Simons v. Horowitz

151 Cal. App. 3d 834, 199 Cal. Rptr. 134, 1984 Cal. App. LEXIS 1602
CourtCalifornia Court of Appeal
DecidedFebruary 7, 1984
DocketCiv. 52131
StatusPublished
Cited by8 cases

This text of 151 Cal. App. 3d 834 (Simons v. Horowitz) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Simons v. Horowitz, 151 Cal. App. 3d 834, 199 Cal. Rptr. 134, 1984 Cal. App. LEXIS 1602 (Cal. Ct. App. 1984).

Opinion

Opinion

SCOTT, J.

J.— In a class action for damages and an injunction under the California Resale Royalties Act, Civil Code section 986 (the Royalties Act), the trial court entered judgment against the defendant class, ordering each defendant class member to account for and pay each member of the plaintiff class commissions due on sales of fine art in California occurring from *838 January 1, 1977, to the date of the judgment. From this judgment Benjamin Horowitz appeals, both as an individual and on behalf of the defendant class.

I

The Royalties Act provides for the payment of a 5 percent commission or royalty on the resale in California of a work of fine art. This royalty is to be paid to the artist or his agent; but if the seller is unable to locate and pay the artist within 90 days, the royalty is to be given to the Arts Council, to be held in trust for the artist for a seven-year period. If the artist is not located or does not file a claim within that period, his right to the money terminates, and the money is transferred to the Arts Council for its use. Several important exceptions in the act exclude various sales, resales and transfers under certain circumstances; these do not concern us here. (Civ. Code, § 986.)

On February 9, 1978, respondents Mark Simons and Craig Moore filed a complaint for damages and an injunction under Civil Code section 986, claiming to be fine artists within the meaning of the Royalties Act. Simons and Moore also alleged that they were representative of a class of all fine artists who sell their art in California, and that they could fairly represent the interests of that class. The original defendants named in this complaint were Chabot Galleries of Fine Art, Rubicon Gallery of Art, and “Does One to Five Thousand.” On March 23, 1978, respondents filed an amended complaint seeking to bring into the action as class defendants under Code of Civil Procedure section 382 “all other persons similarly situated” with the previously named defendants. On March 5, 1979, Upstairs Gallery, Inc., one of the defendants sued and previously served as a Doe, filed an answer to the complaint, “for itself alone.”

On June 29, 1979, respondents filed a “notice of motion (for order determining class issues).” This notice, accompanied by a declaration and memorandum of points and authorities, was served on two attorneys and one individual. No opposition pleadings or written response of any kind were filed by any defendant. A hearing was held on this motion on August 2, 1979, at which appeared the attorney for one defendant (Upstairs Gallery) and counsel for the respondents. At this hearing, the trial judge expressed some concerns about the propriety of certifying the alleged defendant class and the importance of determining the form and manner of notice to that class. There was no discussion whatsoever of the precise description or definition of the alleged defendant class; nor was any inquiry made into the question of whether either of the named defendants (neither of whom, apparently, have ever appeared in this action) or any other defendant would be an appropriate representative of the class of defendants.

*839 Nevertheless, on August 20, 1979, the superior court entered an order finding, inter alia, that “there are common issues of fact and law among the plaintiffs’ class and the defendants’ class; that the plaintiffs and the defendants are each representative of the class”; that “[t]he main plaintiffs and defendants can fairly represent and adequately protect the interests of the class”; and that “[t]he claims and defenses of the representative plaintiffs and defendants respectively are typical of the claims or defenses of the class.” The court did not, however, actually define or describe either the plaintiff or the defendant class. Neither did the court indicate who “the main defendants” were, even though the only defendant represented at the August 2 hearing was not one of the named defendants, and had answered the complaint on behalf of itself alone and for no other defendants.

On August 22, 1979, a hearing was held for the purpose of determining the type of notice to be given class members. Only counsel for respondents appeared; there was no appearance by any defendant. A “supplemental order” was issued by the court that same day, setting forth requirements for notice to the plaintiff and defendant classes. Once again, the court failed to define or describe the “classes” it was talking about. In accordance with Government Code section 6064, respondents were to give notice to “the defendant class” by publication in seven enumerated counties; Sacramento, San Francisco, Santa Clara, Los Angeles, San Diego, Monterey, and Santa Barbara. The court also ordered respondents to mail a copy of the notice “to all art galleries and dealers, art dealers wholesale, art museums, and auctioneers as shown in the yellow pages of the telephone books issued to the public in the State of California.” This notice was to include an “opt out” provision, apparently for only some members of the defendant class, giving them the opportunity to exclude themselves in writing by December 1, 1979. Finally, the August 22, 1979, order stated that the respondents were required to make “actual service” upon those defendants against whom they sought monetary damages. 1

*840 The record does not contain any copy of a “notice” published and mailed pursuant to the August 22, 1979, order. The only evidence regarding notification of the defendant class consists of two declarations of John Dickey, dated January 29, 1980, and September 9, 1981, entered in the record on appeal by stipulation of the parties and order of this court. The September 9, 1981, declaration states that Mr. Dickey mailed “a copy of Judge Allen’s Order to those museums and galleries who are listed in the yellow pages of the seven counties in which publication was ordered.” There is no evidence of when this “order” was sent; neither is there any evidence that the “order” referred to is the supplemental order of August 22, 1979, rather than one of the several other orders issued by Judge Allen in this matter. The earlier Dickey declaration, dated January 29, 1980, and filed with the superior court on February 5, 1980, states that on January 29, 1980, “2029 copies of the hereto-attached ‘Notice to Members of Defendant Class’ ” were mailed, using addresses “obtained from the yellow page listings, under the headings of ‘Art Galleries and Dealers’ and ‘Museums,’ of all California phone directories deposited for public use at the Main City of San Jose Public Library, located at 180 West San Carlos Street.” In fact, there is no “Notice to Members of Defendant Class” attached to this declaration, and there is no indication whether this “Notice” is the same as the “order” mentioned in the later September 1981 Dickey declaration. Moreover, there is absolutely no evidence before this court that any of the class defendants were actually served, as had been required by the lower court’s supplemental order.

On July 21, 1980, respondents filed an at-issue memorandum and certificate of readiness, showing service on four attorneys and two individual defendants. The next day, an amended at-issue memorandum was filed, omitting the name and address of one of the defense attorneys previously listed.

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Bluebook (online)
151 Cal. App. 3d 834, 199 Cal. Rptr. 134, 1984 Cal. App. LEXIS 1602, Counsel Stack Legal Research, https://law.counselstack.com/opinion/simons-v-horowitz-calctapp-1984.