Sanger v. . French

51 N.E. 979, 157 N.Y. 213, 11 E.H. Smith 213, 1898 N.Y. LEXIS 574
CourtNew York Court of Appeals
DecidedNovember 22, 1898
StatusPublished
Cited by34 cases

This text of 51 N.E. 979 (Sanger v. . French) is published on Counsel Stack Legal Research, covering New York Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Sanger v. . French, 51 N.E. 979, 157 N.Y. 213, 11 E.H. Smith 213, 1898 N.Y. LEXIS 574 (N.Y. 1898).

Opinion

O’Brien, J.

The questions litigated in this action were questions of fact. The plaintiff was the manager of a theatre. The defendant was the junior member of a firm composed of himself and his father, known as the firm of Samuel French & Son, having an office or place of business both in FTew York and London. The defendant represented his firm in this country, and his father had charge of the firm business in Europe. The business of the firm ivas the purchase and *220 leasing or subletting of plays and dramas to theatres and theatrical managers in the United States and Canada, subject to the payment of royalties to the authors or owners thereof. The firm was also engaged in the publication and sale of printed plays and dramatic works, and in the sale of theatrical supplies.

In the month of April, 1887, the plaintiff and defendant conceived the project of building the Broadway Theatre in Flew York, in conjunction with another person, who was to furnish a portion of the necessary capital. It was a part of the scheme that the business was not to be confined to the theatre, properly so called, but that the associates in the enterprise should have jthe first option to take such plays as should be suitable for the new theatre, whether procured or controlled by the plaintiff or the defendant, or the defendant’s said firm, and that such plays when suitable should not only be produced at the theatre, but should also, taking advantage of the reputation and prestige acquired by the successful production of'the same at the Broadway Theatre in Hew York, after-wards, in theatrical language, be “ toured ” or “ exploited ” in the country throughout the United States and Canada- for their individual profit, to be shared equally between the associates.

A contract in writing, embracing substantially this scheme, was entered into between the parties to this action and one Bailey, but it was subsequently canceled at the request of the latter on account of ill-health, and at his suggestion another man was substituted in his place It seems that this man did not possess the necessary financial resources, and for this and other reasons this written agreement was also canceled. A third party who owned the land upon which the Broadway Theatre now stands was willing to embark in the enterprise and furnish half the capital necessary for building the theatre, provided á corporation should be formed for that purpose. He was not willing, however, to go any farther than to furnish half the capital for the project, and that on condition that the company to be formed leased from him *221 the land for the erection of the theatre at a rental of $18,000 per year, for which, not only the corporation, but the parties to this action, were to become personally responsible. The new associate was not willing to engage in the business of touring or exploiting plays in the country for profit, or to participate in the theatre business, otherwise than as a stockholder in the new theatre. The plaintiff and defendant accepted his proposition, the corporation was formed, a long lease of the land, with provisions for renewals, was made in such form that the parties to this action became personally responsible for the rent, and the theatre was built at the cost of about $320,000, of which the plaintiff and defendant furnished one-half in equal shares, and the lessor and owner of the land the other half.

The plaintiff claims and alleges that when this third associate came into the project, but declined to become in any way a partner in the theatre .business with any one, that then a verbal agreement was made between the plaintiff and defendant alone on the lines of the Bailey contract already referred to, whereby they were to be and become equal partners in touring and exploiting through the country such plays as had obtained reputation at the Broadway Theatre, and which were owned or controlled by either of them, or by the defendant’s firm, and to this end a firm composed of the plaintiff and defendant, and operating outside the corporation, should have the first option to take or purchase such plays as either of them owned or controlled. It seems that the word “ purchase,” when applied to a play, means that a party has acquired from the author or owner the right to use it, upon payment of a stipulated royalty.

The principal question in this case was whether the verbal agreement of partnership claimed by the plaintiff, under which he was entitled to share equally with the defendant in the profits of touring and exploiting plays, had ever in fact been made as alleged. All the issues in the case, including the accounting as well as the existence of the partnership in any form, weie referred to a referee to hear and determine, and he found on all these issues in favor of the plaintiff. The important finding in *222 the case is that which sustains the plaintiff’s allegation that there was a partnership agreement. After finding in detail the scope and purpose of the original scheme, the written agreement with Bailey and his substitute, the cancellation of the respective agreements between them and the parties to this action and the cause, as hereinbefore stated, all of which preceded and led up to what the plaintiff claimed to be the final agreement, the referee finds substantially as follows: On the 25th of April, 1887, the plaintiff and defendant, with Young, who was the person substituted at the suggestion of Bailey in his place, with their counsel went to the office of the counsel for the landowner who was to lease the land for the purpose of the theatre, and the latter, on being informed that- Bailey had withdrawn from the enterprise, objected to making the lease to the new firm, but offered himself to furnish a portion of the money for carrying out the project, providing a corporation could be formed for that purpose. This proposition, however, had reference only to the building and managing of the new theatre and did not include any business of touring and exploiting plays outside the theatre. The negotiations having thus assumed a new phase, the plaintiff and defendant retired to an adjoining room to consult between themselves, and the situation was fully discussed, and the finding states that it was then and there agreed that they would acccept the proposition of the landowner and form a corporation to build and own the theatre on the terms suggested by him, including the personal liability of plaintiff and defendant jointly for the ground .rent, and their obligation to furnish each one-quarter of the capital for the enterprise. It is also found that the parties to this action agreed to become equal partners in the business of exploiting plays in the country after exhibition at the new theatre, and that the firm of French & Sanger, thus formed, should to that end have the first option to take any and all plays owned or controlled by either member of the firm which should be suitable for the new theatre for the purpose of producing them at the theatre and then exploiting them throughout the United States and Canada, including the *223 plays owned and controlled by defendant’s firm of Samuel French & Son, which plays he in fact controlled, since he was the managing representative of that firm in this country.

The Broadway Theatre was completed and opened on the 3d day of March, 1888, by a corporation formed under the agreement already mentioned.

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Bluebook (online)
51 N.E. 979, 157 N.Y. 213, 11 E.H. Smith 213, 1898 N.Y. LEXIS 574, Counsel Stack Legal Research, https://law.counselstack.com/opinion/sanger-v-french-ny-1898.