Seals v. Compendia Media Group

290 F. Supp. 2d 947, 69 U.S.P.Q. 2d (BNA) 1155, 2003 U.S. Dist. LEXIS 24021, 2003 WL 22682304
CourtDistrict Court, N.D. Illinois
DecidedNovember 10, 2003
Docket02 C 0920
StatusPublished
Cited by1 cases

This text of 290 F. Supp. 2d 947 (Seals v. Compendia Media Group) is published on Counsel Stack Legal Research, covering District Court, N.D. Illinois primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Seals v. Compendia Media Group, 290 F. Supp. 2d 947, 69 U.S.P.Q. 2d (BNA) 1155, 2003 U.S. Dist. LEXIS 24021, 2003 WL 22682304 (N.D. Ill. 2003).

Opinion

MEMORANDUM OPINION AND ORDER

GETTLEMAN, District Judge.

On May 5, 2003, plaintiff Dan Seals filed his fourth amended complaint 1 for copyright infringement arising from allegedly unauthorized copying and distribution of his album In a Quiet Room. Specifically, plaintiff asserts a claim of copyright infringement and contributory copyright infringement against Compendia Media Group (“Compendia”), formerly known as Platinum Entertainment, Inc., successor in interest to Intersound, Inc. (Count I), as well as claims of contributory infringement and vicarious infringement against individual defendants Donald Johnson (Counts II and III) and Michael Olsen (Counts IV and V). Johnson and Olsen have moved pursuant to Fed.R.Civ.P. 12(b)(6) to dismiss Counts II, III, IV, and V, arguing that, (1) plaintiffs claims of vicarious and contributory infringement against them are barred by the applicable three-year statute of limitations under the Copyright Act, 17 U.S.C. § 507(b), and (2) plaintiff has failed to adequately allege the “direct financial interest” element of his vicarious infringement claims against them. For the reasons stated herein, the court denies the individual defendants’ motion to dismiss in its entirety.

FACTS

According to his fourth amended complaint, plaintiff owns or co-owns all right, title and interest in and to the copyrights in the sound recording and musical compositions for “In a Quiet Room,” “Big Wheels in the Moonlight,” “Everything that Glitters (Is Not Gold),” “One Friend,” “You Still Love Me,” “They Rage On,” and “Don’t Believe I’ll Fall in Love Again” (the “original works”). On July 11, 1995, plaintiff entered into an exclusive license agreement (the “license agreement”) with Inter-sound, Inc., granting Intersound the right to manufacture, distribute, license and sell in every way, several of plaintiffs works, including the original works, in the territories of the United States and Canada. Johnson, then President and Chief Operating Officer of Intersound, negotiated and *949 executed the license agreement with the aid, assistance, and counsel of Michael Olsen, Intersound’s Vice-President and General Counsel.

Section 1(E) of the license agreement, which was attached as an exhibit to the fourth amended complaint, further provided that “Intersound shall have the right, with the Licensor’s prior written permission, to distribute the album in countries other than the United States and Canada.” Plaintiff alleges that he never granted permission for Intersound or its successors to copy, distribute, sell, offer to sell, perform or license plaintiffs copyrighted works, any master work, use right, artist name and likeness or underlying right of the musical works therein, outside the United States and Canada.

According to the fourth amended complaint, in or about May 2000 plaintiff learned through his agent that: (1) Inter-sound had licensed DYNA Products, Inc. (“DYNA”) the right to reproduce, sell and authorize broadcasts and public performances of plaintiffs copyrighted works in the Philippines; (2) officials at Intersound, and/or their employees under the direction and control of officers Johnson and Olsen, had copied plaintiffs works and delivered those copies to DYNA; and (3) Intersound and Platinum Entertainment, Inc. (which acquired Intersound in 1997) had received money in the United States from DYNA for royalty payments under the license. Plaintiff alleges that the unauthorized copies of his works were made in the fall of 1995 in Intersound’s offices in Roswell, Georgia, and then transmitted to DYNA in the Philippines.

According to plaintiff, as early as November 1995 and continuing each quarter through August 1997, Johnson received quarterly sales reports and royalty statements from DYNA. Thereafter, Johnson allegedly assigned Olsen to receive royalty communications from DYNA. According to these reports, several of which were attached to the fourth amended complaint, Seals’ In a Quiet Room was the number one best seller in the first and second quarters in 1996, as well as the fourth quarter of 1999. Moreover, the market survey section of the first quarter report from 1996 noted:

The popularity of ‘England Dan and John Ford Coley’ in the 70’s has snowballed to the advantage of ‘Dan Seals’ in the 90s. Familiar tunes have made the album a regular staple in radio — even bringing “I’d Really Love to See You Tonight” to number one in several stations. Songs from the album have also triggered a revival not only in radio, but also in music bars and loungts [sic] and television.

Between 1993 and 1999, Intersound allegedly received at least $110,000 in royalties from DYNA, which were paid in part for plaintiffs works that were sold in the Philippines. According to the fourth amended complaint, Intersound realized pure profit from these royalties, which were neither accounted for nor properly paid out.

Plaintiff alleges that Johnson participated and/or acquiesced in the active concealment of the sales by DYNA and the receipt of money in the United States from DYNA for those sales. Moreover, Olsen denied plaintiffs request to conduct an audit of Intersound’s books and records in 1997 — which included a request to furnish plaintiff with a list of all companies that manufactured audio compact disc (“CDs”) and cassettes for Intersound during the period July 1,1995, through September 30, 1997 — contending that plaintiffs requests were “beyond the scope of the rights” granted by the licensing agreement. 2

*950 Plaintiff alleges on information and belief that Intersound was a subchapter S corporation. As such, its profits derived from unreported DYNA royalties allegedly flowed directly through to its shareholders, including Johnson (allegedly the majority shareholder) and Olsen. 3

On July 26, 2000, Platinum filed a voluntary petition for relief under Chapter 11 of the Bankruptcy Code, and an amended plan of reorganization became effective on October 10, 2001. Thereafter, Platinum changed its name to Compendia Media Group (“Compendia”). Plaintiff alleges that DYNA continued to sell his copyrighted works after October 10, 2001, and that Compendia continues to receive payments from DYNA in connection with the unauthorized reproduction, distribution and sales of those works.

In Count I of his fourth amended complaint, plaintiff alleges that Intersound infringed, and Compendia continues to infringe and contributorily infringe, his exclusive rights in his copyrighted works in violation of 17 U.S.C. §§ 106(1)-106(6). In Counts II and IV, plaintiff alleges that Johnson and Olsen are liable for willful contributory infringement by copying plaintiffs works and then providing those works to DYNA for reproduction and distribution. In Counts III and V, plaintiff alleges that Johnson and Olsen are vicariously liable for the infringing activity of Intersound, Platinum, Compen-dia and DYNA.

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290 F. Supp. 2d 947, 69 U.S.P.Q. 2d (BNA) 1155, 2003 U.S. Dist. LEXIS 24021, 2003 WL 22682304, Counsel Stack Legal Research, https://law.counselstack.com/opinion/seals-v-compendia-media-group-ilnd-2003.