ltd., 23 but Torres was excluded from the discussions. (Id., ¶37). A contract was formally 24 25 26 27 1 The typographical error in Spanish appears in the original document.

28 3 1 delivered in August of 2022 and Martinez demanded that Torres sign it immediately and 2 stated that no one in the industry would work with him if he didn’t. (Id., ¶39). The 3 complaint further avers that Torres received only $60,000 out of $200,000 of the value 4 of the contract and that he delivered over 150 compositions to Update Music in 5 compliance with his obligations under the PeerMusic agreement. (Id., ¶¶41-45). 6 7 According to the complaint, Torres failed to use these compositions. (Id., ¶45). After 8 more than six months with no word on the status of the compositions, Torres reached 9 out to Martinez. (Id., ¶46). The latter replied that he did not have time to listen to Torres. 10 (Id.). 11 Torres expressed to Martinez that he could not continue in that manner and 12 13 requested release from his obligations and to settle matters amicably. (Id., ¶47). 14 Martinez responded with insults and additional threats that he would close the doors for 15 Plaintiff in the music industry. (Id.). He also said that he would give Torres the release 16 in exchange for $75,000. (Id.). At this point, Plaintiff consulted with an attorney, and 17 through counsel sent a communication to Martinez asserting that their agreement was 18 19 null and void. (Id., ¶¶49-50). This communication by counsel was disrespectfully 20 dismissed by Martinez who in turn threatened legal actions against Torres. (Id., ¶52). 21 Torres allegedly refrained from taking any actions to avoid conflict effectively halting his 22 career. (Id., ¶53). This, the complaint continues, caused him significant financial and 23 emotional harm. (Id.). It is further alleged that Martinez took deliberate steps to prevent 24 Torres from working with others and that he sabotaged his career. Martinez is alleged to 25 26 have interfered with Torres’ opportunities in the music industry by, among other things, 27 making defamatory statements about him. (Id., ¶¶54-56, 62). Torres requests that the 28 4 1 documents titled “Adendum para Acuerdo y Compromiso de Contrato Excistente” be 2 declared null and void and that he be awarded monetary damages. (Id., ¶65). 3 The motion to disqualify Prado Law was filed by Torres on May 8, 2025. (Docket 4 No. 15). It was referred to me for disposition the next day, May 9, 2025. (Docket No. 18). 5 Defendants filed their response in opposition on May 27, 2025. (Docket No. 22). I held a 6 7 hearing on June 5, 2025, at which I listened to oral argument from the parties, and 8 admitted, without objection from Plaintiff, Defendants’ Exhibit A.2 (Docket No. 27). At 9 the conclusion of the hearing, I took the matter under advisement. (Id.). 10 II. APPLICABLE LAW AND DISCUSSION 11 Torres contends that Prado, principal attorney at Prado Law, and who now 12 13 represents Defendants, was previously involved with him in a business transaction 14 closely connected to the subject matter of this case. (Docket No. 15 at 1).

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