Shure Incorporated v. ClearOne, Inc.

CourtDistrict Court, N.D. Illinois
DecidedSeptember 1, 2020
Docket1:17-cv-03078
StatusUnknown

This text of Shure Incorporated v. ClearOne, Inc. (Shure Incorporated v. ClearOne, Inc.) is published on Counsel Stack Legal Research, covering District Court, N.D. Illinois primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Shure Incorporated v. ClearOne, Inc., (N.D. Ill. 2020).

Opinion

UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION

SHURE INCORPORATED, ) ) Plaintiff, ) ) No. 17-cv-03078 v. ) ) Judge Edmond E. Chang CLEARONE, INC., ) ) Defendant. )

MEMORANDUM OPINION AND ORDER In August 2019, ClearOne secured a preliminary injunction against Shure in this ongoing fight over audio-conferencing patents. R. 551, Order.1 The preliminary injunction targeted Shure’s MXA910 system, which is a microphone array designed to be mounted into the ceilings of conference rooms. Long story short, one of the mounting configurations of the MXA910—in which the microphone board is fully hidden within the ceiling grid and thus looks like a normal ceiling tile—very likely infringes one of ClearOne’s patents. So, until the litigation is resolved, Shure is not allowed to manufacture, market, or sell “the MXA910 to be used in its drop-ceiling mounting configuration, including marketing and selling the MXA910 in a way that encourages or allows integrators to install it in a drop-ceiling mounting configuration.” Order at 64. According to ClearOne, though, Shure has since released a new product, the MXA910-A, which is ostensibly distinct from the MXA910, but is

1Citations to the record are noted as “R.” followed by the docket number and the page or paragraph number. Any citations to the sealed versions of the docket entries will be identified with the parenthetical “(sealed).” Otherwise, in the absence of any parentheticals, all citations are to the public versions of the docket entries. in practice readily installable in the exact same “drop-ceiling” manner that the Court has enjoined. ClearOne also takes issue with another Shure product, the MXA910- 60CM, for roughly the same reasons.

As a result of these alleged violations of the preliminary injunction, ClearOne now moves to hold Shure in contempt. R. 707, Mot. Contempt. Separately, ClearOne also requests leave to conduct additional fact discovery. Id. at 2. For the reasons explained below, ClearOne’s contempt motion is granted in part, and entered and continued in part to determine the scope of the violation and the appropriate relief. ClearOne’s request for leave to conduct discovery is thus also granted. I. Background

ClearOne is the owner of U.S. Patent No. 9,813,806 (the ’806 Patent). The ’806 Patent claims an invention that combines a beamforming microphone array (which is a separate patented technology that is meant to pick up and process certain sounds more effectively than traditional microphones) with a ceiling tile. The final integrated product can be mounted into a ceiling grid like any other ceiling tile. Also like a normal ceiling tile, none of the hardware dangles or protrudes down; the microphone

tile is meant to blend in rather seamlessly with the rest of the ceiling. A. Preliminary Injunction In September 2018, ClearOne moved for a preliminary injunction against Shure, alleging that Shure’s MXA910 microphone array infringed on ClearOne’s ’806 Patent. R. 366. Among other arguments, ClearOne asserted that the MXA910 infringed on Claim 1, with most of the dispute turning on Limitation 5 of that claim. Limitation 5 requires that “all or part of’ the microphone ceiling tile “is in the drop space of the drop ceiling.” Order at 6. Initially, the parties sharply disputed what the term “drop space” meant. To understand “drop space,” it is necessary (at the risk of repetition) to back up a bit and establish what “drop ceiling” means. Specifically, a “drop ceiling” refers to a ceiling configuration in which there is a true, structural ceiling at the very top of the room. From there, a ceiling grid system made up of T-bars hangs down from the structural ceiling, and then ceiling tiles are placed inside that ceiling grid. Here is a diagram:

Order at 22.2 The thick horizontal black line is the structural ceiling of the room. The three vertical lines that look like upside-down T’s represent the T-bars that suspend from the true ceiling. The yellow blocks represent the ceiling tiles (or microphones) that are “dropped” inside the ceiling grid to rest on the T-bars. So, a person sitting inside the room would look up and see only the bottom of the yellow ceiling tiles. The actual, structural building ceiling is hidden above the ceiling tiles, which are

2These images were originally provided by ClearOne in demonstrative slides offered in support of the preliminary injunction motion. See Order at 22.

suspended via the ceiling grid system. Jd. at 20. The space in between all of that is the drop space. To be more precise, as the Court explained in its August 2019 Order, the term “drop space” refers to the space inside the ceiling grid—the upper boundary is the structural ceiling of the building, and the lower boundary is the imaginary horizontal plane created by the upside-down T-bars that hang down from the structural ceiling. Id. at 22. In the diagram depicted above, the top and bottom bounds of the drop space are represented by the red arrows. So, what does it mean for “all or part of’ something to be “in” the drop space, as required by Limitation 5? Here is another useful diagram:

Order at 25. This is the same T-bar ceiling grid configuration as in the diagram above. Here, the left-most and right-most yellow blocks represent ceiling tiles that sit entirely within the drop space—“all” of those ceiling tiles are situated in the drop space, and nothing dips below the drop space. By contrast, the yellow block in the center also sits within the drop space, but the bottom part of the block extends below the horizontal plane created by the T-bars as well. So only “part of’ that block is in the drop space, while another part of the block extends into the actual room below. In this case, an MXAQ910 that is mounted in its drop-ceiling configuration sits entirely

within the drop space. Based on this definition of “drop space,” the Court concluded that “any MXA910 mounted in the drop ceiling grid practices Limitation 5 of Claim 1.” Id. at 33. Ultimately, the Court granted ClearOne’s preliminary injunction motion and ordered Shure to “cease manufacturing, marketing, and selling the MXA910 to be used in its drop-ceiling mounting configuration, including marketing and selling the MXA910 in a way that encourages or allows integrators to install it in a drop-ceiling mounting configuration.” Order at 64. By “drop-ceiling mounting configuration,” the injunction referred to the “drop space” limitation described above. Here is a photo of the enjoined drop-ceiling configuration:

R. 709, ClearOne Br. at 2. Shure is no longer allowed to make, market, or sell any beamforming microphone array designed to sit either fully or partially in the drop space of a drop-ceiling grid. But a microphone array that is suspended entirely beneath the drop space (and thus extends down from the ceiling) is still fair game. Order at 25 (“[A] BFMA that is not in the drop space at all—and is instead located totally beneath it ... would not practice Limitation 5 of Claim 1 of the 806 Patent.”).

B. The MXA910-A Model In a purported effort to design around the ’806 Patent, Shure released a new microphone product, the MXA910-A, that was supposed to hang 100% beneath the drop space of a drop ceiling. R. 732, Shure Resp. Br. at 3-4; R. 730, Klegon Decl. 4 7-8. Shure sought to accomplish this by adding two “flanges” to either side of the microphone board. See R. 710, ClearOne Br., Exh. B, User Manual at 26. The flanges are circled in red below:

eee 2 ones?)

ClearOne Br at 3.

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