Tashiana Luke v. Dough Boy Inc.

CourtDistrict Court, C.D. California
DecidedJanuary 7, 2020
Docket2:18-cv-07456
StatusUnknown

This text of Tashiana Luke v. Dough Boy Inc. (Tashiana Luke v. Dough Boy Inc.) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Tashiana Luke v. Dough Boy Inc., (C.D. Cal. 2020).

Opinion

O 1

2 3 4 5 6 7 United States District Court 8 Central District of California 9 10 11 TASHIANA LUKE, Case No. 2:18-cv-07456-ODW (GJSx) 12 Plaintiff, ORDER GRANTING IN PART AND 13 v. DENYING IN PART DEFENDANTS’ 14 DOUGH BOY INC., LANGSTON MOTION FOR SUMMARY 15 FAIZON SANTISIMA; JUDGMENT [23] 16 Defendants. 17 18 I. INTRODUCTION 19 Plaintiff, Tashiana Luke (“Luke”), resident of Philadelphia, brings this action 20 against Faizon Love (“Love”), resident of California, for employment discrimination 21 and sexual harassment. (See Compl., ECF No. 1.) Luke asserts that throughout her 22 employment as his personal assistant, Love made sexually harassing comments 23 culminating in a text message which included a sexually explicit video. (See Compl.) 24 Pending before the Court is Defendants’ Motion for Summary Judgment 25 (“Motion”). (Mot., ECF No. 23.) For the following reasons, the Court GRANTS IN 26 PART AND DENIES IN PART Defendants’ Motion.1 27

