S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc.

Court of Appeals for the Second Circuit·Decided September 21, 2018·No. 17-1477-cv·Unpublished

Opinion

17-1477-cv S.A.R.L. Galerie Enrico Navarra v. Marlborough Gallery Inc.

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT

SUMMARY ORDER

RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT=S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION ASUMMARY ORDER@). A PARTY CITING A SUMMARY ORDER MUST SERVE A COPY OF IT ON ANY PARTY NOT REPRESENTED BY COUNSEL.

At a stated term of the United States Court of Appeals for the Second Circuit, held at the Thurgood Marshall United States Courthouse, 40 Foley Square, in the City of New York, on the 21st day of September, two thousand eighteen.

PRESENT: ROBERT D. SACK, REENA RAGGI, Circuit Judges,

LEWIS A. KAPLAN,

District Judge.*

S.A.R.L. GALERIE ENRICO NAVARRA, ENRICO NAVARRA, Plaintiffs-Appellants,

v. No. 17-1477-cv

MARLBOROUGH GALLERY INC., PIERRE LEVAI, Defendants-Appellees,

PHILIPPE KOUTOUZIS, Defendant.

*

Judge Lewis A. Kaplan, of the United States District Court for the Southern District of New York, sitting by designation.

APPEARING FOR APPELLANTS: JEREMY L. WALLISON, Wallison & Wallison LLP, New York, New York.

APPEARING FOR APPELLEES: RICHARD E. ROSBERGER (Harry W.

Lipman, Robert A. Freilich, on the brief), Rottenberg Lipman Rich, P.C., New York, New York.

Appeal from a judgment of the United States District Court for the Southern District of New York (Kimba M. Wood, Judge).

UPON DUE CONSIDERATION, IT IS HEREBY ORDERED, ADJUDGED, AND DECREED that the judgment entered on April 6, 2017, is VACATED and REMANDED.

Plaintiffs S.A.R.L. Galerie Enrico Navarra (“Navarra Gallery”) and Enrico Navarra appeal from an award of summary judgment in favor of defendants Marlborough Gallery Inc. (“Marlborough”) and one of its executives, Pierre Levai, on plaintiffs’ claim for tortious interference with Navarra Gallery’s 2003 contract with Chinese-born French artist Chu Teh-Chun (“Chu”) for the production of a series of limited edition ceramic plates (the “Production Agreement”).1 Plaintiffs allege that defendants induced Chu to take various actions in 2007 and 2008, which culminated in Chu breaching the Production Agreement and publicly disputing the authenticity of plates exhibited and sold by plaintiffs. Plaintiffs here challenge the district court’s determination that they failed to adduce evidence that defendants deliberately or intentionally induced Chu’s breach. We review an award of summary judgment de novo, construing the evidence in the light most favorable to the non- moving party and drawing all reasonable inferences and resolving all ambiguities in that party’s favor, see Jaffer v. Hirji, 887 F.3d 111, 114 (2d Cir. 2018), and we will affirm only

1 Plaintiffs have withdrawn that portion of their appeal challenging the dismissal of their claim against another Marlborough agent, Philippe Koutouzis, as untimely.

if the record shows “no genuine dispute as to any material fact and the movant is entitled to judgment as a matter of law,” Fed. R. Civ. P. 56(a); see Garcia v. Hartford Police Dep’t, 706 F.3d 120, 126–27 (2d Cir. 2013). In applying that standard here, we assume the parties’ familiarity with the facts and procedural history of this case, which we reference only as necessary to explain our decision to vacate and remand.

To prevail on a claim for tortious interference with contract under New York law, a plaintiff must show (1) “‘the existence of a valid contract between the plaintiff and a third party,’” (2) “the ‘defendant’s knowledge of the contract,’” (3) “the ‘defendant’s intentional procurement of the third-party’s breach of the contract without justification,’” (4) “‘actual breach of the contract,’” and (5) “‘damages resulting therefrom.’” Kirch v. Liberty Media Corp., 449 F.3d 388, 401–02 (2d Cir. 2006) (quoting Lama Holding Co. v. Smith Barney Inc., 88 N.Y.2d 413, 424, 646 N.Y.S.2d 76, 82 (1996)). To satisfy the third element— upon which the district court resolved the motion below—the alleged interference “must be intentional, not merely negligent or incidental to some other, lawful, purpose.” Alvord & Swift v. Stewart M. Muller Const. Co., 46 N.Y.2d 276, 281, 413 N.Y.S.2d 309, 312 (1978); see Reliance Ins. Co. v. Morris Assocs., P.C., 200 A.D.2d 728, 730, 607 N.Y.S.2d 106, 108 (2d Dep’t 1994). On this element, as with any other, a non-movant must point to more than “mere speculation or conjecture as to the true nature of the facts” in order to survive summary judgment. Hicks v. Baines, 593 F.3d 159, 166 (2d Cir. 2010). But where facts raising a question of intent are shown, “summary judgment is generally inappropriate,” Gelb v. Bd. of Elections of City of New York, 224 F.3d 149, 157 (2d Cir. 2000), because “intent is always a subjective matter of inference,” ITC Ltd. v. Punchgini,

Inc., 482 F.3d 135, 150 (2d Cir. 2007) (internal quotation marks omitted) (noting issues of intent “rarely amenable to summary judgment”).

Plaintiffs rely on four acts by Chu to demonstrate breach: (1) sending a cease and desist letter to Navarra Gallery on February 19, 2007, demanding termination of the Production Agreement and return of any plates in its possession (the “Cease and Desist Letter”); (2) commencing a lawsuit against Navarra Gallery in France on April 4, 2007, seeking the same relief (the “French Lawsuit”); (3) sending a May 16, 2008 email to Christie’s Hong Kong auction house notifying it of the ongoing legal proceedings and raising concerns about the authenticity of plates scheduled for auction by Christie’s that month (the “Christie’s Email”); and (4) running an advertisement in Le Journal des Arts in October 2008 advising the art market of Chu’s challenge to the plates’ authenticity (the “Journal Ad”). Plaintiffs contend that these actions, particularly the Christie’s Email and the Journal Ad, breached the Production Agreement by rendering the plates “unsalable,” thereby depriving plaintiffs of their investment. App’x 86–87, 104. Defendants do not dispute that these events took place. Rather, they deny any involvement in Chu’s actions and, thus, any intent to induce his breach.

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