Rhoads v. Margolis CA2/7

CourtCalifornia Court of Appeal
DecidedJanuary 26, 2015
DocketB249800
StatusUnpublished

This text of Rhoads v. Margolis CA2/7 (Rhoads v. Margolis CA2/7) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Rhoads v. Margolis CA2/7, (Cal. Ct. App. 2015).

Opinion

Filed 1/26/15 Rhoads v. Margolis CA2/7 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION SEVEN

DELORES RHOADS et al., B249800

Plaintiffs and Respondents, (Los Angeles County Super. Ct. No. EC059885) v.

PETER MARGOLIS et al.,

Defendants and Appellants.

DELORES RHOADS et al.,

Plaintiffs and Appellants,

v.

STEVEN ROSEN,

Defendant and Respondent.

APPEALS from an order of the Superior Court of Los Angeles County, Donna Fields Goldstein, Judge. Affirmed in part and reversed in part. Alan G. Dowling for Plaintiffs and Respondents Delores Rhoads, Kathryn Rhoads D’Argenzio and Kelle Rhoads. Leopold, Petrich & Smith, Louis P. Petrich and Jamie Lynn Frieden, for Defendants and Appellants Peter Margolis, Andrew Klein and Velocity Publishing Group, Inc. and, for Defendant and Respondent Steven Rosen. __________________________

In 2007 Delores Rhoads, Kathryn Rhoads D’Argenzio and Kelle Rhoads, the mother, sister and brother of Randy Rhoads, a well-known rock guitarist who died in a plane crash in 1982, entered into an agreement with Peter Margolis granting Margolis the right to use their personal information and memorabilia to make a documentary film about Randy.1 When the documentary project faltered three years later, Margolis, Andrew Klein, Steven Rosen and Velocity Publishing Group, Inc. published a book about Randy. The family sued, alleging the book was based on materials they had provided to Margolis for the exclusive purpose of making the documentary film. Margolis, Klein, Rosen and Velocity filed a special motion to strike the complaint pursuant to Code of Civil Procedure section 425.16 (section 425.16). The trial court denied the motion as to all defendants other than Rosen. We affirm in part and reverse in part. FACTUAL AND PROCEDURAL BACKGROUND 1. The Margolis-Rhoads Agreement In 1979 Randy, who was then performing with a band called Quiet Riot, was hired as lead guitarist for a new band formed by Ozzy Osbourne, who had previously been the lead vocalist for Black Sabbath. Randy performed with Osbourne’s band until 1982 when he died while on tour in a Florida plane crash at the age of 25. He had recently been named best new guitarist by Guitar Player magazine and was recognized in 2008 as one of Rolling Stone magazine’s 100 greatest guitarists. Notwithstanding his short professional life, he has had a strong influence on other rock musicians.

1 Because several members of the families share the same last name, we refer to them by their first names for convenience and clarity. (See Jones v. ConocoPhillips Co. (2011) 198 Cal.App.4th 1187, 1191, fn. 1.)

2 The Rhoads family has kept Randy’s legacy alive by giving interviews about him through the years and holding memorial gatherings on his birthday and the anniversary of his death. Many of their recorded reminiscences are available online. According to Delores, who once operated the music school where Randy learned to play electric guitar, family members have tried to accommodate the interests of Randy’s fans by sharing their memories of Randy but have never tried to profit from his name. While the family knew others had written biographies or created video tributes to Randy, they had long hoped to see a documentary film depicting Randy’s complete life using the family’s personal memories and memorabilia. In 2006 Margolis, a former guitar student of Randy’s, approached the family about making such a documentary. Margolis was not a filmmaker but had long worked in television production. In April 2007 Margolis entered into an agreement with Delores, Kathryn and Kelle (collectively defined as “Owner”) for an exclusive grant of rights “to produce a non-fiction documentary type program on the life and times of Randy Rhoads . . . .” In a paragraph entitled “Documentary Rights” the agreement provided, “In consideration of the payment to Owner of [$5,000] . . . , Owner hereby grants to Producer the right to produce, distribute and otherwise exploit one non-fiction documentary type program (‘Documentary Program’) in the form of a motion picture, television production or other production of approximately 43-110 minutes based on the life of Randy, and to distribute and otherwise exploit the Documentary Program, worldwide, in perpetuity in all media, now . . . or hereafter devised (the ‘Documentary Rights’).” The agreement also granted Margolis an option “to acquire all ‘Life Story Rights’ to produce a full length motion picture, television or other production based on the Life Story Rights (which is distinguished from the Program), as a dramatic production . . . for a term which is the longer of three (3) years from the date of the completion of the Documentary Program or four (4) years from the date hereof (the ‘Term’).” The option was never exercised.

3 A paragraph entitled “Interviews” stated: “Upon Producer’s request, Owner agrees, subject to her [sic] availability, to be interviewed by and/or consult with Producer and/or its authorized representative(s) as to the Life Story, for reasonable amounts of time, whenever reasonably required by Producer in and in connection with the Productions. In no event shall Owner knowingly give an interview for the purpose of a competing production to the Productions of Producer. Owner hereby grants to Producer the right to use any information, material, ideas, incidents, events, experiences, observations, and feelings disclosed or referred to in said interviews and/or consultations (‘interview information’) in and in connection with the Productions. . . .” The term “Life Story Rights” was defined as “a grant by the Owner of all rights Owner possess[es],” including “[t]he exclusive and irrevocable right (but not the obligation) to use events from the life of Randy Rhoads (the ‘Life Story’) and to use Randy’s name or any variant thereof and Randy’s picture, photograph, portrait, or representation, or any simulation thereof, in and in connection with the Productions . . . ; [¶] [and] [t]he exclusive and irrevocable right to depict, portray, and represent Randy and Randy’s life . . . in connection with the Productions . . . .” In addition, “[t]he rights granted include access to all material owned or controlled by Owner related to the Life Story, including all film, tape, records, documents, journals, Randy’s personal effect[s] . . . and all other materials related thereto (the ‘Materials’). Owner hereby grants to Producer the right to use and incorporate in[to] the Productions any or all of the material (subject to Producer securing all applicable clearances) but the ownership of all such materials shall remain with Owner and shall be returned to Owner in the same condition.” 2. The Documentary Production While negotiating the agreement with the Rhoads family, Margolis approached Dakota Entertainment North, Inc. (Dakota) to discuss financing the documentary. Dakota agreed to back the project but only if it held the rights. As drafted, the Margolis-Rhoads agreement permitted Margolis to assign his rights, “provided that no such assignments shall relieve Producer of [his] obligations hereunder unless such an assignment is to a U.S. television network or a major motion picture studio or other such similarly

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