Republic of Turkey v. Christie's Inc.

62 F.4th 64
CourtCourt of Appeals for the Second Circuit
DecidedMarch 8, 2023
Docket21-2485
StatusPublished
Cited by6 cases

This text of 62 F.4th 64 (Republic of Turkey v. Christie's Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Republic of Turkey v. Christie's Inc., 62 F.4th 64 (2d Cir. 2023).

Opinion

21-2485 Republic of Turkey v. Christie’s Inc., et al.

1 UNITED STATES COURT OF APPEALS 2 FOR THE SECOND CIRCUIT 3 ____________________ 4 5 August Term, 2022 6 7 (Argued: December 7, 2022 Decided: March 8, 2023) 8 9 Docket No. 21-2485 10 11 ____________________ 12 13 REPUBLIC OF TURKEY, 14 15 Plaintiff-Counter-Defendant-Appellant, 16 17 v. 18 19 CHRISTIE’S INC., MICHAEL STEINHARDT, 20 21 Defendants-Counter-Claimants-Appellees, 22 23 JOHN DOES 1-5, 24 Defendants, 25 26 ANATOLIAN MARBLE FEMALE IDOL OF KILIYA TYPE, 27 28 Defendant-in-Rem. 29 30 ____________________ 31 32 33 1 Before: POOLER, CHIN, and LOHIER, Circuit Judges. 2 3 The Republic of Turkey appeals from the September 7, 2021 judgment of

4 the United States District Court for the Southern District of New York (Alison J.

5 Nathan, J.), concluding after an eight-day bench trial that Turkey failed to prove

6 its ownership of a six-thousand-year-old marble idol. The district court

7 determined that Turkey’s claims of replevin and conversion failed and entered a

8 declaratory judgment that all rights, title, and interest to the idol vested in

9 defendant Michael Steinhardt. In addition, the district court held that defendants

10 were entitled to judgment because they established the equitable defense of

11 laches.

12 On appeal, Turkey argues the district court misconstrued fundamental

13 principles of New York law in each of these holdings. Because we conclude that

14 Turkey prejudiced defendants by unreasonably delaying this action, we affirm

15 the judgment under the doctrine of laches.

16 Affirmed.

2 1 Judge Lohier concurs in part and in the result, and files a separate

2 concurring opinion.

3 ____________________

5 LAWRENCE M. KAYE (Victor J. Rocco, Howard N. 6 Spiegler, Yaél M. Weitz, on the brief), Herrick, Feinstein 7 LLP, New York, NY, for Plaintiff-Counter-Defendant- 8 Appellant. 9 10 L. EDEN BURGESS (Thomas R. Kline, on the brief), 11 Cultural Heritage Partners, PLLC, New York, NY and 12 Washington, DC, for Defendants-Counter-Claimants- 13 Appellees. 14

3 1 POOLER, Circuit Judge: 2 3 This appeal arises out of an ownership dispute over the “Stargazer,” a six-

4 thousand-year-old marble figurine. Pursuant to its patrimony laws, the Republic

5 of Turkey claims title to the Stargazer, alleging the idol was unlawfully

6 excavated and smuggled out of its borders.

7 Turkey brought claims of conversion and

8 replevin against Christie’s Inc., the

9 possessor, Michael Steinhardt, the owner,

10 and the Stargazer itself (collectively,

11 “Defendants”) and sought a declaratory

12 judgment that all rights, title, and interest

13 to the Stargazer vested in Turkey. After an App'x at 215 14 eight-day bench trial, the district court

15 (Nathan, J.) concluded that Turkey failed to prove by a preponderance of the

16 evidence its ownership interest in the Stargazer, and entered a declaratory

17 judgment that all rights, title, and interest to the idol vested in Steinhardt. In

4 1 addition, the district court found that Turkey slept on its rights and that

2 Defendants had established the equitable defense of laches.

3 Turkey argues that, in reaching these conclusions, the district court

4 muddled New York law by misallocating the burden of proof and requiring

5 Turkey to preemptively investigate its claim. While unnecessary to resolve this

6 appeal, we write briefly to reiterate the appropriate burden of proof in stolen

7 artwork cases. We ultimately affirm the judgment of the district court, however,

8 as to laches. With this determination, we do not reach the remainder of Turkey’s

9 arguments.

