Sony Music Entertainment Espaa, S.L. v. Moody II LLC

CourtDistrict Court, D. Colorado
DecidedAugust 25, 2024
Docket1:23-cv-00885
StatusUnknown

This text of Sony Music Entertainment Espaa, S.L. v. Moody II LLC (Sony Music Entertainment Espaa, S.L. v. Moody II LLC) is published on Counsel Stack Legal Research, covering District Court, D. Colorado primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Sony Music Entertainment Espaa, S.L. v. Moody II LLC, (D. Colo. 2024).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO

Civil Action No. 1:23-cv-00885-CNS-SBP

SONY MUSIC ENTERTAINMENT ESPAÑA, S.L., and ULTRA RECORDS, LLC,

Plaintiffs,

v.

MOODY II LLC T/A MOODY RECORDINGS, JONAS TEMPEL, and WILLIAM RENKOSIK, p/k/a DJ Bad Boy Bill,

Defendants.

ORDER GRANTING MOTION TO AMEND ANSWER Susan Prose, United States Magistrate Judge

This matter is before this court on Defendants’ motion to amend their answer to add counterclaims. ECF No. 44 (the “Motion), ECF No. 44-1 (public, redacted version of proposed amended pleading), ECF No. 46-1 (confidential version of proposed, second amended answer adding counterclaims; for simplicity, this court refers to the proposed amendment as the “Counterclaims”). The Motion is referred. ECF No. 45. Having carefully considered the briefing and proposed amended pleading, this court respectfully GRANTS the motion as follows.1

1 “Whether motions to amend are dispositive is an unsettled issue in the 10th Circuit.” Cano- Rodriguez v. Adams Cty. Sch. Dist. No. 14, No. 19-cv-01370-CMA-KLM, 2020 WL 6049595, at *1 n.2 (D. Colo. July 23, 2020), report and recommendation adopted, 2020 WL 4593219 (D. Colo. Aug. 11, 2020). Courts in this District have treated orders granting motions to amend as non-dispositive, but “many courts have held that a recommendation to deny a motion to amend . . . should be viewed as a dispositive ruling because it precludes the filing of certain claims.” I. Background The court takes the following facts from the Complaint, Answer, and docket. The court does not purport to exhaustively summarize the pleadings or procedural history, but only notes the background necessary for ruling on the Motion. This is a copyright infringement case. Plaintiffs are Sony Music Entertainment España, S.L., and Ultra Records, LLC (collectively, “Sony”), who filed this action on April 10, 2023. ECF No. 1 (“Complt.”). Sony alleges that pursuant to an exclusive license agreement it entered with Defendant Moody II LLC t/a Moody Recordings in 2014, Sony has the exclusive rights (except in Belgium, the Netherlands, and Luxembourg) to an audiorecording and song which it refers to as “the track ‘Dancin.’” Id. ¶¶ 11, 13. Sony further alleges that pursuant to the license

agreement, its exclusive rights include all versions of “Dancin” except the “Laidback Luke Remix.” Id. ¶¶ 12, 13. Under the contract, Sony pays royalties to Moody in exchange for those rights. Id. ¶ 41. Sony alleges that despite having contractually given those rights to Sony, Defendants (Moody II LLC, Jonas Tempel, and William Renkosik, p/k/a DJ Bad Boy Bill, collectively referred to here as “Moody”) made an unauthorized version of “Dancin” (the “Infringing Product”) and then “engaged in, and authorized, the reproduction, distribution, public communication of and making the Infringing Product available through inter alia various digital

Crocs, Inc. v. Effervescent, Inc., No. 06-cv-00605-PAB-KMT, 2021 WL 941828, at *2 n.1. (D. Colo. Mar. 11, 2021); Bullock v. Daimler Trucks N. Am., LLC, No. 08-cv-00491-PAB-MEH, 2010 WL 1286079, at *1 (D. Colo. Mar. 29, 2010) (observing that it “makes good sense” to distinguish between allowing and denying an amendment in considering whether to use an order or recommendation as a magistrate judge). Because this court finds that the Motion to Amend should be granted, this court proceeds by order rather than recommendation. music streaming, distribution and download platforms” in the territories where Sony has the exclusive rights to do so. Id. ¶ 16. Based on those and other facts alleged in the Complaint, Sony sues all Defendants for several forms of copyright infringement (direct, contributory, and vicarious). Complt. at 5-11 (Counts I, II, and III). Sony also sues Moody II LLC (but not Messrs. Tempel or Renkosik) for breach of the license agreement. Id. at 11-12 (Count IV). Finally, Sony claims that Messrs. Tempel and Renkosik are alter egos of Moody II LLC and are on that basis liable for “the liabilities and bad acts of Moody” set forth in the preceding counts. Id. at 13-15. Moody originally answered on July 10, 2023. ECF No. 20. It filed a first amended answer shortly thereafter, on July 18, 2023. ECF No. 24. This court entered a scheduling order on July

