Soundexchange, Inc. v. Music Choice

CourtDistrict Court, District of Columbia
DecidedFebruary 14, 2020
DocketCivil Action No. 2019-0999
StatusPublished

This text of Soundexchange, Inc. v. Music Choice (Soundexchange, Inc. v. Music Choice) is published on Counsel Stack Legal Research, covering District Court, District of Columbia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Soundexchange, Inc. v. Music Choice, (D.D.C. 2020).

Opinion

UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA __________________________________________ ) SOUNDEXCHANGE, INC., ) ) Plaintiff, ) ) v. ) Civil Action No. 19-999 (RBW) ) MUSIC CHOICE, ) ) Defendant. ) __________________________________________)

MEMORANDUM OPINION

The plaintiff, SoundExchange, Inc. (“SoundExchange”), brings this civil action pursuant

to the Copyright Act of 1976 (the “Copyright Act”), 17 U.S.C § 101 (2018), against the

defendant, Music Choice, to recover unpaid royalties. See Complaint (“Compl.”) ¶¶ 32–41.

Currently pending before the Court is Defendant Music Choice’s Motion to Transfer Venue

Under 28 U.S.C. § 1404(a) (“Def.’s Mot.” or the “motion to transfer”). Upon careful

consideration of the parties’ submissions, 1 the Court concludes for the following reasons that it

must deny the defendant’s motion to transfer.

I. BACKGROUND

The following facts are derived from the plaintiff’s Complaint.

Pursuant to the Copyright Act, “certain music service providers” may obtain “statutory

licenses that permit them to use,” as part of the services they provide, “sound recordings

protected by federal law without having to negotiate license agreements with rights owners.”

1 In addition to the filings already identified, the Court considered the following submissions in rendering its decision: (1) Defendant Music Choice’s Answer to Complaint (“Answer”); (2) the Memorandum of Points and Authorities in Support of Defendant Music Choice’s Motion to Transfer Venue Under 28 U.S.C. § 1404(a) (“Def.’s Mem.”); (3) SoundExchange’s Memorandum of Points and Authorities in Opposition to Defendant Music Choice’s Motion to Transfer Venue Under 28 U.S.C. § 1404(a) (“Pl.’s Opp’n”); and (4) Defendant Music Choice’s Reply in Further Support of its Motion to Transfer Venue Under 28 U.S.C. § 1404(a) (“Def.’s Reply”). Compl. ¶ 2. Music service providers can obtain a statutory license “by filing a Notice of Use in

the Copyright Office[.]” Id. “Thereafter, a statutory licensee can use sound recordings . . . to its

commercial advantage so long as it complies with the requirements of the statutory license.” Id.

The Copyright Act requires that statutory licensees “pay specified royalties on a timely basis[,]”

id., and “report their usage of recordings[,]” id. ¶ 17. The royalty rates that statutory licensees

must pay are determined by the Copyright Royalty Board (the “Board”), which consists of three

Copyright Royalty Judges appointed pursuant to the Copyright Act. See id. ¶ 3. The resulting

royalty rates are then set forth in regulations promulgated by the Board. See id. (citing provision

of the Copyright Act).

The plaintiff is a non-profit organization headquartered in the District of Columbia that

has been designated by the Board “as the sole entity in the United States to collect royalties from

statutory licensees and distribute these royalties to performing artists and copyright owners[.]”

Id. ¶ 11. The plaintiff has authority to initiate independent audits of music service providers to

verify the royalty statements and payments made to the plaintiff. See id. ¶ 7 (citing 37 C.F.R.

§ 384.6 (2020)).

The defendant, a digital music service provider headquartered in Horsham, Pennsylvania,

uses statutory licenses to provide various digital music services. See Compl. ¶ 4. The defendant,

through its audio service known as the “Business Establishment Service,” “provides multiple

channels of commercial-free, radio-like music,” which are “broadcast to subscribing retail

establishments and other businesses, to play on-premise as background music for the enjoyment

of customers.” Def.’s Mem. at 1; see Compl. ¶ 4.

In 2016, the plaintiff initiated an audit of the defendant, using the independent auditor

Prager Metis CPAs, LLC (“Prager Metis”). See Compl. ¶ 7. According to the plaintiff, the

2 defendant purportedly “failed to make the required payments to [the plaintiff] by the applicable

due dates[,]” and “systematically underpaid statutory royalties” for its Business Establishment

Service during the period from January 1, 2013, through December 31, 2016. Id.

The plaintiff initiated this civil action in this Court on April 10, 2019, seeking recovery of

the unpaid royalties and late fees under 37 C.F.R. § 384.3, 384.4, as well as unpaid verification

fees under 37 C.F.R. § 384.6(g). See id. ¶¶ 32–41. On June 24, 2019, the defendant filed its

answer, and thereafter moved to transfer this case to the Southern District of New York on venue

grounds under 28 U.S.C. § 1404(a). See generally Def.’s Mot. The motion to transfer is the

subject of this Memorandum Opinion.

II. STANDARD OF REVIEW

28 U.S.C. § 1404(a) provides that, “[f]or the convenience of parties and witnesses, in the

interest of justice, a district court may transfer any civil action to any other district or division

where it might have been brought or to any district or division to which all parties have

consented.” 28 U.S.C. § 1404(a) (2018). The decision to transfer a case is discretionary, and a

district court must conduct “an individualized, ‘factually analytical, case-by-case determination

of convenience and fairness.’” New Hope Power Co. v. U.S. Army Corps of Eng’rs, 724

F. Supp. 2d 90, 94 (D.D.C. 2010) (quoting Sec. & Exchange Comm’n v. Savoy Indus. Inc., 587

F.2d 1149, 1154 (D.C. Cir. 1978)). The moving party “bears the burden of establishing that the

transfer of th[e] action is proper.” Greater Yellowstone Coal. v. Bosworth, 180 F. Supp. 2d 124,

127 (D.D.C. 2001).

III. ANALYSIS

The defendant argues that transferring this case to the Southern District of New York is

appropriate because “the witnesses and evidence likely to be relevant to this dispute” are located

3 in New York and Horsham, Pennsylvania, rather than the District of Columbia, and that the

Southern District of New York “has a stronger interest in and connection to this dispute than this

District.” Def.’s Mem. at 2. The plaintiff responds that the defendant has not satisfied its burden

to justify transferring this case and “override [the plaintiff’s] choice of its home forum to

litigate,” where “[a]ll of the relevant facts . . . in connection with this dispute took place in the

District of Columbia or in the Eastern District of Pennsylvania,” rather than in the Southern

District of New York. Pl.’s Opp’n at 1, 8.

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Soundexchange, Inc. v. Music Choice, Counsel Stack Legal Research, https://law.counselstack.com/opinion/soundexchange-inc-v-music-choice-dcd-2020.