Syester v. Banta

133 N.W.2d 666, 257 Iowa 613, 1965 Iowa Sup. LEXIS 616
CourtSupreme Court of Iowa
DecidedMarch 9, 1965
Docket51504
StatusPublished
Cited by58 cases

This text of 133 N.W.2d 666 (Syester v. Banta) is published on Counsel Stack Legal Research, covering Supreme Court of Iowa primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Syester v. Banta, 133 N.W.2d 666, 257 Iowa 613, 1965 Iowa Sup. LEXIS 616 (iowa 1965).

Opinion

SNell, J.

— This is a law action seeking damages, actual and exemplary, for allegedly false and fraudulent representations in. *616 the sale of dancing instruction to plaintiff. From the final judgment entered after a jury verdict for plaintiff in a substantial amount defendants have appealed.

Plaintiff is a lonely and elderly widow who fell for the blandishments and flattery of those who- saw some “easy money” available.

Defendants are the owners of the Des Moines Arthur Murray Dance Studio. They have a legitimate service to sell but wlien their selling techniques transcend the utmost limits of reason and fairness they must expect courts and juries to frown thereon. In this case the jury has done so.

Since the beginning of recorded history men and women have persisted in selling their birthrights for a mess of pottage and courts cannot protect against the folly of bad judgment. We can, however, insist on honesty in selling. The old doctrine of caveat emptor is no longer the polestar for business.

Much of the testimony was uneontradicted. The testimony as to intentional fraud and misrepresentation as well as the motive and credibility of some witnesses was attacked but these were questions for the jury. It was for the jury to say who should be believed.

It is not for us to say who should have prevailed with the jury. It is for us to determine the sufficiency of the admissible evidence to generate a jury question and the correctness - of the instructions given the jury. We will mention only as much of the testimony as is necessary for that purpose.

Plaintiff is a widow living alone. She has no family. Her exact age does hot appear but a former employee of defendants and a favorite dancing instructor of plaintiff testified “that-during the period from 1957 through the fall of 1960 she was 68 years old.”

After her husband’s death plaintiff worked at Bishops as a “coffee girl.” She first went to the Arthur Murray Studio in 1954 as a gift from a friend. On the first visit there was no attempt to sell her any lessons but she was invited to return a few days later. When she returned she was interviewed by the manager and sold a small course of dancing íéssons. From that time on *617 there appears to have been an astoundingly successful selling campaign.

The testimony of defendants’ manager and his written summary of payments, received as Exhibit 1, are not in complete accord, but the variation is not vital. By May 2, 1955, defendants sold plaintiff 3222 hours of dancing instruction for which she paid $21,020.50. In all, according to the testimony of defendants’ manager plaintiff paid $33,497 for 4057 hours of instruction. Because of some refunds and credits defendants’ Exhibit 1 shows plaintiff’s cost to be only $29,174.30. Defendants’ Exhibit 1 is as follows:

“Exhibit 1
“Summary oe
“DaNCe Courses Puroi-iased
“By Agnes Syester
Hours In
“Date Sold By Course Am:t Paid
9-27-54 1709.50 Brick 206
10-15-54 2490.00 . Neidt 300
11- 4-54 Neidt 16 88.00
1- 8-55 Bersch 500 3825.00
1-19-55 Bersch 1000 6800.00
5- 2-55 Bersch 1200 6000.00
5-24-55 Brick 100 995.00
6-22-55 Brick 10 79.80
5-25-57 11 130.00 Brick-Ziegler
6-22-57 10 106.00 Brick
6- 4-58 10 106.00 Carey
9- 8-58 10 99.00 Carey
1- 6-59 4 25.00 Erickson
5-27-59 10 116.00 Wolf
6-10-59 10 112.50 Wolf
6-10-59 10 112.50 Wolf
12- 2-59 25 290.00 Carey-Kenton
3- 2-60 625 6090.00 Carey
4057 $29174.30”

*618 On May 2,1955, when plaintiff bought 1200 additional hours of instruction for $6000 she had already bought 2022 hours and had used only 261 hours.

Included in the courses offered were lifetime memberships. With the purchase of 1000 or 1200 hours of instruction it was the policy of defendants to give free attendance to weekly dances for life and two hours of instruction or practice a month to keep active on what had been learned. Included in plaintiff’s purchases were three lifetime memberships. Plaintiff attended the weekly' dances and incidental entertainments and admitted having fun.

Plaintiff testified that defendants’ manager sold her the first lifetime membership. She testified “He promised me all the privileges of the studio and I would be a professional dancer.” To make such a promise to a lady plaintiff’s age was ridiculous. The fact that she was so gullible as to be an easy victim does not justify taking over $29,000 of her money. She may have been willing and easily sold but nevertheless a victim.

The members of defendants’ staff were carefully schooled and ■ supervised in the art of high-powered salesmanship. Mr. Jerry Carey, a witness ■ for plaintiff, testified at length as to methods and as to his contact with plaintiff. There was evidence that Mr. Carey was a disgruntled former employee and instructor and had expressed hostility toward defendants, but his- credibility was for the jury.

■Defendants’ studio occupies seven rooms consisting" of a grand ballroom and six private studios. Each private studio is wired for sound so the manager could monitor conversations between instructor and student and without the student’s knowledge correct the instructor’s sales technique.

Mr. Carey had received two months’ training including a course on sales technique taught by the manager. Plaintiff’s Exhibit-H is a revised edition of defendants’ “Eight Good Rules For Interviewing.” It is an exhaustive set of instructions, outlines and suggested conversations covering twenty-two typewritten- pages. A few pertinent parts are:

“1. How to prevent a prospect from consulting his banker, lawyer, -wife or friend. .
*619 “2. Avoid permitting your prospect to think the matter over.:
“3/ Tell the prospect that has never danced before that it is an advantage and tell the prospect that has danced before that it is an advantage.
. ■ “4. To dance -with the prospect and then tell the prospect" that the rhythm is very good, their animation or self-confidence'' is good, that their natural ability is very good. That they will be. an excellent ballroom dancer in much less time and that if they didn’t have natural ability it would take twice as long. ■
“5.

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Bluebook (online)
133 N.W.2d 666, 257 Iowa 613, 1965 Iowa Sup. LEXIS 616, Counsel Stack Legal Research, https://law.counselstack.com/opinion/syester-v-banta-iowa-1965.