Satan Wears Suspenders, Inc. v. Jaar

CourtDistrict Court, S.D. New York
DecidedJune 16, 2022
Docket1:21-cv-00812
StatusUnknown

This text of Satan Wears Suspenders, Inc. v. Jaar (Satan Wears Suspenders, Inc. v. Jaar) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Satan Wears Suspenders, Inc. v. Jaar, (S.D.N.Y. 2022).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK

SATAN WEARS SUSPENDERS, INC.,

Plaintiff,

- against - OPINION AND ORDER 21 Civ. 812 (ER) NICOLAS JAAR, DAVID HARRINGTON, and MATADOR RECORDINGS, LLC,

Defendants.

Ramos, D.J.: Satan Wears Suspenders, Inc. (“Plaintiff”), a rock band and record label that operates under the name “Darkside,” brings this action against Nicolas Jaar and David Harrington, a musical duo, and Matador Recordings, LLC, a record label (“Matador”) (collectively, “Defendants”). Defendants Jaar and Harrington also operate a musical group under the name “Darkside.” Plaintiff alleges that Defendants’ use of “Darkside” infringes on Plaintiff’s superior right to the name. Against Jaar and Harrington, Plaintiff alleges trademark infringement, unfair competition, and false designation of origin under the Lanham Act; dilution and deceptive trade practices under the laws of New York State; and unfair competition under New York common law. Doc. 27. Against Matador, Plaintiff alleges contributory trademark infringement, unfair competition, and dilution, and vicarious trademark infringement, unfair competition, and dilution. Id. Pending before the Court is Defendants’ motion to dismiss Plaintiff’s First Amended Complaint (the “FAC”) in its entirety on the basis of laches or, alternatively, to dismiss Plaintiff’s federal and state dilution claims1 pursuant to Federal Rule of Civil Procedure (“FRCP”) 12(b)(6). Doc. 44. For the reasons discussed below, Defendants’ motion to dismiss the FAC in its entirety is granted. I. Factual Background2,3 Plaintiff, a New York City-based hardcore punk-rock band and independent record label,

has performed and produced sound recordings under the names “Darkside” or “Darkside NYC” continuously since at least August 1992. ¶¶ 9–11. On June 17, 2014, Plaintiff registered “Darkside NYC” (the “Trademark”) with the United States Patent and Trademark Office, acquiring exclusive rights to the name when it is used to describe: live musical performances by a band; the production of musical sound recordings; and websites with information about music or entertainment (collectively, the “Trademark Registered Services”). ¶¶ 12–13; see Doc. 1-2. Plaintiff has extensively advertised and promoted the Trademark, domestically and internationally, investing tens of thousands of dollars in its brand and cultivating significant goodwill within the music industry and among fans. ¶¶ 23–26. Since its inception, fans have

often referred to the band simply as “Darkside.” ¶ 21. In 2011, Defendants Jaar and Harrington formed a musical group called “Darkside”— also known as “Darkside USA” or “Darkside the Band.” ¶¶ 29–30. Defendants describe their band as featuring an electronic, psychedelic musical style. See Doc. 44 at 4. The duo released a sound recording entitled “Darkside” in November of that year. ¶ 30. Like Plaintiff, Defendants are based in New York; as such, the two bands target the same geographic audience. ¶¶ 33, 48,

1 Because this case is resolvable under laches, the Court need not address Defendants’ separate argument to dismiss Plaintiff’s dilution claims. 2 The following facts are drawn from the First Amended Complaint and are assumed true for the purposes of deciding Defendants’ motion. 3 Unless otherwise noted, citations to “¶ _” refer to the First Amended Complaint, Doc. 27. 77. In December 2011, for example, Defendants performed as “Darkside” at the Music Hall of Williamsburg in Brooklyn, New York—a venue at which Plaintiff has also played. ¶¶ 31–32. They have gone on to perform at at least three other venues where Plaintiffs have also performed. ¶ 33. From 2011 to date, Defendants have “continued to sell music albums and merchandise[]

