Shloss v. Sweeney

515 F. Supp. 2d 1068, 2007 U.S. Dist. LEXIS 76910, 2007 WL 2924056
CourtDistrict Court, N.D. California
DecidedFebruary 9, 2007
DocketC 06-03718 JW
StatusPublished
Cited by4 cases

This text of 515 F. Supp. 2d 1068 (Shloss v. Sweeney) is published on Counsel Stack Legal Research, covering District Court, N.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Shloss v. Sweeney, 515 F. Supp. 2d 1068, 2007 U.S. Dist. LEXIS 76910, 2007 WL 2924056 (N.D. Cal. 2007).

Opinion

ORDER DENYING DEFENDANTS’ MOTION TO DISMISS AND GRANTING IN PART DEFENDANTS’ MOTION TO STRIKE

JAMES WARE, District Judge.

I. INTRODUCTION

Plaintiff Carol Loeb Shloss (“Plaintiff’) brings this action for a declaratory judgment and injunctive relief pursuant to the Copyright Act of 1976, 17 U.S.C. §§ 101 et seq. and 28 U.S.C. § 2201. Plaintiff seeks a declaratory judgment that the use of certain written works in an electronic supplement to her book, if published, will not infringe any copyrights controlled or owned by the Estate of James Joyce (“Estate”) and Seán Sweeney, in his capacity as the trustee of the Estate (collectively, “Defendants”).

Presently before the Court is Defendants’ Motion to Dismiss, or in the Alternative, to Strike. The Court conducted a hearing on January 31, 2007. Based on the papers submitted to date and the oral arguments of counsel, the Court DENIES *1072 Defendants’ Motion to Dismiss and GRANTS in part Defendants’ Motion to Strike. 1

II. BACKGROUND

Plaintiff alleges as follows:

Plaintiff is the author of the book Lucia Joyce: To Dance in the Wake, a work about Lucia Joyce and the creative impact of Lucia’s relationship with her father, the Irish expatriate author James Joyce, on James Joyce’s literary works. (Amended Complaint for Declaratory Judgment and Injunctive Relief ¶ 6, hereafter, “FAC,” Docket Item No. 14.) Between 1988 and 2003, she conducted research on the book throughout the United States and Europe and wrote her manuscript. (FAC ¶¶ 27-44.) The work “describes the extraordinary influence that James Joyce’s daughter Lucia exercised on her father’s emotions and work and challenges Lucia’s conventional portrayal as a troublesome blight on the Joyce family.” (FAC ¶ 45.)
Defendants became aware of Plaintiffs research on Lucia Joyce around 1994. (FAC ¶ 47.) Defendants did not contact Plaintiff to discuss her work. Id. When Plaintiff contacted Stephen Joyce to request help on her book, he responded with a “definitive no” in 1996. (FAC ¶ 49.) He purported specifically to prohibit Plaintiff from using letters or papers written by Lucia Joyce. Id. At one point in Plaintiffs communications with Stephen Joyce, he granted her permission to use James Joyce’s published poem A Flower Given to My Daughter. (FAC ¶ 51.) However, he later rescinded that permission, so long as Plaintiff intended to use certain other materials concerning the life of Lucia Joyce. Id. Defendants took other unspecified direct or indirect steps to interfere with Plaintiffs research. (FAC ¶ 52.)
In August 2002, Stephen Joyce wrote to Plaintiff to inform her that Defendants’ position had not changed from its expression in previous letters. (FAC ¶ 53.) He then “add[ed] a few ‘things’ you are not authorized to do and/or use.” Id. He informed Plaintiff that she was forbidden from using any of Lucia Joyce’s medical files and records. Id. He also informed Plaintiff that she was forbidden from using any materials created by Lucia Joyce. Id. He threatened Plaintiff by referring to the Estate’s recent copyright litigation, stating, “Over the past few years we have proven that we are willing to take any necessary action to back and enforce what we legitimately believe in.” Id.
On November 4, 2002, Stephen Joyce called Farrar, Straus & Giroux (“Publisher”), the publisher for Plaintiffs book. (FAC ¶ 54.) He informed the Publisher that he had heard about the book, was opposed to any publication, and had never lost a lawsuit. Id. The same day, he sent a letter to Jonathon Galassi (“Galassi”), the Publisher’s President, to the same effect. (FAC ¶ 55.)
On November 5, 2002, Stephen Joyce again wrote to Galassi. (FAC ¶ 56.) Joyce claimed that as of March 31, 2002, he was the “sole beneficiary owner” of James Joyce’s rights and the sole owner of the rights to Lucia Joyce’s works. *1073 Id. He claimed that Plaintiff did not have permission to use letters written by Harriet Shaw Weaver, Paul Léon, and Maria Jolas. Id. Defendants do not own the copyrights to these letters. Id. On November 6, 2002, Leon Friedman (“Friedman”), the Publisher’s attorney, wrote to Stephen Joyce, informing him that the Publisher believed Plaintiffs work to be protected by the fair use doctrine of copyright law. (FAC ¶ 57.)
On November 21, 2002, Stephen Joyce wrote to Friedman, stating that Friedman “should be aware of the fact that over the past decade the Estate’s ‘record’, in legal terms, is crystal clear and we have proven on a number of occasions that we are prepared to put our money where our mouth is.” (FAC ¶ 58.) Stephen Joyce further wrote that the Publisher’s fair use claim “sounds like a bad joke or wishful thinking” and told Friedman to “kindly bear in mind that there are more than one way [sic] to skin a cat.” Id. He asserted that Lucia Joyce’s medical records should be off limits. (FAC ¶ 59.) In response to Friedman’s previous assertion that copyright law permits a researcher to make unauthorized use of “information” contained in copyrighted material, Stephen Joyce replied that such “ ‘material’ was copyrighted in order to protect the author’s rights as well as those who inherit them...” Id.
On December 31, 2002, Stephen Joyce again wrote to Friedman: “As I indicated in my earlier letter, there are more ways than one to skin a cat! This is already proving to be true since certain pigeons from California are coming home to roost with very ruffled feathers.” (FAC ¶ 60.) Friedman responded on January 2, 2003, informing Stephen Joyce that no further correspondence was necessary; since it was clear that Stephen Joyce would not grant permission to use any copyrighted material, the Publisher would rely on fair use in publishing the book. (FAC ¶ 63.)
On January 23, 2003, the Publisher wrote to Plaintiff, describing the edits that it thought necessary to avoid a suit from Defendants, including all unpublished writings of James Joyce and Lucia Joyce. (FAC ¶ 64.) Plaintiff voiced concerns to the Publisher that “the proposed cuts eliminate[d] almost all of the evidence in the book,” undermined the book’s “scholarly integrity,” and excluded the evidence it took her twelve years to assemble. (FAC ¶ 65.) Ultimately, more than thirty pages were cut from a manuscript of four hundred pages. (FAC ¶ 66.) The book was published in edited form in December 2003. Id. Many reviews, including those appearing in the New York Times, the New Yorker, and the San Francisco Chronicle, remarked on Plaintiffs lack of documentary support for her theories. (FAC ¶¶ 67-70.)

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Bluebook (online)
515 F. Supp. 2d 1068, 2007 U.S. Dist. LEXIS 76910, 2007 WL 2924056, Counsel Stack Legal Research, https://law.counselstack.com/opinion/shloss-v-sweeney-cand-2007.