S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc.

CourtCourt of Appeals for the Second Circuit
DecidedSeptember 21, 2018
Docket17-1477-cv
StatusUnpublished

This text of S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc. (S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc., (2d Cir. 2018).

Opinion

17-1477-cv S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc.

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT

SUMMARY ORDER RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT=S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION ASUMMARY ORDER@). A PARTY CITING A SUMMARY ORDER MUST SERVE A COPY OF IT ON ANY PARTY NOT REPRESENTED BY COUNSEL.

At a stated term of the United States Court of Appeals for the Second Circuit, held at the Thurgood Marshall United States Courthouse, 40 Foley Square, in the City of New York, on the 21st day of September, two thousand eighteen.

PRESENT: ROBERT D. SACK, REENA RAGGI, Circuit Judges, LEWIS A. KAPLAN, District Judge.*

S.A.R.L. GALERIE ENRICO NAVARRA, ENRICO NAVARRA, Plaintiffs-Appellants,

v. No. 17-1477-cv

MARLBOROUGH GALLERY INC., PIERRE LEVAI, Defendants-Appellees,

PHILIPPE KOUTOUZIS, Defendant.

* Judge Lewis A. Kaplan, of the United States District Court for the Southern District of New York, sitting by designation. APPEARING FOR APPELLANTS: JEREMY L. WALLISON, Wallison & Wallison LLP, New York, New York.

APPEARING FOR APPELLEES: RICHARD E. ROSBERGER (Harry W. Lipman, Robert A. Freilich, on the brief), Rottenberg Lipman Rich, P.C., New York, New York.

Appeal from a judgment of the United States District Court for the Southern District

of New York (Kimba M. Wood, Judge).

UPON DUE CONSIDERATION, IT IS HEREBY ORDERED, ADJUDGED, AND

DECREED that the judgment entered on April 6, 2017, is VACATED and REMANDED.

Plaintiffs S.A.R.L. Galerie Enrico Navarra (“Navarra Gallery”) and Enrico Navarra

appeal from an award of summary judgment in favor of defendants Marlborough Gallery

Inc. (“Marlborough”) and one of its executives, Pierre Levai, on plaintiffs’ claim for

tortious interference with Navarra Gallery’s 2003 contract with Chinese-born French artist

Chu Teh-Chun (“Chu”) for the production of a series of limited edition ceramic plates (the

“Production Agreement”).1 Plaintiffs allege that defendants induced Chu to take various

actions in 2007 and 2008, which culminated in Chu breaching the Production Agreement

and publicly disputing the authenticity of plates exhibited and sold by plaintiffs. Plaintiffs

here challenge the district court’s determination that they failed to adduce evidence that

defendants deliberately or intentionally induced Chu’s breach. We review an award of

summary judgment de novo, construing the evidence in the light most favorable to the non-

moving party and drawing all reasonable inferences and resolving all ambiguities in that

party’s favor, see Jaffer v. Hirji, 887 F.3d 111, 114 (2d Cir. 2018), and we will affirm only

1 Plaintiffs have withdrawn that portion of their appeal challenging the dismissal of their claim against another Marlborough agent, Philippe Koutouzis, as untimely. 2 if the record shows “no genuine dispute as to any material fact and the movant is entitled

to judgment as a matter of law,” Fed. R. Civ. P. 56(a); see Garcia v. Hartford Police Dep’t,

706 F.3d 120, 126–27 (2d Cir. 2013). In applying that standard here, we assume the

parties’ familiarity with the facts and procedural history of this case, which we reference

only as necessary to explain our decision to vacate and remand.

To prevail on a claim for tortious interference with contract under New York law, a

plaintiff must show (1) “‘the existence of a valid contract between the plaintiff and a third

party,’” (2) “the ‘defendant’s knowledge of the contract,’” (3) “the ‘defendant’s intentional

procurement of the third-party’s breach of the contract without justification,’” (4) “‘actual

breach of the contract,’” and (5) “‘damages resulting therefrom.’” Kirch v. Liberty Media

Corp., 449 F.3d 388, 401–02 (2d Cir. 2006) (quoting Lama Holding Co. v. Smith Barney

Inc., 88 N.Y.2d 413, 424, 646 N.Y.S.2d 76, 82 (1996)). To satisfy the third element—

upon which the district court resolved the motion below—the alleged interference “must

be intentional, not merely negligent or incidental to some other, lawful, purpose.” Alvord

& Swift v. Stewart M. Muller Const. Co., 46 N.Y.2d 276, 281, 413 N.Y.S.2d 309, 312

(1978); see Reliance Ins. Co. v. Morris Assocs., P.C., 200 A.D.2d 728, 730, 607 N.Y.S.2d

106, 108 (2d Dep’t 1994). On this element, as with any other, a non-movant must point to

more than “mere speculation or conjecture as to the true nature of the facts” in order to

survive summary judgment. Hicks v. Baines, 593 F.3d 159, 166 (2d Cir. 2010). But where

facts raising a question of intent are shown, “summary judgment is generally

inappropriate,” Gelb v. Bd. of Elections of City of New York, 224 F.3d 149, 157 (2d Cir.

2000), because “intent is always a subjective matter of inference,” ITC Ltd. v. Punchgini,

3 Inc., 482 F.3d 135, 150 (2d Cir. 2007) (internal quotation marks omitted) (noting issues of

intent “rarely amenable to summary judgment”).

Plaintiffs rely on four acts by Chu to demonstrate breach: (1) sending a cease and

desist letter to Navarra Gallery on February 19, 2007, demanding termination of the

Production Agreement and return of any plates in its possession (the “Cease and Desist

Letter”); (2) commencing a lawsuit against Navarra Gallery in France on April 4, 2007,

seeking the same relief (the “French Lawsuit”); (3) sending a May 16, 2008 email to

Christie’s Hong Kong auction house notifying it of the ongoing legal proceedings and

raising concerns about the authenticity of plates scheduled for auction by Christie’s that

month (the “Christie’s Email”); and (4) running an advertisement in Le Journal des Arts in

October 2008 advising the art market of Chu’s challenge to the plates’ authenticity (the

“Journal Ad”). Plaintiffs contend that these actions, particularly the Christie’s Email and

the Journal Ad, breached the Production Agreement by rendering the plates “unsalable,”

thereby depriving plaintiffs of their investment. App’x 86–87, 104. Defendants do not

dispute that these events took place. Rather, they deny any involvement in Chu’s actions

and, thus, any intent to induce his breach.

Plaintiffs, however, adduced evidence admitting a contrary inference. For example,

evidence showed that Marlborough hired Philippe Koutouzis as its Director for Asia to

assist it in developing business relationships with new artists, “especially artists in China.”

Id. at 671. In 2005, Koutouzis met and developed a relationship with Chu, resulting in

Marlborough hosting an exhibition of Chu’s work in June 2006. At his deposition, Levai

testified that “when [Marlborough] make[s] an effort to do an exhibition, [it] expect[s] . . .

to be the [artist’s] main distributor.” Id. at 371. In November 2006, defendants expressed

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