and … to publish music videos and other media” under the name “Darkside,” despite their actual or constructive notice of Plaintiff’s exclusive rights under the Trademark. ¶¶ 36–37. Under that name, Defendants have provided services expressly reserved to Plaintiff as the holder of the Trademark, such as: creating a website to advertise their music, ¶ 41; Doc. 1-4; distributing sound recordings through Spotify, YouTube, and SoundCloud (e.g., tracks from their 2013 album, “Psychic,” ¶ 97), ¶¶ 74, 76; see Docs. 1-6, 1-7; performing at venues around the United States, ¶ 146; selling albums and merchandise, ¶ 36; and “constantly” seeking out publicity and media attention to promote their band, ¶ 149. In as early as 2013, Plaintiff became aware of Defendants use of “Darkside” and made

repeated objections to it via two email exchanges and three letters from Plaintiff’s then-counsel in 2013 and 2014.4 ¶ 39; see Docs. 48-1–48:5.5 Plaintiff first reached out to Defendant via email on September 16, 2013, stating that it recently became aware of Defendants’ use of “Darkside,” that Plaintiff used the name first, and asking whether Defendants “[could] do [something] with

4 The Complaint references no further contact between plaintiff and defendants from 2014 to February 2021, when Plaintiff filed the instant action. 5 Documents 48-1–48-5 contain communications between Plaintiff and Defendants between 2013 and 2014. The Court takes notice of these materials. In considering a motion to dismiss under Rule 12(b)(6), a district court “can consider the facts alleged in the complaint, documents attached to the complaint as exhibits, and documents incorporated by reference in the complaint.” DiFolco v. MSNBC Cable L.L.C., 622 F.3d 104, 111 (2d Cir. 2010) (citing Chambers v. Time Warner, Inc., 282 F.3d 147, 153 (2d Cir. 2002)). For a document to be incorporated by reference, “the complaint must make ‘a clear, definite, and substantial reference to the document[].’” DeLuca v. AccessIT Grp., Inc., 695 F. Supp. 2d 54, 60 (S.D.N.Y. 2010) (quoting Helprin v. Harcourt, Inc., 277 F. Supp. 2d 327, 330–31 (S.D.N.Y. 2003)). Here, the FAC plainly references Plaintiff’s “repeated objections . . . in 2013 and 2014[.]” [their] band name to differentiate [themselves] from [Plaintiff.]” Doc. 48-2 at 1–2. On October 4, 2013, Jake Friedman—who identified himself as Defendants’ band’s manager—responded, explaining that the bands occupy “different enough space[s]” to “avoid confusion.” Id. at 1. More specifically, Friedman emphasized the bands’ different musical styles, target audiences, and ticket prices. See id. He also noted that Defendants had only played one show in New York

since 2011. See id. That same day, then-counsel for Plaintiff sent Defendants a letter demanding that they “eliminate all use of DARKSIDE immediately,” or else risk Plaintiff “tak[ing] any and all steps . . . to protect … [its] trademark and business.” See Doc. 48-1. In a separate November 5, 2013 email, Friedman proposed that “[f]or all New York DARKSIDE performances,” Defendants would “demonstrate [their] best efforts to ensure that all online listings are clearly labeled: DARKSIDE (Nicolas Jaar + Dave Harrington). See Doc. 48-3 (emphasis added). Then-counsel for Plaintiff subsequently rejected Defendants’ offer in a November 15, 2013 letter and counteroffered with the request that Defendants “modify its band name to sufficiently distinguish it from DARKSIDE NYC.” See 48-4. Ten months later, then-counsel for Plaintiff,

“frustrated with [Defendants’] unresponsiveness,” wrote again to Defendants, reiterating that they “must either cease use of the word ‘DARKSIDE’ . . . or . . .

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Satan Wears Suspenders, Inc. v. Jaar, Counsel Stack Legal Research, https://law.counselstack.com/opinion/satan-wears-suspenders-inc-v-jaar-nysd-2022.