Pickwick Entertainment, Inc. v. Theiringer

898 F. Supp. 75, 33 Fed. R. Serv. 3d 518, 1995 U.S. Dist. LEXIS 13405, 1995 WL 550501
CourtDistrict Court, D. Connecticut
DecidedSeptember 14, 1995
Docket5:91 CV 32 (GLG)
StatusPublished
Cited by2 cases

This text of 898 F. Supp. 75 (Pickwick Entertainment, Inc. v. Theiringer) is published on Counsel Stack Legal Research, covering District Court, D. Connecticut primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Pickwick Entertainment, Inc. v. Theiringer, 898 F. Supp. 75, 33 Fed. R. Serv. 3d 518, 1995 U.S. Dist. LEXIS 13405, 1995 WL 550501 (D. Conn. 1995).

Opinion

MEMORANDUM DECISION

GOETTEL, District Judge.

At the conclusion of plaintiffs case, defendant moved for entry of judgment and plaintiff moved to amend the complaint. Upon request of the parties, the continuation of the trial, if necessary, has been adjourned sine die.

This case involves a license agreement between Pickwick Communications, Inc. (“Communications”) and Pickwick Entertainment, Inc. (“Entertainment”) the plaintiff here, for certain master recordings, collectively referred to as the “Pickwick Catalogue.” From the license agreement, it was apparent that the licenses along with the master recordings being conveyed from Communications to Entertainment, fell into three categories. There were two sets of master recordings as to which actual written contracts existed and which were transferred. Those two sets are not involved in the instant action. A second set of contracts and master recordings (List B), which belonged to Communications but for which “written contracts” had not yet been located, are the focus of this action. A third set (List C) concerned master recordings where the license agreement clearly indicated there would be difficulty in establishing any valid licenses to the masters.

The license agreement had an integration clause to the effect that it was the only agreement between the parties and no other agreement or stipulations pertinent to the subject matter would be valid unless in writing. Communications and Entertainment subsequently had disputes concerning the license agreement. This led to a reinstatement agreement in which inter alia Entertainment acknowledged that they had sufficient familiarity and knowledge concerning the licenses and masters to fully appraise their value and utility and that, with certain limited exceptions, none of the representations and warranties contained in the license agreement should be deemed to have survived. These “agreements” have resulted so far in four lawsuits. In one of them, to which subsequent reference will be made, Communications successfully sued Entertainment and Entertainment’s counterclaim concerning, inter alia, missing licenses was dismissed.

Before the initial license agreement was signed (in June 1988), Entertainment knew that Communications has just acquired the “Pickwick Catalogue” which had been dormant for some years, and had not yet substantiated its exclusive rights to all of the Pickwick masters at that time. The defendant herein, Kathleen M. Theiringer, was employed by Communications and was attempting to determine what rights it had in the Pickwick Catalogue when Entertainment bought the Catalogue (what John Heywood’s Proverbs (1546) might have referred to as a “pig in the poke”). Theiringer arranged shipment of the masters and written materials concerning licenses from Minnesota to Connecticut and, having then been hired by Entertainment, was responsible for their unpacking in Connecticut. She was principally responsible for supervision of the Catalogue contract and the attempt to determine rights, but the contracts were accessible to all of the other scores of Entertainment employees.

The defendant was employed by Entertainment first as an employee for about a year and then she was brought back later for about one half of a year as a consultant. At the time of her final departure from Entertainment, she took with her two boxes, which she identified as being her personal possessions. After she left, other Entertainment employees continued with their efforts to *77 clarify contract rights in the Catalogue. They were to a large extent unsuccessful. The claim is now made that when Miss Theiringer left she either stole vital contracts, retained documents that she should not have, or was, by virtue of her negligence, responsible for the contracts being lost.

The plaintiff moves to amend its complaint to add two new claims which are, essentially, that she participated in a cover-up concerning the absence of licenses either by conspiring with the Communications’ people or by making negligent misrepresentations concerning what licenses existed.

THE MOTION FOR ENTRY OF JUDGMENT PURSUANT TO FED.R.CIV.P. 52(c)

The principal weakness in the plaintiffs case on all causes of action, except perhaps the proposed negligent misrepresentation claims, is that plaintiff has failed to prove that it ever possessed any contracts which are now missing. Indeed, in its earlier action with Communications it alleged in its counterclaim that “most of the significant selections in the Pickwick Catalogue were not owned by Communications_” (Plaintiff also sued two law firms concerning their involvement in the unprofitable acquisition).

Plaintiff produced several witnesses who testified on this issue. About the most that they established was that there were binders or books of documents which they could not locate after the defendant left the plaintiffs employ. The closest any witness came to stating that the missing documents were contracts was the testimony of plaintiffs president, Jan Weinberg, who stated that certain documents looked like letters relating to a contract. In his deposition, however, he admitted that he couldn’t tell whether they were contracts or not. Moreover, even assuming that certain contracts are now missing, we have no notion as to which contracts they are. If plaintiff were seeking replevin of the contracts, it would be impossible to draft an order directing their return. The only evidence suggesting that the defendant may have taken some documents concerned the two boxes of materials she removed, which she maintains were her personal possessions.

There are two additional points that argue strongly against the plaintiffs claims. In the first place, any missing licenses are not freely negotiable instruments. We cannot conceive of what possible use the defendant could make of any contract documents which had been transferred from Communications to Entertainment that she might have in her possession. Moreover, there appears to be no reason why, if in fact license rights belong to Entertainment, it cannot establish its licenses through secondary evidence. Finally, we know of no way of valuing the plaintiffs damages without knowing what specific contracts were involved. 1 Nevertheless, with a single exception, we are not persuaded to grant the motion to dismiss at this time. Under Rule 52(c), F.R.Civ.P., we are permitted to wait until the close of evidence to render a judgment, and since that should not take more than one additional day of court time, that seems the more prudent course.

There is one cause of action that raises solely a legal issue and that is the fourth cause of action purportedly based on a breach of fiduciary duty. In Connecticut, a fiduciary is a person who is in a unique position of trust and confidence and owes a duty to represent the interests of another. Dunham v. Dunham, 204 Conn. 303, 528 A.2d 1123 (1987). Defendant was not an officer or director of plaintiff. While any employee certainly owes an obligation to his or her employer not to steal its property, such duty exists outside the parameters of a “fiduciary” duty owed to the employer.

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898 F. Supp. 75, 33 Fed. R. Serv. 3d 518, 1995 U.S. Dist. LEXIS 13405, 1995 WL 550501, Counsel Stack Legal Research, https://law.counselstack.com/opinion/pickwick-entertainment-inc-v-theiringer-ctd-1995.