SoundExchange, Inc. v. Sirius XM Radio Inc.

65 F. Supp. 3d 150, 111 U.S.P.Q. 2d (BNA) 1909, 2014 U.S. Dist. LEXIS 118979, 2014 WL 4219591
District Court, District of Columbia·Decided August 26, 2014·No. Case No. 1:13 cv 1290 (RJL)·Published

Opinion

[Dkt. # 13]

MEMORANDUM OPINION

RICHARD J. LEON, United States District Judge

Plaintiff SoundExchange, Inc. (“Soun-dExchange”) brings this action against defendant Sirius XM Radio Inc. (“Sirius XM”) in an effort to recover royalties SoundExchange claims it is owed under the Copyright Act. See generally Compl. [Dkt. # 1]. Sirius XM moves to dismiss the Complaint, or, in the alternative, stay the action, pursuant to the doctrine of primary jurisdiction. Def. Sirius XM Radio Inc.’s Mot. to Dismiss Pl.’s Compl. (“Defl’s Mot.”) [Dkt. # 13]; Def. Sirius XM Radio Inc.’s Mem. of Law in Support of its Mot. to Dismiss at 2 (“Def.’s Mem.”) [Dkt. # 13-1]. After review of the motion, the applicable law, and the record herein, defendant’s motion is GRANTED and the case is STAYED pending a decision by the Copyright Royalty Board (“CRB”).

[152] BACKGROUND

Sirius XM is the only satellite digital audio radio service (“SDARS”) in the United States. Compl. ¶2. The Copyright Act grants entities such as Sirius XM a statutory license to digitally broadcast copyrighted sound recordings. 17 U.S.C. §§ 112, 114(d)(2); Compl. ¶¶ 1, 18. Statutory licensees pay royalties, but do not have to negotiate with individual copyright owners for every recording they want to broadcast. Instead, regulations implementing the Copyright Act charge Soun-dExchange, an independent non-profit organization, with collecting the performance royalties from statutory license users— such as SDARS, Internet radio stations, and cable TV music channels — and distributing those royalties to the copyright owners in accordance with 17 U.S.C. § 114(g)(2)(A)-(D). Compl. ¶¶ 10,15.

The “reasonable rates and terms of royalty payments” SDARS like Sirius XM owe are set by the Copyright Royalty Board, which is comprised of three Copyright Royalty Judges (“CRJs”). 17 U.S.C. §§ 114(f)(1), 801(a)-(b). These CRJs must be experienced attorneys, and at least one judge must have significant knowledge of copyright law and another must have significant knowledge of economics. 17 U.S.C. § 802(a)(1). The Copyright Act directs that the SDARS royalty rates set by the CRB

be calculated to achieve the following objectives:
(A) To maximize the availability of creative works to the public.
(B) To afford the copyright owner a fair return for his or her creative work and the copyright user a fair income under existing economic conditions.
(C) To reflect the relative roles of the copyright owner and the copyright user in the product made available to the public with respect to relative creative contribution, technological contribution, capital investment, cost, risk, and contribution to the opening of new markets for creative expression and media for their communication.
(D) To minimize any disruptive impact on the structure of the industries involved and on generally prevailing industry practices. ■

17 U.S.C. § 801(b)(1). To fulfill its statutory mandate, the CRB presides over extensive administrative proceedings, which can involve scores of witnesses and voluminous documents, before issuing its determinations and promulgating regulations. See generally 17 U.S.C. § 803.

Sirius XM1 and SoundExchange already have met in two such proceedings before the CRB. In the first, the CRB heard twenty-six days of testimony and admitted more than 230 exhibits before issuing its final determination regarding the royalty rates owed by SDARS from January 2007 through December 2012. Determination of Rates and Terms for Preexisting Subscription Services and Satellite Digital Audio Radio Services, 73 Fed.Reg. 4080, 4080-81 (Jan 24, 2008) (“Satellite I”). The CRB considered the four statutory factors laid out in 17 U.S.C. § 801(b)(1) and set the SDARS royalty fee as a percentage of gross revenues escalating from 6% in 2007 to 8% in 2012. Id. at 4084. The CRB further defined “Gross Revenues” as including subscription revenue [153] and advertising revenue attributable to advertisements on channels that do more than “use only incidental performances of sound recordings,” but excluding other specific sources of revenue. Id. at 4102; 37 C.F.R. § 382.1l(l)(i)-(ii) (2008)'. Most relevant here, the CRB explicitly excluded revenue recognized from “[cjhannels, programming, products and/or other services offered for a separate charge where such channels use only incidental performance of sound recordings” and from “[c]hannels, programming, products and/or other services for which the performance of sound recordings ... is exempt from any license requirement or is separately licensed.” Satellite I, 73 Fed.Reg. at 4102; .37 C.F.R. § 382.11(3)(vi)(B), (D) (2008).

Around five years later, the parties met again in a contested proceeding to determine the SDARS royalty rate for the period from 2013 through 2017. Determination of Rates and Terms for Preexisting Subscription Services and Satellite Digital Audio Radio Services, 78 Fed.Reg. 23054 (April 17, 2013) (“Satellite II ”). There, the parties proposed rates and also disputed the revenue base to which the adopted royalty rates would apply — SoundEx-change argued to expand the revenue base, and Sirius XM argued to maintain it. Id. at 23072. Ultimately, the CRB determined that royalty rates would start at 9% of gross revenues in 2013 and rise to 11% by 2017, id. at 23071, and was “satisfied that the exclusions permitted in the Gross Revenues definition remain proper,” id. at 23072. However, the CRB prescribed a methodology it described as a “deduction” rather than a “revenue exclusion” to handle royalties attributable to pre-1972 recordings. Id. at 23073.

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SoundExchange, Inc. v. Sirius XM Radio Inc., 65 F. Supp. 3d 150, 111 U.S.P.Q. 2d (BNA) 1909, 2014 U.S. Dist. LEXIS 118979, 2014 WL 4219591 (D.D.C. 2014).

65 F. Supp. 3d 150 (SoundExchange, Inc. v. Sirius XM Radio Inc.) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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