Popovich v. Webster & Webster L.L.P.

2014 Ohio 1825
Ohio Court of Appeals·Decided May 1, 2014·No. 99785·Published

Opinion

Court of Appeals of Ohio

EIGHTH APPELLATE DISTRICT COUNTY OF CUYAHOGA

JOURNAL ENTRY AND OPINION No. 99785

STEPHEN F. POPOVICH, ET AL.

PLAINTIFFS-APPELLANTS

vs.

WEBSTER & WEBSTER L.L.P., ET AL.

DEFENDANTS-APPELLEES

JUDGMENT:

AFFIRMED

Civil Appeal from the

Cuyahoga County Court of Common Pleas Case No. CV-10-732418

BEFORE: Keough, P.J., Kilbane, J., and E.T. Gallagher, J.

RELEASED AND JOURNALIZED: May 1, 2014

ATTORNEYS FOR APPELLANTS

Joseph T. George Law Offices of Joseph T. George 2450 One Cleveland Center 1375 East 9th Street Cleveland, Ohio 44114

Jan A. Yoss Younesi & Yoss, L.L.P. 11355 W. Olympic Blvd., Suite 200 Los Angeles, California 90064

ATTORNEYS FOR APPELLEES

John G. Farnan J. Quinn Dorgan Melanie R. Shaerban Weston Hurd L.L.P. The Tower at Erieview 1301 East 9th Street, Suite 1900 Cleveland, Ohio 44114

Beth A. Brandon-Webster Webster & Webster 1220 West Sixth Street Suite 600 Cleveland, Ohio 44113

Timothy J. Weyls, Jr. Weyls Peters, L.L.C. 6505 Rockside Road Suite 300 Independence, Ohio 44131

KATHLEEN ANN KEOUGH, P.J.:

{¶1} Plaintiffs-appellants, Stephen F. Popovich and Dominic Lemmo, co-personal representatives for the estate of Stephen C. Popovich (“Popovich”) appeal various rulings made by the trial court during the pendency of this legal malpractice action. For the reasons that follow, we affirm.

I. Factual Background

{¶2} In 1962, Cleveland-born Stephen C. Popovich began working in the music industry by stocking warehouse shelves for CBS/Columbia Records. He eventually became vice-president of CBS. In the late 1970s, Popovich left CBS to start his own business, Cleveland Entertainment Company, Inc., (sometimes referred to as “CEC” or “Cleveland”). One of the trade names he used under that entity was “Cleveland International Records” (sometimes referred to as “CIR”).

{¶3} Cleveland Entertainment Company had three shareholders — Popovich owned 51 percent, Samuel Lederman owned 29 percent, and Stanford Snyder owned 20 percent. Their company signed a contract with CBS n.k.a. Sony Entertainment Company (“Sony”) in 1977 in which Cleveland was to deliver to CBS master recordings, featuring music artists under contract with Cleveland. Cleveland discovered and signed several artists who later became famous, including the artist Meat Loaf. In exchange for royalties paid to Cleveland, CBS had the right to manufacture, distribute, and sell records and tapes derived from those master recordings throughout the world. Meat Loaf’s album “Bat Out of Hell” was one of the best selling albums of all time; the royalty rights became Cleveland’s most significant asset.

{¶4} In the early 1980s, Popovich and his partners had a “business divorce” and went their separate ways, although Cleveland was never formally dissolved. The state of New York later administratively deemed the corporation dissolved due to a failure to pay certain taxes or fees. Popovich stayed in the music production business and continued to use “Cleveland International Records” as his own label in subsequent music contracts.

{¶5} In 1995, Popovich formed Popovich Music Group, Ltd. (“PMG”) and was its sole owner. This company registered the trade name “Cleveland International Records.” At trial, Cliff Drobnik, Popovich’s financial advisor, explained that “Cleveland International Records” was Popovich’s “calling card.”

{¶6} In 1995, Cleveland sued Sony to collect unpaid royalties on the Meat Loaf records pursuant to the 1977 contract (hereinafter the “Royalty Litigation”). Included in the litigation were Lederman and Snyder. Sony agreed to settle the Royalty Litigation claims in 1998 by paying the company $6.7 million. As part of the settlement, Popovich also wanted Sony to put the Cleveland International Records logo on all Meat Loaf album packaging. While this aspect of the settlement was not important to Lederman and Snyder, Popovich was adamant about the inclusion of the logo placement term in the settlement. Sony ultimately agreed, and the logo term was added to the Royalty Litigation settlement agreement. Popovich signed the settlement agreement in his capacity as “President of Cleveland Entertainment Company, Inc.” and in his personal capacity.

{¶7} Sony breached the logo placement term of the settlement agreement almost immediately by failing to put the Cleveland International Records logo on the packaging of Meat Loaf’s records and tapes. When Popovich discovered the breach, he sought legal representation. After unsuccessfully trying to retain legal counsel on a contingency fee basis to represent him in a lawsuit against Sony, he retained David and Beth Brandon Webster’s law firm, Webster & Webster, L.L.P. (“Websters”) in 2002, which agreed to take the case on a contingency basis. David Webster was the lead attorney in the case.

{¶8} The Websters filed suit against Sony in the U.S. District Court for the Northern District of Ohio in Popovich’s individual capacity, and asserted a variety of claims, including breach of contract in relation to the placement of the Cleveland International Records logo (hereinafter the “Logo Litigation”). Lederman and Snyder were not made a part of the litigation, even though they were made aware of the case.

{¶9} The Logo Litigation spanned over three years. Sony initally moved to dismiss the case, contending that Popovich lacked standing to bring the action in his individual capacity. In response, an amended complaint was filed naming PMG, which had registered the Cleveland International Records trade name, as an additional plaintiff. The court denied Sony’s motion to dismiss. Sony again raised the issue of standing in its motion for summary judgment. Again, the motion was denied. After years of litigation, Sony successfully defeated all claims raised against it by Popovich, except whether it breached the 1998 Royalty Litigation settlement agreement regarding the placement of the logo on the Meat Loaf music recordings.

{¶10} In May 2005 and following a jury trial, the jury awarded Popovich over $5 million in damages. Following an unsuccessful appeal by Sony, the U.S. Court of Appeals for the Sixth Circuit affirmed the judgment, which resulted in an additional award of more than $700,000 in prejudgment interest.

{¶11} After learning of the verdict for Popovich, Lederman and Snyder sued Popovich in 2006, claiming they were entitled to their respective shares of Popovich’s recovery in the Logo Litigation (hereinafter the “Lederman Litigation”). Popovich disputed their claim because he believed he owned the Cleveland International Records logo, and he was harmed by Sony’s breach of the 1998 Royalty Litigation settlement agreement. Popovich again retained the Websters to represent him in this matter. However, the Websters withdrew in the fall of 2008 because of a fee dispute with Popovich.

{¶12} Through new counsel, Popovich defended his position that he was the sole owner of the logo placement provision in the 1998 Royalty Litigation settlement agreement, and the Lederman Litigation went to trial. The issue on trial was whether the logo placement rights in the 1998 Royalty Litigation settlement agreement with Sony belonged exclusively to Popovich or to the long-defunct Cleveland Entertainment Company. In 2009, the Lederman Litigation jury determined the logo belonged to the defunct company, not Popovich exclusively. As a result, the jury determined that the three owners were each entitled to their respective ownership shares in the Logo Litigation judgment, less Popovich’s expenses in obtaining the judgment. After the verdict, Popovich settled with Lederman and Snyder for an amount less than what the jury awarded.

II. Procedural Background

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