10 Affirmed.

11 BACKGROUND

12 I. Factual Background

13 We distill these facts from the district court’s findings, which we accept

14 unless clearly erroneous. Diesel Props S.r.l. v. Greystone Bus. Credit II LLC, 631 F.3d

15 42, 52 (2d Cir. 2011); Fed. R. Civ. P. 52(a)(6).

16 The Stargazer is a marble statuette from the fifth millennium B.C.E.,

17 belonging to the Kiliya-type figurine tradition. In pristine condition, the 5 1 Stargazer is an exceptionally rare and important cultural artifact. It was crafted in

2 Kulaksizlar, Anatolia, which is within the borders of modern-day Turkey.

3 Though Kiliya figurines were created in Kulaksizlar, the idols were likely

4 exchanged along unknown trade routes, perhaps reaching the islands of the

5 Aegean Sea. More recently, these idols have been featured in personal and public

6 collections.

7 Much of the Stargazer’s history remains untold. It is unstratified, meaning

8 that there is no evidence of its findspot, find date, or excavator. We know that in

9 1961, J.J. Klejman, an art dealer, sold the idol to Alastair and Edith Martin, art

10 collectors, in New York City. But we do not know where Klejman first

11 encountered the Stargazer, how Klejman came into possession of the idol, or

12 when the Stargazer arrived in New York City.

13 After this sale, the Stargazer’s provenance becomes clearer. The Martins

14 incorporated the idol into their “renowned” Guennol Collection for twenty-two

15 years before transferring it to the Buttercup Beta Corporation—an entity owned

16 by Alastair Martin’s son. See Republic of Turkey v. Christie’s, Inc., No. 17-cv-3086

17 (AJN), 2021 WL 4060357, at *2 (S.D.N.Y. Sept. 7, 2021). The Buttercup Beta 6 1 Corporation sold the Stargazer to the Merrin Gallery in 1993, which, in turn, sold

2 the idol to Steinhardt and his wife, Judy Steinhardt, the same year. In 2017, the

3 Steinhardts consigned it to Christie’s Inc. for sale by auction, which featured the

4 Stargazer in the catalogue for its 2017 “Exceptional Sale” and published the idol’s

5 known provenance. Turkey made a claim for the statuette shortly thereafter. The

6 Stargazer eventually sold for a bid of $12,700,000.00, but the buyer never took

7 possession of the artifact.

8 Since the 1960s, the Stargazer has not lived in secrecy. The Martins loaned

9 the idol to the Metropolitan Museum of Art (the “Met”) from 1968 through 1993,

10 where it was displayed publicly in the Met’s permanent galleries. It was included

11 in the Met’s “Centennial Exhibition of the Guennol Collection” from 1969

12 through 1970 and its gallery label identified its origins as Anatolian. Steinhardt

13 similarly loaned the Stargazer to the Met, where it was exhibited from 1999

14 through 2007. The gallery label again acknowledged the artifact as Anatolian.

15 The idol was also featured in publications. Between 1964 and 1990, the

16 Stargazer was referenced in at least seven sources. Notably, authors with

17 connections to Turkey discussed the Stargazer. In 1989, Özgen Acar, the leading 7 1 journalist on Turkish cultural heritage and later consultant to a former Turkish

2 Minister of Culture, mentioned the idol’s place in the Guennol Collection in an

3 article published in a prominent Turkish newspaper. Jürgen Seeher, a scholar in

4 residence at the German Archaeological Institute in Istanbul, addressed the

5 Stargazer in his 1992 article Anatolian Marble Statues of the Kiliya-Type, and, in

6 2014, Önder Bilgi, an archaeology professor at Istanbul University, referenced the

7 idol and featured its image in his book, Anthropomorphic Representations in

8 Anatolia.

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