Tan v. Chen CA1/5

CourtCalifornia Court of Appeal
DecidedApril 7, 2016
DocketA141615
StatusUnpublished

This text of Tan v. Chen CA1/5 (Tan v. Chen CA1/5) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Tan v. Chen CA1/5, (Cal. Ct. App. 2016).

Opinion

Filed 4/7/16 Tan v. Chen CA1/5 NOT TO BE PUBLISHED IN OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

FIRST APPELLATE DISTRICT

DIVISION FIVE

VIVIAN TAN, Plaintiff , Cross-defendant and Appellant, A141615

v. (Contra Costa County LILY CHEN, Super. Ct. No. MSC10-02995) Defendant, Cross-complainant and Respondent.

This litigation arises from a verbal agreement between appellant Vivian Tan and respondent Lily Chen regarding the use of an album of original Chinese paintings that was owned by Tan’s grandmother. Tan appeals from a judgment following a bench trial in which the court found in favor of Chen on all of Tan’s claims for relief, concluded the agreement was unenforceable due to the parties’ mistake about the value of the album, and ordered Tan to return $70,000 paid to her by Chen under the terms of the agreement. We affirm.

FACTS AND PROCEDURAL HISTORY Chen lived next door to Jian Jun Lu, an artist. Through her family, Chen met Tan, who was then a law student, and Tan’s mother Felicia,1 who had a background in the field of fine arts. In 2008, Tan, Chen and Lu entered into a verbal agreement to

1 We refer to Felicia by her first name to avoid confusion. Later in our opinion, we do the same when referring to Tan’s aunt, Tammy Tan. undertake an art project in which Lu would create oil renderings of classical Chinese paintings. Chen did not have any expertise in art, but acted as Lu’s agent during the project. To facilitate the project, Tan agreed to provide Lu with an album of 12 traditional Chinese paintings owned by her grandmother (the Luo Han album), though she did not disclose the identity of the album’s owner to Chen or Lu. Tan advised Chen that the album’s owner would lend it to the project for one year for a fee of $120,000, and Chen and Lu verbally agreed to this arrangement. At the time of the discussions, Felicia had estimated the value of the album to be $1.2 million. The $120,000 fee for the use of the album (which Chen understood to be a licensing fee) was supposed to come out of the sales proceeds of the oil paintings produced by Lu. Tan and Felicia told Chen they needed to come up with a way to get the money up front, and Chen borrowed $70,000 from her home equity line. The money was wired to Tan’s aunt in Taiwan, with Tan’s grandmother to be the ultimate recipient of the funds. Tan’s aunt delivered the album from Taiwan in October 2008 and Tan gave it to Chen so Lu could use it for his paintings. Tan and Felicia became dissatisfied with Lu’s work on the art project and took the album back. They gave it to Chen in November 2008. On June 24, 2010, Tan filed this civil action against Chen and Lu. Tan’s amended complaint contained causes of action for civil conspiracy, fraud, deceit, promissory fraud, conversion, breach of contract, and breach of the implied covenant of good faith and fair dealing. Among other things, the prayer for relief sought damages in the amount of $50,000 plus interest (representing the balance allegedly due on the $120,000 fee for use of the album), damages attributable to economic loss occasioned by Chen’s retention of the album, punitive damages, and an equitable order requiring Chen and Lu to return the album to Tan. The court sustained Chen’s demurrer with leave to amend, brought on the ground that Tan did not own the album at issue and the true owner was a necessary and indispensible party. (See Code Civ. Proc., § 389.)

2 Tan filed a second amended complaint combining the causes of action for fraud and deceit and adding causes of action for declaratory relief, injunction and claim and delivery. This pleading also alleged that Tan had obtained an assignment from her grandmother with respect to all rights and claims arising from the album. The court overruled Chen’s demurrer to the second amended complaint, and Chen filed a cross- complaint against Tan and Lu asserting causes of action for fraud and deceit, contractual indemnity and rescission. The cross-complaint alleged Chen had been induced to pay a licensing fee based on the false representation that the album was worth more than $1 million. Tan sought a writ of possession directing Chen to return the album. Chen filed opposition indicating she would agree to do so if (1) Tan agreed not to transfer the album to another party until the rightful owner (who was then still undisclosed) had been determined; (2) a mutually agreed upon appraiser examined the album and documented its condition before transfer to avoid future claims the album had been damaged by Chen; and (3) Tan agreed to fully indemnify Chen for claims by third parties relating to the album. The court denied the writ but issued an order directing Chen to return the album. Chen complied. The case proceeded to a bench trial at which Tan, representing herself, testified that Chen had asked her for help in securing the album so Lu could use it as inspiration and source material for his oil paintings; that she (Tan) did not disclose her grandmother was the owner of the album because her grandmother wished to keep her identity private; that after Lu failed to perform, Chen told Tan she wanted to keep the album because the “lease” had not expired and she wanted to find a replacement artist to do the project; and that Chen did not return the album until she was required by a court order to do so, despite Tan’s urging. Chen testified she did not know anything about art but was encouraged by Tan and Felicia to help Lu; Tan and Felicia proposed the art project and told her the owner of the album had to be paid a license fee of $120,000; Tan and Felicia told her they needed to get the album quickly because the owner was in her nineties and might die, convincing

3 Chen to borrow $70,000 from her home equity line; Chen considered the art project to be over after Tan and Felicia became dissatisfied with Lu; Tan and Felicia insisted she take the album and refused her offers to return it; and that Tan did not tell Chen she wanted the album back until she filed this lawsuit in 2010. Chen also presented the testimony of Arjun Gupta, an expert in Asian art, who opined the album was worth between $4,500 and $6,000. The trial court found in favor of Chen and Lu on each cause of action in Tan’s second amended complaint, concluding there was no enforceable agreement between the parties. In its statement of decision, the court explained: “There was no written contract and the oral representations between the parties were never specific enough to constitute an enforceable contract of any kind. Moreover, the evidence was overwhelming that the central object of any alleged agreement, the Luo Han Album, was not the rare art object worth more than $1,000,000 that it was represented to be by [Tan] and her mother. Instead, the court finds, based on the persuasive testimony of Arjun Gupta that the [Luo] Han Album is worth no more than $6,000. While insufficient evidence was presented to prove that [Tan] knowingly or fraudulently misrepresented the value of the Album to [Chen and Lu], it is clear that all parties were so mistaken regarding the Album’s value as to render any possible agreement between the parties unenforceable.” The court found in favor of Chen on her cross-complaint and ordered Tan to return the $70,000 fee paid by Chen. “Insufficient evidence was presented to allow this court to conclude that Vivian Tan knowingly and fraudulently represented that the [Luo] Han Album was worth more than $1,000,000 when it actually was worth only a few thousand dollars.

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Tan v. Chen CA1/5, Counsel Stack Legal Research, https://law.counselstack.com/opinion/tan-v-chen-ca15-calctapp-2016.