Santos v. Kimmel
Opinion
24-2196-cv Santos v. Kimmel
United States Court of Appeals For the Second Circuit
August Term, 2024
(Argued: March 24, 2025 Decided: September 15, 2025 Amended: October 6, 2025)
Docket No. 24-2196-cv
GEORGE SANTOS,
Plaintiff-Appellant,
v.
JAMES C. KIMMEL, AKA JIMMY KIMMEL, AMERICAN BROADCASTING COMPANIES, INC., THE WALT DISNEY COMPANY,
Defendants-Appellees.
Before:
CABRANES, LOHIER, and SULLIVAN, Circuit Judges.
Former Congressman George Santos sued late-night show host Jimmy Kimmel and the companies that own and broadcast Kimmel’s show, Jimmy Kimmel Live!, for copyright infringement and state law breach of contract and fraudulent inducement. The suit arose after Kimmel, using various fictitious names, submitted requests to Santos for personalized videos through the Cameo platform. Santos fulfilled each request, and Kimmel then aired some of the videos on his show as part of a series of segments titled “Will Santos Say It?” The District Court dismissed the complaint for failure to state a claim, holding that the copyright claims were barred by the fair use doctrine and that the state
law claims either were preempted by the Copyright Act or failed to state a claim. Because we agree that Santos’s copyright claims were barred by the fair use doctrine and further conclude that each of Santos’s state law claims failed to state a claim, we AFFIRM.
ROBERT M. FANTONE, Mancilla & Fantone, LLP, New York, NY (Andrew Mancilla, Mancilla & Fantone, LLP, New York, NY, Joseph W. Murray, Great Neck, NY, on the brief), for Plaintiff-Appellant.
NATHAN SIEGEL, Davis Wright Tremaine LLP, Washington, DC (Eric J. Feder, Davis Wright Tremaine LLP, Washington, DC, Raphael Holoszyc-Pimentel, Davis Wright Tremaine LLP, New York, NY, on the brief), for Defendants-Appellees.
LOHIER, Circuit Judge:
Former Congressman George Santos appeals from a final judgment of the United States District Court for the Southern District of New York (Cote, J.) dismissing his copyright infringement and state law claims against Jimmy Kimmel, American Broadcasting Companies, Inc. (“ABC”), which airs Kimmel’s late-night show Jimmy Kimmel Live! (“JKL”), and ABC’s parent company, The Walt Disney Company. Santos’s suit arose after Kimmel, using various fictitious names, submitted requests to Santos for personalized videos through the Cameo platform. Santos fulfilled each request, and Kimmel then aired the videos on JKL as part of a mocking series of segments titled “Will Santos Say It?” The District
Court dismissed the complaint for failure to state a claim under Rule 12(b)(6) of the Federal Rules of Civil Procedure, concluding that the copyright claims were barred by the fair use doctrine and that Santos’s state law claims either were preempted by the Copyright Act or failed to state a claim. Because we agree that Santos’s copyright claims were barred by the fair use doctrine and further conclude that each of Santos’s state law claims failed to state a claim, we affirm.
DISCUSSION
We review de novo the District Court’s dismissal of Santos’s complaint under Rule 12(b)(6). DiFolco v. MSNBC Cable L.L.C., 622 F.3d 104, 110 (2d Cir. 2010). We consider “the facts alleged in the complaint, documents attached to the complaint as exhibits, and documents incorporated by reference in the complaint.” Id. at 111. In doing so, we may also take judicial notice of “copyright registrations[] as published in the Copyright Office’s registry.” Island Software & Comput. Serv., Inc. v. Microsoft Corp., 413 F.3d 257, 261 (2d Cir. 2005); see also TCA Television Corp. v. McCollum, 839 F.3d 168, 172 (2d Cir. 2016).
I. Copyright Infringement and Fair Use In a copyright action, the affirmative defense of fair use “excuses what might otherwise be considered infringing behavior, allowing courts to avoid
rigid application of the Copyright Act when it would stifle the very creativity the Act is meant to promote.” Hachette Book Grp., Inc. v. Internet Archive, 115 F.4th 163, 179 (2d Cir. 2024) (quotation marks omitted). Under the Copyright Act, we consider the following non-exclusive factors in determining whether fair use has been established: “(1) the purpose and character of the use . . . ; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used . . . ; and (4) the effect of the use upon the potential market for or value of the copyrighted work.” 17 U.S.C. § 107.
In assessing the “purpose and character of the use” factor, we “focus[]
chiefly on the degree to which the use is transformative, i.e., whether the new work merely supersedes the objects of the original creation, or instead adds something new, with a further purpose or different character.” Andy Warhol Found. for Visual Arts, Inc. v. Goldsmith, 11 F.4th 26, 37 (2d Cir. 2021) (quotation marks omitted). Our focus reflects an understanding that “fair use is a flexible concept, whose application varies depending on the context.” Hachette Book Grp., 115 F.4th at 179 (quotation marks omitted). It may be “so clearly established by a complaint as to support dismissal of a copyright infringement claim” at the pleading stage. TCA Television Corp., 839 F.3d at 178.
Addressing the “purpose and character of the use” factor, Santos maintains that the use was not transformative because Kimmel “instigated the creation of the original Works” and accordingly is the “designer[]” of their original purpose. Appellant’s Br. 11. Santos does not dispute the District Court’s finding that the purpose of the allegedly infringing use was “to comment on the willingness of Santos . . . to say absurd things for money.” App’x 235. He argues instead that this was also his original purpose in making the videos. But whether a secondary use is transformative turns on what a reasonable observer thinks, not the subjective intent of the copyright holder or that of the secondary user. See Andy Warhol Found. for Visual Arts, Inc. v. Goldsmith, 598 U.S. 508, 544 (2023) (“[T]he subjective intent of the user (or the subjective interpretation of a court) [does not] determine the purpose of the use.”). As Santos’s original allegation acknowledges, a reasonable observer here would think the videos conveyed “feelings of hope, strength, perseverance, encouragement, and positivity,” not a willingness to say absurd things for money. App’x 15.
Santos also contends that Kimmel’s false representations demonstrate bad faith and thus nullify the fair use defense. See Harper & Row Publishers, Inc. v. Nation Enters., 471 U.S. 539, 562–63 (1985). We disagree. It is true that the
Supreme Court stated in Harper & Row that “[f]air use presupposes good faith and fair dealing.” Id. at 562 (quotation marks omitted). But the Court has since distanced itself from this statement. 1 In any event, Santos’s complaint contradicts any claim of a purpose on the Defendants’ part to “supplant” Santos’s “commercially valuable right” in the videos. Swatch Grp. Mgmt. Servs. Ltd. v. Bloomberg L.P., 756 F.3d 73, 83 (2d Cir. 2014) (quotation marks omitted). To the contrary, the complaint paints a portrait of defendants motivated by (sarcastic) criticism and commentary. See Authors Guild v. Google, Inc., 804 F.3d 202, 215–16 (2d Cir. 2015). We thus agree with the District Court that the first factor strongly supports a finding of fair use.
We are equally unpersuaded by Santos’s challenges to the District Court’s analysis of the remaining factors. Among other things, the relevant copyright registrations establish that the videos were published on the same day they were created. See App’x 160–69; 17 U.S.C. § 101. And it is clear on the face of Santos’s
Free access — add to your briefcase to read the full text and ask questions with AI
Santos v. Kimmel (Santos v. Kimmel) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.