Schmid v. City & County of S.F.

CourtCalifornia Court of Appeal
DecidedFebruary 1, 2021
DocketA158861
StatusPublished

This text of Schmid v. City & County of S.F. (Schmid v. City & County of S.F.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Schmid v. City & County of S.F., (Cal. Ct. App. 2021).

Opinion

Filed 2/1/21

CERTIFIED FOR PUBLICATION

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

FIRST APPELLATE DISTRICT

DIVISION FOUR

FREAR STEPHEN SCHMID et al., Plaintiffs and Appellants, A158861 v. (City & County of San Francisco CITY AND COUNTY OF Super. Ct. No. CGC-18-571283) SAN FRANCISCO et al., Defendants and Respondents.

Appellants Frear Stephen Schmid and Patricia Briggs open their argument in this appeal with the story of the destruction of a statue of the great composer Felix Mendelssohn in Leipzig, Germany in 1936. Against the wishes of the mayor of that city, who was out of town at the time, and without notice to anyone, the Mendelssohn statue was shattered to pieces one night by order of the deputy mayor, a Nazi who sought to erase any trace of Jewish contributions to the cultural history of Leipzig. The story is bracing as history, and deservedly remembered as a cautionary tale, but has nothing to do with the law we are asked to apply in this case, or the facts. The dispute we deal with here is a local version of the controversies over removal of commemorative symbols, generally names and statues of historical figures, that have played out across the country recently. Centrally at issue is an administrative decision made by the San Francisco

1 Board of Appeals (the Board of Appeals or the Board) authorizing the removal of a bronze sculpture known as “Early Days,” which was originally part of a Civic Center monument to the pioneer period of California (the Pioneer Monument). In 2018, at the request of the San Francisco Arts Commission (Arts Commission), the San Francisco Historic Preservation Commission (HPC) granted a Certificate of Appropriateness (COA) “to alter a small scale character-defining feature in the Civic Center Landmark District”— specifically, to take down “Early Days” and place it in storage. Acting upon evidence of “significant adverse public reaction over an extended period of time,” the HPC adopted a motion authorizing the removal of “Early Days” pursuant to the COA, and the Board of Appeals ultimately affirmed it. Appellants Schmid and Briggs, two opponents of the removal, sued the City and County of San Francisco (the City) and affiliated defendants asserting a potpourri of claims, including a claim for violation of their civil rights under the Tom Bane Civil Rights Act (Civ. Code, § 52.1 (Bane Act)) and a claim seeking writ relief under Code of Civil Procedure sections 1085 and 1094.5. They allege that the Board of Appeals abused its discretion in authorizing the removal of “Early Days” and that the manner of the removal—which took place in the pre-dawn hours of the day following the Board of Appeals’ decision—was illegal. After the trial court sustained a demurrer without leave to amend, Schmid and Briggs appealed. We conclude the appeal has no merit and shall affirm.

2 I. BACKGROUND A. Factual Backdrop and Administrative Proceedings 1 Those who frequent the Civic Center area of San Francisco may recall that, adjacent to United Nations Plaza, sited in direct linear alignment with City Hall, there is a bronze statuary monument commemorating the era in which the state of California was founded. Part of a bequest left to the City by the James Lick Trust in 1876, the Pioneer Monument depicts this history in a series of vignettes. It seeks to honor the civic generosity of James Lick and other leading members of the pioneer generation, a group popularly known as the “forty-niners.” When installed and dedicated in 1894 to commemorate the 44th Anniversary of the admission of California to the Union, the Pioneer Monument was originally placed on Market Street near the corner of Grove and Hyde Streets. Designed by the German sculptor Frank Happersberger, it included five groups of iconic figures, one of which was titled “Early Days.” At the ceremony to dedicate the Pioneer Monument in November 1894, E.B. Mastick, a member of the James Lick Trust, gave “a synopsis of the History of the [James Lick] Trust, its benefits and results.” Mastick described “Early Days” as follows: It is a “group of three figures . . . consist[ing] of a native Indian reclining, over whom bends a Catholic priest, endeavoring to convey to the Indian some religious knowledge. On his face you may see the struggle of dawning intelligence.” The featured speaker for

1 We take the following background recitation from the facts alleged in the operative complaint and from various exhibits comprising the administrative record. At defendants’ request, the trial court took judicial notice of these exhibits, without objection from plaintiffs. Among these exhibits are copies of the James Lick Trust and of the full program marking the ceremonial dedication of the Pioneer Monument in 1894.

3 the day, Willard B. Farwell, described “Early Days” in similar terms. He said it depicted “[t]he padre, fired with zeal and love of holy Church, lifting with tender care the savage from his low estate to walk the pathway of the Christian faith.” 2 Public criticism of “Early Days” for displaying a racist attitude toward Native Americans ultimately led to its removal in 2018, but when installed in 1894 the Pioneer Monument was controversial for a different reason. Many pioneers—Lick among them—amassed vast fortunes in the mining and railroad industries and eventually became notable philanthropists. 3 But their place in California history and culture was sharply contested in the 1890’s, when the dedication ceremony took place. In a series of newspaper articles published shortly before the ceremony, several leading clerics were

2 Farwell’s description of the Pioneer Monument as a whole provides a sense of the homage to the pioneers that he delivered that day. Employing the ornate diction that was characteristic of the period, he said: “Still from their granite thrones these groups of bronze shall tell the story of the age of gold. . . . [¶] The padre, fired with zeal and love of holy Church, lifting with tender care the savage from his low estate to walk the pathway of the Christian faith . . . ; the miner, who made hill and gulch and stream yield up their golden wealth . . . ; the hardy throng—the tillers of the soil—that bade the fields to bud and bloom with plentitude of harvest, with fruits, with fragrant flowers and radiant pastures . . . ; the sails of commerce whitening all the seas that wash the borders of this bounteous land; great cities, thriving towns and countless homes, pulsing with radiant, prosperous social life; all this, these bronzes stand, defying storm and stress of rolling years, to tell to generations yet unborn how came into the world this Golden State.” 3About the peers of Lick, Farwell said: “I can recall the names of Stanford, of Wilmerding, of Montgomery, of Robinson, of Cogswell, of Gibbs, of Hastings, of Mills—all of whom were or are members of The Society of California Pioneers—all of whom have made large public benefactions, and the aggregate of whose gifts swell the millions of Lick into many other millions yet.”

4 quoted describing the pioneers as godless, amoral, prone to criminality, and unworthy of commemoration. While lavishing praise on Lick for his many civic contributions, Farwell devoted much of his nearly 10,000-word address to a rebuttal of these “reckless pulpit utterances.” 4 A century later, the Pioneer Monument again became a lightning rod for public controversy. To make way for the San Francisco Public Library, there was a proposal in the early 1990’s to move the sculpture group to its current location in the Fulton Street right-of-way between the library and the Asian Art Museum. Schmid and Briggs acknowledge that, in connection with this proposed move, public complaints were received that the Pioneer Monument was “racist and offensive.” But they point out that these criticisms did not carry the day.

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Bluebook (online)
Schmid v. City & County of S.F., Counsel Stack Legal Research, https://law.counselstack.com/opinion/schmid-v-city-county-of-sf-calctapp-2021.