Stuart v. Collins

489 F. Supp. 827
CourtDistrict Court, S.D. New York
DecidedJune 2, 1980
Docket77 Civ. 1662 (PNL)
StatusPublished
Cited by21 cases

This text of 489 F. Supp. 827 (Stuart v. Collins) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Stuart v. Collins, 489 F. Supp. 827 (S.D.N.Y. 1980).

Opinion

MEMORANDUM ORDER

LEVAL, District Judge.

Thomas G. Stuart, a little known performer of popular, rock music brought this action alleging infringement of his service mark 1 against William C. Collins and Warner Bros. Records, Inc. (“Warner”), a subsidiary of Warner Communications, Inc.

Stuart, who resides in Birmingham, Alabama, participated in 1966 in the formation of a band which took the name “The Rubberband.” After this group disbanded, plaintiff started a new band. He registered the mark “The Rubberband” with the U.S. Patent and Trademark Office in 1971. (United States Service Mark Registration No. 908,846). The registration covers the provision of musical performances. The plaintiff testified (and the court finds) that his band, using the Rubberband name, had been under his direction and control from the date of its inception. The Rubberband recorded a number of albums, mostly on minor labels. According to the plaintiff, these recordings served primarily as vehicles for introducing the band’s music to promoters of live concerts. Stuart testified that he sent the albums to radio stations and concert promoters, and that he performed live concerts at various locations in the South, including colleges and army bases. Albums also were occasionally consigned to record stores. Stuart testified that he did not know if any albums sold, but they did receive some air play. Stuart also testified that his activities under the Rubberband mark have not generated any appreciable income in excess of his expenses.

Defendant Collins is a musician known as Bootsy or Bootsy Collins. Prior to 1976, he played bass guitar with a number of popular bands, including James Brown and Parliament. In 1975-76, he decided, in consultation with George Clinton, producer of Parliament, that it was time for him to start his own band. Collins made a number of tapes which came to the attention of Robert Krasnow, a Warner executive responsible for hiring new talent, who signed him for Warner. After considering other names, Collins, accepting Clinton’s suggestion, called his group Bootsy’s Rubber Band and his first album “Stretchin Out in Bootsy’s Rubber Band”. Warner Bros, began a *829 promotional campaign for “Bootsy’s Rubber Band” with the release of this album in March 1976.

In June 1976 plaintiff came across the defendants’ album in a Woolco store in Alabama. Within a few days plaintiff’s attorney wrote to Warner demanding that the defendants cease using the “Rubber Band” name as it infringed on the plaintiff’s registered mark. 2 Although a series of letters were exchanged between the plaintiff or his lawyer and Warner discussing the possibility of settlement, the parties were never close. The first “Bootsy’s Rubber Band” album became increasingly successful through the summer of 1976, and as Krasnow testified, Warner Bros, responded with more promotion. 3 In the Spring of 1977, a second “Bootsy’s Rubber Band” album was released. Plaintiff then brought this action. Two more albums have followed.

The plaintiff claims that the defendants’ use of “Rubber Band” in connection with Collins’ concerts and recordings creates a likelihood of confusion regarding the source of the musical services offered by the parties. 4 The plaintiff further claims that defendants’ successful use and extensive promotion of the Bootsy’s Rubber Band name has resulted in the appropriation of the plaintiff’s mark, so that as a practical matter plaintiff can no longer hope to use his mark successfully in commerce. 5 The defendants denied these contentions, and further claimed that the plaintiff had, through various acts and omissions, lost the right to enforce his mark. This latter claim took the form of five affirmative defenses. The defendants argued that the plaintiff made a knowing, material misrepresentation to the patent office in a “continuing-use” affidavit filed in 1977, 6 abandoned his mark by failing to use it and intending to not resume use, 7 and misused his mark by permitting indiscriminate substitution of musicians and failing to exercise supervision of quality control. 8 The defendants also contended that laches and estoppel barred prosecution of the plaintiff’s claim. The laches defense was withdrawn before the close of trial.

The plaintiff sought to recover his losses, an accounting of defendants’ profits, and injunctive relief, pursuant to 15 U.S.C. §§ 1116, 1117.

The plaintiff demanded a jury trial on the issues involved in the legal claim for money damages, and waived any right he might have to a jury trial of the affirmative defenses. The case was tried before a jury on February 11, 13, 14, 19, 20, 21 and 22, 1980. The jury was charged and asked *830 to respond to special interrogatories pertaining to the claim of infringement as well as the affirmative defenses 9 and the various claims for damages. 10

Both sides agreed that the question of infringement belonged to the jury to decide, and that the jury would function in an advisory capacity as to the affirmative defenses. With respect to the monetary award, the defendants did not challenge the jury’s authority to value the loss suffered as a result of the infringement, but contended that the accounting of the defendants’ profits is a function to be performed by the court, and further that the court, and not the jury, should exercise the functions of increasing or decreasing awards of loss and profits in the interest of justice under § 1117.

The jury found for the plaintiff on the issue of likelihood of confusion and delivered a verdict for the plaintiff on infringement. Because this question was within the jury’s province, see Dairy Queen, Inc. v. Wood, 369 U.S. 469, 82 S.Ct. 894, 8 L.Ed.2d 44 (1962), (and in addition because I agree with the jury’s verdict on this question) I accept this verdict. 11

The testimony of plaintiff’s expert Bruce Morrow, for many years a leading disc jockey under the name Cousin Brucie, was convincing on several disputed issues. As to defendants’ claim that the word Bootsy is the core of the defendant’s name and that the name would not be used without it, Morrow convincingly disagreed. It is notable that defendants’ own record jackets contain references to “the Rubber Band” and newspaper articles introduced by the defendants also refer to “the Rubber Band” as though that were its name. See Defendant’s Exhibit Q.

The jury’s verdict on the affirmative defenses was advisory, see F.R.Civ.P. 39; cf. The Five Platters v. Purdie, 419 F.Supp. 372 (D.Md.1976).

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489 F. Supp. 827, Counsel Stack Legal Research, https://law.counselstack.com/opinion/stuart-v-collins-nysd-1980.