The STATE BAR OF TEXAS v. Dolenz

3 S.W.3d 260, 1999 Tex. App. LEXIS 7726, 1999 WL 826014
CourtCourt of Appeals of Texas
DecidedOctober 18, 1999
Docket05-97-00676-CV
StatusPublished
Cited by15 cases

This text of 3 S.W.3d 260 (The STATE BAR OF TEXAS v. Dolenz) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
The STATE BAR OF TEXAS v. Dolenz, 3 S.W.3d 260, 1999 Tex. App. LEXIS 7726, 1999 WL 826014 (Tex. Ct. App. 1999).

Opinion

OPINION

Opinion By

Justice MOSELEY.

A jury found that attorney Bernard J. Dolenz violated several provisions of the Texas Code of Professional Responsibility and/or Texas Disciplinary Rules of Professional Conduct by: (1) improperly soliciting Dmitri Vail’s legal business; (2) entering into a prohibited business transaction with Vail; and (3) representing another person in a matter adverse to Vail. However, the trial court rendered judgment notwithstanding the verdict in favor of Do-lenz. The State Bar contends the trial court erred in rendering judgment notwithstanding the verdict on issues two and three. 1 Dolenz responds there is no evidence to support the jury’s findings. In the alternative, he contends in seven cross-points that the evidence is factually insufficient to support the findings.

We conclude the evidence is legally and factually sufficient to support the jury’s findings regarding Dolenz’s prohibited business transaction with Vail and Dolenz’s representation of another in a matter adverse to Vail. Therefore, we reverse the trial court’s judgment, reinstate the jury’s verdict as to questions two and three and the State Bar’s attorney’s fees, and remand the cause to the trial court for a determination of the appropriate sanction or sanctions to be imposed. We publish this opinion pursuant to Texas Rule of Disciplinary Procedure 6.06. See Tex.R. Disciplinary P. 6.06, reprinted in Tex. Gov’t Code Ann., tit. 2, subtit. G app. A-1 (Vernon 1998).

BACKGROUND

Vail, a well-known portrait artist, was deceased at the time of this trial. Dolenz was not present at trial, but he was represented by counsel. Thus, the State Bar presented its case largely through Dolenz’s deposition testimony.

Dolenz testified he first met Vail in July 1989 when Dolenz went to Vail’s house to look at his artwork. According to Dolenz, Vail was in his seventies at the time. 2 Vail *263 learned Dolenz was a lawyer and asked if Dolenz would do some legal work for him. Vail explained he was the beneficiary of a trust set up by an ex-wife and that he felt the trust was being mismanaged. Dolenz looked into the matter for Vail and concluded one of the trustees, NCNB bank, had breached its fiduciary duty. In August 1989, Vail hired Dolenz to represent him in an action against NCNB. They entered into a written contingency fee agreement, and Vail also agreed to pay the expenses Dolenz incurred in representing him. Vail further gave Dolenz a written power of attorney “to act in [his] behalf.” On Vail’s behalf, Dolenz filed a lawsuit against NCNB. The suit was removed to federal court.

Vail also hired Dolenz to help recover some of Vail’s paintings. Dolenz explained that some of Vail’s paintings had “disappeared” and Vail was having trouble recovering them. For example, one person had taken some of Vail’s paintings to sell for him and had not returned the unsold works. On August 29, 1989, Dolenz and Vail entered into a contract regarding recovery of the paintings. Vail agreed to pay Dolenz $200 an hour for the time Dolenz spent on recovery of the paintings and $5000 for each painting recovered. Dolenz testified he recovered fifteen to seventeen of Vail’s paintings.

Also on August 29,1989, Dolenz set up a trust for Vail. The corpus of the trust consisted of all Vail’s paintings and artwork located at Vail’s residence and several other specific locations, as well as those works at “area restaurants in Dallas, TX, among other places”; all rights and copyrights to any of Vail’s artwork; and all furnishings, clothes, and personal effects located at Vail’s residence. The sole beneficiary of the trust was Dolenz. Dolenz’s daughter Brenda Lievrouw notarized the trust instrument. Dolenz charged Vail $3000 to set up the trust.

In the fall of 1989, Vail executed four promissory notes payable to Dolenz. According to Dolenz, the first note, for $19,-372.70, was payment for professional services Dolenz rendered to Vail, including recovery of two paintings and the payment of an outstanding judgment in favor of a third party against Vail. The second note was for $1000 that Dolenz had loaned Vail for living expenses. The third note was for $23,002.23, the amount of a bill Dolenz sent Vail for his services through October 16, 1989. The note was secured by “all paintings and copyrights created by Dmitri Vail and which are located presently at his home.” The note further provided that the “paintings may remain at this residence, but may be removed at any time ONLY by Bernard Dolenz or his agent/s.” The fourth note was for $52,500. Dolenz testified it was payment for recovery of ten paintings ($50,000) and for a $2500 loan. That note was secured by “all paintings, artwork of whatsoever kind, created by Dmitri Vail, wherever located along with all negatives, prints, copyrights” and “all easles [sic], frames, art equipment, personal jewelry, and personal effects belonging to Dmitri Vail.” Dolenz later assigned all four notes to his daughter, Liev-rouw.

In January 1990, Vail remarried. According to Dolenz, Vail’s new marriage caused Dolenz’s relationship with Vail to deteriorate. In the spring and summer of 1990, Dolenz sent Vail a series of letters written on Dolenz’s professional letterhead. In a letter written in March, Dolenz informed Vail the promissory notes had been assigned to Lievrouw and stated, “I understand that she [Lievrouw] is making demands to have these notes paid.”

On April 12, 1990, Lievrouw and Dolenz went to Vail’s house with a moving van to pick up the paintings that were collateral for the notes. Vail’s wife called the police. After the police arrived, Lievrouw and Do-lenz left without the paintings. Dolenz could not remember why he had been present, but denied he had been acting as his daughter’s attorney. That same day, Dolenz wrote to Vail: ‘You should understand that the collateral used for the notes *264 that have been assigned to Brenda Liev-rouw is encumbered and that you cannot make any disposition of this collateral until you have satisfied the notes that Mrs. Lievrouw has.”

Also on April 12, Dolenz filed a motion to withdraw as Vail’s counsel in the suit against NCNB. On May 8, 1990, the federal court granted Dolenz’s motion to withdraw. 3 However, the day after that motion was filed and before it was heard, Lievrouw sued Vail in a justice of the peace court. The court’s docket sheet on that case reflects Lievrouw was represented by Dolenz, and Dolenz acknowledged at -trial he filed that suit as his daughter’s attorney. The justice of the peace court’s docket sheet also reflects Vail filed a motion to disqualify Dolenz and a motion for sanctions.

Although Dolenz was no longer the owner of the notes, he continued to make written demands on the notes. In a June 14 letter to Vail, Dolenz mentioned Liev-rouw’s visit to Vail’s house and said “she did not forcibly come to take her collateral.... You had agreed that the paintings could be taken at any time.” The letter also said, “All that Brenda Lievrouw desires is that you pay what you promised. She does not want your paintings.

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Cite This Page — Counsel Stack

Bluebook (online)
3 S.W.3d 260, 1999 Tex. App. LEXIS 7726, 1999 WL 826014, Counsel Stack Legal Research, https://law.counselstack.com/opinion/the-state-bar-of-texas-v-dolenz-texapp-1999.