20, 2023. ECF No. 26. The court set the pretrial deadlines for the case and noted among other things that the parties had “engaged in settlement discussions which are currently ongoing.” Id. at 5. In part because the parties were discussing settlement, this court held status conferences soon after, on September 19, 2023 (ECF No. 33) and October 31, 2023 (ECF No. 39). In the latter conference, this court extended the deadline for amending pleadings and the discovery deadlines. Id. Throughout the autumn of 2023, the parties continued to focus on attempting to negotiate a settlement. They stipulated to extending the deadline for Moody to file a motion to amend the answer “to include two (2) claims, i.e., (1) for an accounting and any and all monies found due; and (2) breach of contract for breaching the implied covenant of good faith and [fair] dealing by

failing to go after copyright infringers of Moody’s track.” ECF No. 40. The stipulation to extend the deadline notes, however, that Sony did not consent to the proposed amendment. Id. This court approved the stipulated extension of the deadline to amend the answer, to December 4, 2023. ECF No. 42. This court then held a third status conference on November 30, 2023. ECF No. 43. The court required a joint status report by December 20, 2023. On the deadline to seek leave to amend, Moody filed its present Motion. ECF No. 44. It attaches a redlined version of the proposed amended pleading. ECF No. 44-1. However, the parties were also continuing to negotiate settlement. For six months, the parties filed unopposed motions to extend both the pretrial schedule and the briefing for the Motion. ECF Nos. 48, 53, 56, 60, 64. This court granted the extensions, but on June 4, 2024, this court noted that it would not grant further extensions of the briefing on the Motion. ECF No. 66. On July 12, 2024, Sony timely opposed the Motion. ECF No. 67 (the “Resp.”), ECF No.

68 (Declaration of Sarah Matz, attaching exhibits). After this court granted Moody’s opposed motion to extend its reply deadline (ECF No. 71), Moody replied with declarations in support. ECF Nos. 72, 72-1, 72-2. The court having given prior leave (ECF No. 71), Sony filed a sur- reply with declarations in support. ECF No. 77, 78, 79. In its proposed amendment, Moody seeks to add the two counterclaims that it identified in the November 16, 2023 stipulation. Its first counterclaim is for an “accounting and payment of any money found due for breach of contract,” i.e., for any royalties that Sony owed but has not paid under the license agreement. Moody alleges that Sony “consistently and purposefully understates the royalties due to artists when it renders accounting statements, makes payments to its artists of substantially lower royalties than are due under the contracts based upon such

accountings, and purposefully does so to realize greater income at the expense of artists.” Counterclaims at 17 ¶ 124. Moody seeks an accounting and payment of any royalties that Sony owes but has not paid since inception of the license agreement. The second proposed counterclaim is for breach of the implied covenant of good faith and fair dealing in the license agreement. See Counterclaims at 15-19. Moody attaches the license agreement. Id. at 21-28. Moody alleges the license agreement contains several implied covenants that Sony has breached: (a) That the parties to the agreement shall carry out their terms in good faith and by dealing fairly with each other;

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Foman v. Davis
371 U.S. 178 (Supreme Court, 1962)
Zenith Radio Corp. v. Hazeltine Research, Inc.
401 U.S. 321 (Supreme Court, 1971)
Minter v. Prime Equipment Co.
451 F.3d 1196 (Tenth Circuit, 2006)
Sinclair Wyoming Refining v. A & B Builders
989 F.3d 747 (Tenth Circuit, 2021)
Chilcoat v. San Juan County
41 F.4th 1196 (Tenth Circuit, 2022)
Full Life Hospice, LLC v. Sebelius
709 F.3d 1012 (Ninth Circuit, 2013)
Hasan v. Aig Prop. Cas. Co.
935 F.3d 1092 (Tenth Circuit, 2019)
Tatten v. Bank of America Corp.
912 F. Supp. 2d 1032 (D. Colorado, 2012)

Cite This Page — Counsel Stack

Bluebook (online)
Sony Music Entertainment Espaa, S.L. v. Moody II LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/sony-music-entertainment-espaa-sl-v-moody-ii-llc-cod-2024.