Raymond Rohauer, Doing Business as the Coronet Theater v. Leopold Friedman, Trustee in Liquidation of the Assets of Buster Keaton Productions, Inc.

306 F.2d 933, 6 Fed. R. Serv. 2d 1142, 2 A.L.R. 3d 1395, 134 U.S.P.Q. (BNA) 384, 1962 U.S. App. LEXIS 4412
CourtCourt of Appeals for the Ninth Circuit
DecidedJuly 25, 1962
Docket17246_1
StatusPublished
Cited by37 cases

This text of 306 F.2d 933 (Raymond Rohauer, Doing Business as the Coronet Theater v. Leopold Friedman, Trustee in Liquidation of the Assets of Buster Keaton Productions, Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Raymond Rohauer, Doing Business as the Coronet Theater v. Leopold Friedman, Trustee in Liquidation of the Assets of Buster Keaton Productions, Inc., 306 F.2d 933, 6 Fed. R. Serv. 2d 1142, 2 A.L.R. 3d 1395, 134 U.S.P.Q. (BNA) 384, 1962 U.S. App. LEXIS 4412 (9th Cir. 1962).

Opinion

STEPHENS, Circuit Judge.

This appeal is brought from a judgment of the District Court for the Southern District of California which decrees that appellee is the owner of a valid copyright in a motion picture entitled “The Navigator”. The judgment further decrees that appellant has infringed the copyright by exhibiting the motion picture without authority from the appellee, and that appellant is thereby enjoined from further infringement of the copyright in any manner whatsoever.

The facts as stipulated to by the parties are set forth in the Pre-Trial Conference Order and may be briefly summarized as follows: Appellee (Plaintiff in the District Court) is the surviving Trustee in Liquidation of the assets of Buster Keaton Productions, Inc., which prior to October 14, 1924 produced the motion picture film “The Navigator”. This motion picture was distributed by Metro-Goldwyn Pictures Corporation, which corporation on or about October 14, 1924 applied for and received from the Copyright Office of the United States a Certificate of Registration of Copyright on said motion picture.

In late November, 1937 Metro-Goldwyn Pictures Corp. transferred all its motion picture interests (inclusive of “The Navigator”) to Loew’s Incorporated by an agreement in writing using the following language:

“ * * * METRO has sold, assigned and set over unto LOEW’S * * * all right, title and interest of METRO in and to, any and all motion pictures * * * and all copyright thereof * * * recorded in the name of METRO as proprietor and/or owner * * * in the Office of the Register of Copyrights of the United States * *

In August, 1952 Loew’s Inc., as the assignee of Metro-Goldwyn Pictures Corp., applied for and received a Certificate of Registration for the renewal of the copyright on the film “The Navigator”. In February, 1960 pursuant to stockholder vote the firm name of *935 Loew’s Inc. was changed to Metro-Goldwyn-Mayer Incorporated. And on or about March 1, 1960 Metro-Goldwyn-Mayer Inc. assigned to the plaintiff in writing all of its right, title and interest in and to the motion picture “The Navigator” including the copyright and the renewal thereof.

Appellant (Defendant in the District Court) admits that he copied the film by direct photographic duplication, and that during the month of March, 1960 he exhibited “The Navigator” to the public in his theater. Shortly thereafter plaintiff brought the instant action in the District Court seeking to recover damages for the alleged infringement and to enjoin defendant’s future infringement of the copyright. The court granted the injunction and awarded plaintiff the statutory minimum damages of $250.00. Jurisdiction was conferred on the District Court by 28 U.S.C. § 1338. This court has jurisdiction by virtue of 28 U.S.C. § 1291.

Defendant raises many overlapping points in his appeal, which when consolidated present three basic questions concerning plaintiff’s chain of title to the copyright and its renewal. First, defendant contends that the District Court committed reversible error by holding that Metro-Goldwyn Pictures Corp. had obtained a valid copyright in 1924. This contention cannot be sustained. The record contains substantial evidence to support such holding. The case was submitted to the court for decision without trial in open court. The only evidence before the court was contained in a Pre-Trial Conference Order, which consisted of a stipulated statement of facts and all of the documents related to the copyright here in question. These documents were stipulated to be genuine and admissible as evidence in the case without objection. 1

The introduction into evidence of a copyright Certificate of Registration creates a prima facie case as to the facts stated therein. 17 U.S.C. § 209; Vance v. American Society of Composers, etc., 271 F.2d 204 (8th Cir. 1959); Wihtol v. Wells, 231 F.2d 550 (7th Cir. 1956); National Institute, Inc., etc. v. Nutt, 28 F.2d 132 (D.Conn.1928). The burden then shifts to the other party to go forward with the evidence in order to overcome such prima facie case. There is nothing in the stipulated facts in the Pre-Trial Order which controverts the prima facie case made out by the introduction into evidence of the 1924 Certificate of Registration. It was on the basis of this uncontroverted set of facts that the District Court made the disputed finding. We cannot say, in a case where the defendant has failed to overcome the prima facie case made out by the plaintiff, that a holding by the District Court in favor of the plaintiff constitutes reversible error.

Defendant also contends that the assignment in 1937 from Metro-Goldwyn Pictures Corp. to Loew’s Inc. did not effectively pass title of the renewal rights because the renewal rights were not expressly mentioned in the general words of assignment. The District Court held to the contrary, and in our view the evidence supports that conclusion.

Defendant argues that unless the conveying instrument expressly states that the renewal rights have been conveyed, the courts will find that the parties did not intend to transfer them. This rule, however, reflects a policy of statutoiy copyright law which is not applicable to the facts of the case before us. By requiring the express mention of renewal rights in such transfers, thus avoiding an inadvertent or unintended transfer of such rights, the courts have found a means of carrying out the statu *936 tory policy of protecting the copyright interests of original authors and certain of their heirs. See 17 U.S.C. § 24; Edward B. Marks Music Corp. v. Charles K. Harris Music Pub. Co., 255 F.2d 518 (2nd Cir. 1958); and Rossiter v. Vogel, 134 F.2d 908 (2nd Cir. 1943). That policy and rule clearly have no application here, since none of the parties before the court are within the class of persons given special statutory consideration.

Thus the scope of factual examination made to determine the intent of the parties to this assignment is not as limited as defendant contends. The language of the agreement in general, as well as the circumstances surrounding its execution may also serve to indicate the intent of the parties. And where there is evidence which shows an intention to transfer the renewal rights, the fact that they were not expressly mentioned in the assignment of the original copyright will not preclude their passing with the copyright. Edward B. Marks Music Corp. v. Charles K. Harris Music Pub.

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Bluebook (online)
306 F.2d 933, 6 Fed. R. Serv. 2d 1142, 2 A.L.R. 3d 1395, 134 U.S.P.Q. (BNA) 384, 1962 U.S. App. LEXIS 4412, Counsel Stack Legal Research, https://law.counselstack.com/opinion/raymond-rohauer-doing-business-as-the-coronet-theater-v-leopold-friedman-ca9-1962.