Reif v. Art Institute of Chicago

CourtCourt of Appeals for the Second Circuit
DecidedMarch 11, 2025
Docket24-809
StatusUnpublished

This text of Reif v. Art Institute of Chicago (Reif v. Art Institute of Chicago) is published on Counsel Stack Legal Research, covering Court of Appeals for the Second Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Reif v. Art Institute of Chicago, (2d Cir. 2025).

Opinion

24-809-cv Reif v. Art Institute of Chicago

UNITED STATES COURT OF APPEALS FOR THE SECOND CIRCUIT

SUMMARY ORDER

RULINGS BY SUMMARY ORDER DO NOT HAVE PRECEDENTIAL EFFECT. CITATION TO A SUMMARY ORDER FILED ON OR AFTER JANUARY 1, 2007, IS PERMITTED AND IS GOVERNED BY FEDERAL RULE OF APPELLATE PROCEDURE 32.1 AND THIS COURT’S LOCAL RULE 32.1.1. WHEN CITING A SUMMARY ORDER IN A DOCUMENT FILED WITH THIS COURT, A PARTY MUST CITE EITHER THE FEDERAL APPENDIX OR AN ELECTRONIC DATABASE (WITH THE NOTATION “SUMMARY ORDER”). A PARTY CITING TO A SUMMARY ORDER MUST SERVE A COPY OF IT ON ANY PARTY NOT REPRESENTED BY COUNSEL.

At a stated term of the United States Court of Appeals for the Second Circuit, held at the Thurgood Marshall United States Courthouse, 40 Foley Square, in the City of New York, on the 11th day of March, two thousand twenty-five.

PRESENT: GUIDO CALABRESI, SARAH A. L. MERRIAM, Circuit Judges. JED S. RAKOFF, District Judge. * __________________________________________

TIMOTHY REIF and DAVID FRAENKEL, as Co-Trustees of the Leon Fischer Trust for the Life and Work of Fritz Grünbaum; MILOS VAVRA,

Plaintiffs-counter-defendants-appellants,

v. 24-809-cv

THE ART INSTITUTE OF CHICAGO,

Defendant-counter-claimant-appellee.

* Judge Jed S. Rakoff of the United States District Court for the Southern District of New York, sitting by designation.

1 __________________________________________

FOR APPELLANTS: RAYMOND J. DOWD (Claudia G. Jaffe, Jeffrey F. Kinkle, on the brief), Dunnington, Bartholow & Miller LLP, New York, NY; Dennis E. Glazer, on the brief, Dennis E. Glazer, Esq., Bronxville, NY.

FOR APPELLEE: MARK R. YOHALEM (Luis Li, Matthew K. Donohue, Julia Hu, on the brief), Wilson Sonsini Goodrich & Rosati P.C., Los Angeles, CA; Jessica R. Lonergan, on the brief, Wilson Sonsini Goodrich & Rosati P.C., New York, NY; and Eric P. Tuttle, on the brief, Wilson Sonsini Goodrich & Rosati P.C., Seattle, WA.

Appeal from a judgment of the United States District Court for the Southern

District of New York (Koeltl, J.).

UPON DUE CONSIDERATION, the March 19, 2024, judgment of the District

Court is VACATED, and the matter is REMANDED for further proceedings, with

instructions to permit the filing of the proposed Second Amended Complaint.

Plaintiffs Timothy Reif and David Fraenkel, as Co-Trustees of the Leon Fischer

Trust for the Life and Work of Fritz Grünbaum, and Milos Vavra, “are co-heirs of the

estate of Grünbaum, a Viennese Jewish cabaret performer . . . who was arrested by the

Gestapo on March 22, 1938, imprisoned in the Dachau Concentration Camp, despoiled of

all of his property by the Nazi regime, and murdered in Dachau on January 14, 1941.”