28 1 After considering the papers filed in connection with the Motion, the Court deemed the matter appropriate for decision without oral argument. Fed. R. Civ. P. 78(b); C.D. Cal. L.R. 7-15. 1 II. BACKGROUND 2 A. Employment and General Conduct 3 Assembly Robot, Inc. (“Assembly”) is a California corporation in the business 4 of providing entertainment services. (Def.s’ Statement of Uncontroverted Facts 5 (“DSUF”) ¶ 1, ECF No. 24.) Love is an actor and comedian and Assembly’s sole 6 shareholder, director and officer. (DSUF ¶¶ 2–3.) Love employed Luke as his 7 personal assistant. (DSUF ¶ 14.) 8 Luke and Love first met in October 2015 when Luke worked as a production 9 assistant on the set of Real Husbands of Hollywood (“RHOH”), a television show on 10 which Love was a cast member. (DSUF ¶ 8.) Luke’s job duties on RHOH included, 11 among other things, assisting cast members. (DSUF ¶ 9.) While on the set of RHOH, 12 Luke observed nudity and understood she might see nudity on the set as a production 13 assistant. (DSUF ¶¶ 12–13.) While on the set of RHOH, Love sent pictures of his 14 genitals to at least three individuals, believing it to be “the culture.” (Pl.’s Statement 15 of Uncontroverted Facts (“PSUF”) ¶¶ 74–77, ECF No. 26-1.) 16 After RHOH wrapped up, Love asked Luke if she would like to be his personal 17 assistant. (DSUF ¶ 14.) She accepted the position, knowing that Luke may use 18 profanity or reference sexual material during her employment. (DSUF ¶¶ 15, 16.) 19 She began her employment on June 9, 2016. (DSUF ¶17.) As Love’s assistant, 20 Luke scheduled meetings and bookings for Love, made travel accommodations for 21 Love, and set up for Love’s guest appearances. (DSUF ¶ 18.) 22 Sometime between June 9, 2016 and June 25, 2016, Love made the following 23 comments to Luke: “you know you need your tuition paid” and “your ass looks good 24 in those jeans” (DSUF ¶¶ 34, 40; PSUF ¶ 70.) Luke did not complain to anyone she 25 knew to be an employee, supervisor or manager of Love about these comments. 26 (DSUF ¶ 47.) 27 28 1 B. Writing the Parody 2 Shortly after starting her position, Love approached Luke about writing and 3 casting a parody of a pornographic film. (DSUF ¶ 19.) Neither party clarified what 4 scenes would be included in the parody. (DSUF ¶¶ 21, 22.) Since Luke aimed to 5 write romantic comedies and reality television, she agreed to write the parody with the 6 knowledge that the scene would involve Love having parody sex. (DSUF ¶¶ 20, 23– 7 25.) 8 Luke understood that as a writer she would be expected to have input regarding 9 test scenes, which involve cast acting out the scenes. (DSUF ¶¶ 27–28.) She 10 understood it would be important for her as a writer to review test scenes as they 11 contribute to her writing. (DSUF ¶ 29.) Furthermore, she was aware that Love could 12 cast or shoot test scenes for the parody without her knowledge or approval. (DSUF ¶¶ 13 31–32.) 14 C. Test Scene and Aftermath 15 On June 25, 2016, Love sent Luke a slow motion video of him receiving oral 16 sex from a woman, with the following text message: “I shot a test scene what do you 17 think.” (DSUF ¶ 43.) Because casting and the specifics of the scene were not 18 predetermined, the parties dispute whether the clip was in fact a test scene. (DSUF ¶¶ 19 44; PSUF ¶¶ 61–63, 66.) Parties also dispute whether Love sent this clip to others for 20 approval. (DSUF ¶ 45; Pl.’s Ex. 2 (“Love Dep. Test.”) 154:19-22, ECF No. 26-3.) 21 After the video message, parties exchanged argumentative and threatening message to 22 one another. (PSUF ¶ 79; Pl.’s Ex. 4 (“Text Message”), ECF No. 26-3.) 23 Luke quit her job after receiving this text message in part because she was 24 bothered by Love’s repeated absences at scheduled appearances. (DSUF ¶¶ 46, 50.) 25 On June 14, 2017, she filed a complaint with the Department of Fair Employment and 26 Housing (“DFEH”). (Compl. ¶ 8.) On November 9, 2017, Luke received a Notice of 27 Case Closure and Right to Sue. (Compl. ¶ 9.) 28 1 D. Plaintiff’s Complaint 2 On August 24, 2018, Luke filed the present lawsuit asserting four claims for 3 relief: (1) discrimination under California Government Code section 12940(a); 4 (2) harassment under California Government Code section 12940(j); (3) failure to 5 prevent discrimination and harassment under California Government Code section 6 12940(k); and (4) retaliation under California Government Code 12940(h). (See 7 Compl.) Defendants move for summary judgment as to all of Plaintiff’s claims. 8 (Mot. 2.)2 9 III. LEGAL STANDARD 10 A court “shall grant summary judgment if the movant shows that there is no 11 genuine dispute as to any material fact and the movant is entitled to judgment as a 12 matter of law.” Fed. R. Civ. P. 56(a). Courts must view the facts and draw reasonable 13 inferences in the light most favorable to the nonmoving party. Scott v. Harris, 550 14 U.S. 372, 378 (2007). A disputed fact is “material” where the resolution of that fact 15 might affect the outcome of the suit under the governing law, and the dispute is 16 “genuine” where “the evidence is such that a reasonable jury could return a verdict for 17 the nonmoving party.” Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248 (1986). 18 Conclusory or speculative testimony in affidavits is insufficient to raise genuine issues 19 of fact and defeat summary judgment. Thornhill Publ’g Co. v. GTE Corp., 594 F.2d 20 730, 738 (9th Cir. 1979). Moreover, though the Court may not weigh conflicting 21 evidence or make credibility determinations, there must be more than a mere scintilla 22 23 2 Defendants object to certain evidence offered by the Luke. (See Def.s’s Evid. Obj., ECF No. 27-3.) 24 The Court OVERRULES all boilerplate objections. (See Scheduling and Case Management 25 Order 9, ECF No. 18.) To the extent the Court relies without discussion on evidence to which the parties have objected, the Court OVERRULES the relevant objections. See Burch v. Regents of 26 Univ. of Cal., 433 F. Supp. 2d 1110, 1118–19 (E.D. Cal. 2006) (“[O]bjections to evidence on the ground that it is irrelevant, speculative, and/or argumentative, or that it constitutes an improper legal 27 conclusion are all duplicative of the summary judgment standard itself.”). As to the remaining 28 objections, the Court finds it unnecessary to rule on them because the Court does not rely on the disputed evidence. 1 of contradictory evidence to survive summary judgment. Addisu v. Fred Meyer, Inc., 2 198 F.3d 1130, 1134 (9th Cir.

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Tashiana Luke v. Dough Boy Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/tashiana-luke-v-dough-boy-inc-cacd-2020.