Starr v. Sony BMG

CourtCourt of Appeals for the Second Circuit
DecidedJanuary 13, 2010
Docket08-5637-cv
StatusPublished

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Bluebook
Starr v. Sony BMG, (2d Cir. 2010).

Opinion

08-5637-cv Starr v. Sony BM G

UNITED STATES COURT OF APPEALS

FOR THE SECOND CIRCUIT

_______________

August Term, 2009

(Argued: September 21, 2009 Decided: January 13, 2010)

Docket No. 08-5637-cv

KEVIN STARR, MATT PUTMAN , CINDY SELEY , on behalf of herself and all others similarly situated, DAVID PASCHKETT , on behalf of all others similarly situated, CHRISTOPHER MICHAUD , on behalf of himself and all others similarly situated, LISA OWENS, RICHARD BENHAM , on behalf of himself and all others similarly situated, KEATON LANDRY, individually and on behalf of all others similarly situated, SHERI CLARK, RACHAEL HALL and MITCHELL HORTON ,

Plaintiffs-Appellants,

—v.—

SONY BMG MUSIC ENTERTAINMENT, SONY CORPORATION OF AMERICA, BERTELSMANN, INC., UNIVERSAL MUSIC GROUP, TIME WARNER INC., formerly known as AOL Time Warner Cable, Inc., WARNER MUSIC GROUP CORP., EMI MUSIC NORTH AMERICA, CAPITOL RECORDS INC., doing business as EMI Music North America, JOHN DOES 1-100, BERTELSMANN MUSIC GROUP, INC., BMG MUSIC, BMG MUSIC PUBLISHING, doing business as The RCA Record Label, CAPITOL-EMI MUSIC, INC. and VIRGIN RECORDS AMERICA, INC.,

Defendants-Appellees.*

Before:

NEWMAN , WALKER, and KATZMANN , Circuit Judges. _______________

* The Clerk of the Court is directed to amend the official caption as set forth above. Appeal from a judgment of the United States District Court for the Southern District of

New York (Loretta Preska, Judge), entered October 21, 2008, dismissing Plaintiffs-Appellants’

Second Consolidated Amended Complaint (“SCAC”) for failure to state a claim upon which

relief can be granted. We hold that the SCAC contains “enough factual matter (taken as true) to

suggest that an agreement was made,” Bell Atlantic Corp. v. Twombly, 550 U.S. 544 (2007), and

therefore states a claim for violation of Section 1 of the Sherman Act. We therefore vacate the

judgment of the district court and remand for further proceedings consistent with this opinion.

GARY S. JACOBSON (Christopher Lovell, Imtiaz A. Siddiqui, of counsel), Lovell Stewart Halebian LLP, New York, NY; John Stoia and Bonny Sweeney, of counsel, Coughlin Stoia Geller Rudman & Robbins LLP, San Diego, CA, for Plaintiffs-Appellants.

KENNETH R. LOGAN (Helena Almeida, of counsel), Simpson Thacher & Bartlett LLP, New York, NY; Alan M. Wiseman, Mark C. Schechter, and Thomas A. Isaacson, of counsel, Howrey LLP, Washington, DC; Peter T. Barbur and Rachel G. Skaistis, of counsel, Cravath, Swaine & Moore LLP, New York, NY, for Defendants-Appellees.

_______________ KATZMANN , Circuit Judge:

This case calls upon us to determine whether an antitrust complaint alleging a conspiracy

by major record labels to fix the prices and terms under which their music would be sold over the

Internet states a claim for violation of Section 1 of the Sherman Act under Bell Atlantic Corp. v.

Twombly, 550 U.S. 544 (2007). We hold that Plaintiffs-Appellants’ Second Consolidated

Amended Complaint (“SCAC”) contains “enough factual matter (taken as true) to suggest that an

agreement was made,” id. at 555, and therefore states a claim. We vacate the judgment of the

district court and remand for further proceedings consistent with this opinion.

2 BACKGROUND

The SCAC contains the following non-conclusory factual allegations, which we must

accept as true.1

Defendants produce, license and distribute music sold as digital files (“Digital Music”)

online via the Internet (“Internet Music”) and on compact discs (“CDs”). Together, defendants

EMI, Sony BMG Music Entertainment (“Sony BMG”), Universal Music Group Recordings, Inc.

(“UMG”), and Warner Music Group Corp. (“WMG”), control over 80% of Digital Music sold to

end purchasers in the United States.

Initially, defendants Bertelsmann, Inc. (“Bertelsmann”), WMG, and EMI agreed to launch

a service called MusicNet. Defendants UMG and Sony Corporation (“Sony”) agreed to launch a

service called Duet, later renamed pressplay. All defendants signed distribution agreements with

MusicNet or pressplay and sold music directly to consumers over the Internet through these

ventures (the “joint ventures”). Both the joint ventures and the Recording Industry Association

of America (“RIAA”) provided a forum and means through which defendants could

communicate about pricing, terms, and use restrictions.

To obtain Internet Music from all major record labels, a consumer initially would have

had to subscribe to both MusicNet and pressplay, at a cost of approximately $240 per year. Both

services required consumers to agree to unpopular Digital Rights Management terms (“DRMs”).

1 The Supreme Court’s most recent iteration of the Federal Rules of Civil Procedure Rule 8(a) pleading standard stresses that “the tenet that a court must accept as true all of the allegations contained in a complaint is inapplicable to legal conclusions. . . . [Therefore,] a court considering a motion to dismiss can choose to begin by identifying pleadings that, because they are no more than conclusions, are not entitled to the assumption of truth.” Ashcroft v. Iqbal, 129 S.Ct. 1937, 1949-50 (May 18, 2009). We accept that invitation here, and do not include those allegations in the SCAC that “are no more than conclusions.”

3 For example, pressplay prohibited consumers from copying more than two songs from any

particular artist onto a CD each month. Music purchased from MusicNet and pressplay would

often “expire” unless repurchased: A MusicNet consumer would need to repurchase music each

year and a pressplay consumer who unsubscribed would immediately lose access to all of the

music he or she had purchased. MusicNet and pressplay also did not allow consumers to transfer

songs from their computers to portable digital music players like the iPod. One industry

commentator observed that MusicNet and pressplay did not offer reasonable prices, and one

prominent computer industry magazine concluded that “nobody in their right mind will want to

use” these services. SCAC ¶ 77.

Moreover, the pricing of CDs accounted for costs such as copying the compact discs;

producing the CD case, labels and anti-shoplifting packaging; shipping, both to the distributor

and then to record stores; labor, such as shelving CDs and staffing cash registers; and damaged

and unsold inventory. All of these costs were eliminated with Internet Music. SCAC ¶ 71.

However, these dramatic cost reductions were not accompanied by dramatic price reductions for

Internet Music, as would be expected in a competitive market.

Eventually, defendants and the joint ventures began to sell Internet Music to consumers

through entities they did not own or control. However, the entities could only sell defendants’

music if they contracted with MusicNet to provide Internet Music for the same prices and with

the same restrictions as MusicNet itself or other MusicNet licensees. If the licensee attempted to

license music from another company, defendants forced them to pay penalties or terminated their

licenses. In addition, each defendant was paid shares of the total revenue generated by a joint

venture licensee, rather than on a per song basis, linking each defendant’s financial interest in the

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