App’x at 16. They claim title to Russian Prisoner of War, a 1916 painting by Egon

Schiele (the “Artwork”), that was possessed by defendant the Art Institute of Chicago

2 (“AIC”) at the time this action was filed. Plaintiffs assert that the Nazis stole the Artwork

– and other property – from Grünbaum while he was held at Dachau. AIC, which

acquired the Artwork in 1966, maintains that the Artwork “was not looted by the Nazis,”

but rather “had been purchased from Grunbaum’s sister-in-law,” AIC Br. at 1 (quotation

marks and citations omitted), and that AIC owns the Artwork free of any claims by

plaintiffs. AIC further contends that plaintiffs’ claims to the Artwork are barred by

collateral estoppel, laches, and the statute of limitations.

Plaintiffs filed this action against AIC for declaratory judgment, conversion, and

replevin on December 14, 2022. The District Court dismissed plaintiffs’ First Amended

Complaint (“FAC”) as barred by the applicable statute of limitations and by laches, and

denied as futile plaintiffs’ motion for leave to file a Second Amended Complaint

(“SAC”). See Reif v. Art Inst. of Chicago, 703 F. Supp. 3d 427 (S.D.N.Y. 2023),

reconsideration denied, No. 23CV02443(JGK), 2024 WL 838431 (S.D.N.Y. Feb. 28,

2024). This appeal followed.

The Court reviews de novo both the grant of a motion to dismiss under Rule

12(b)(6) for failure to state a claim, and the denial of leave to amend based on futility.

See Kane v. Mount Pleasant Cent. Sch. Dist., 80 F.4th 101, 106-07 (2d Cir. 2023). “To

survive a motion to dismiss, a complaint must contain sufficient factual matter, accepted

as true, to state a claim to relief that is plausible on its face.” Ashcroft v. Iqbal, 556 U.S.

662, 678 (2009) (quotation marks and citation omitted). “Futility arises when a proposed

amended complaint could not withstand a motion to dismiss.” Singh v. Deloitte LLP, 123

F.4th 88, 93 (2d Cir. 2024) (quotation marks and citation omitted).

3 We assume the parties’ familiarity with the underlying facts, procedural history,

and issues on appeal, to which we refer only as necessary to explain our decision.

I. Statute of Limitations

New York imposes a three-year statute of limitations for recovery of chattel. See

Solomon R. Guggenheim Found. v. Lubell, 569 N.E.2d 426, 429 (N.Y. 1991). Where the

current possessor is a good faith purchaser, the claim accrues “when the true owner

makes demand for return of the chattel and the person in possession of the chattel refuses

to return it.” Id. By contrast, where the current possessor acquired the object in bad faith

or by theft, “the Statute of Limitations runs from the time of the theft.” Id.

But the Holocaust Expropriated Art Recovery Act (the “HEAR Act”), adopted on

December 16, 2016, imposes a six-year statute of limitations on certain claims,

preempting state law. See Pub. L. No. 114-308, 130 Stat. 1524, §5(a). The HEAR Act

was intended “[t]o ensure that claims to artwork and other property stolen or

misappropriated by the Nazis are not unfairly barred by statutes of limitations.” Id.

§3(2). Under the HEAR Act, a claim accrues upon the “actual discovery” of both the

“identity and location of the artwork” and the claimant’s “possessory interest” in the

artwork. Id. §5(a). The statute also revives certain claims that would otherwise be barred

by the applicable statute of limitations: Where a claimant learned of a potential cause of

action before December 16, 2016, actual discovery is deemed to have occurred on

December 16, 2016. See id. §5(c). However, if actual discovery occurred on or after

January 1, 1999, and the potential claimant could have brought a timely claim but waited

more than six years to do so, the HEAR Act does not save the claim. See id. §5(e).

4 The District Court dismissed the FAC as time-barred under New York law,

concluding that the allegations in the FAC “support the idea that the defendant is a good-

faith possessor.” 2024 WL 838431, at *3. As a result, the District Court concluded,

plaintiffs’ claims accrued and the statute of limitations began to run on February 3, 2006,

when the defendant refused to return the Artwork, and the HEAR Act did not revive

plaintiffs’ claims because the exception in §5(e) applied. The District Court further held

that the proposed SAC – which alleged that AIC was not a possessor in good faith and

altered plaintiffs’ theory as to the date their cause of action accrued – did not cure the

statute of limitations issue, rendering amendment futile.

“Dismissal under Rule 12(b)(6)” based on a statute of limitations is “appropriate

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