People v. Szarvas

142 Cal. App. 3d 511, 191 Cal. Rptr. 117, 1983 Cal. App. LEXIS 1658
CourtCalifornia Court of Appeal
DecidedApril 28, 1983
DocketCrim. 42068
StatusPublished
Cited by8 cases

This text of 142 Cal. App. 3d 511 (People v. Szarvas) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
People v. Szarvas, 142 Cal. App. 3d 511, 191 Cal. Rptr. 117, 1983 Cal. App. LEXIS 1658 (Cal. Ct. App. 1983).

Opinion

Opinion

HANSON (Thaxton), Acting P. J.

This is an appeal from convictions of five counts of transferring recorded sounds for unlawful use (Pen. Code, § 653h, subd. (a)(1)), and of petty theft (Pen. Code, § 484). We affirm the convictions, as modified.

Facts

Defendant Leslie Louis Szarvas (hereinafter referred to as Szarvas) operated an establishment known as Discontinued Records. Many of the records stocked by Discontinued Records were hard to find or out of print. For a fee, Szarvas would record a selection or an entire album for a customer.

On August 28, 1981, Kenneth Munson, a private investigator for the Recording Industry Association of America (hereinafter referred to as RIAA) purchased a taped copy of the Beach Boys’ album “Shutdown” from Szarvas.

On September 1, 1981, Noel Castleman, another RIAA investigator, purchased taped copies of the Beatles’ album “The Beatles 1962-1966” and Elvis Presley’s album “Elvis’ Golden Records” from Szarvas.

In September 1981, Chris Thomas, a Burbank police detective, purchased taped copies of Chet Atkins’ album “Hi Fi in Focus” and Hank Williams’ album “I’m Blue Inside” from Szarvas.

Procedural Background

On September 14, 1981, Szarvas was arrested and, pursuant to a search warrant, a majority of the phonograph records were seized from Discontinued Records.

*517 In the district attorney’s second amended information, Szarvas was charged with five counts of violating Penal Code section 653h, subdivision (a)(1) 1 (each count consisting of one of the aforementioned albums) and one count of violating Penal Code section 487, subdivision I. 2 It was further alleged that in the commission of count six (grand theft), Szarvas took funds and property of a value exceeding $25,000. Szarvas pleaded not guilty and denied the enhancement allegation.

Trial was had by jury. On January 29, 1982, the jury found Szarvas guilty as charged in counts I through VI of the second amended information. Szarvas was found not guilty of grand theft as charged in the second amended information but guilty of petty theft, a lesser included offense of grand theft. Szarvas filed his motion for a new trial the same day. This motion was denied on March 1, 1982. Szarvas was placed on probation on counts I through V for a period of three years, subject to certain conditions including that he pay a fine of $1,500 per count ($7,500 total), cooperate with any related civil judgment and refrain from transferring recorded sounds without a license or consent. Szarvas was placed on probation without formal supervision on count VI for a period of 90 days.

Issues

On appeal, Szarvas contended these convictions should be reversed on the following grounds: 1) the jury was not instructed on the doctrine of fair use as it applies to federal copyright law; 2) the court did not instruct the jury sua sponte on the defense of mistake of fact regarding the victim’s consent; 3) the prejudicial effect of testimony concerning “bootleg recordings” was not cured by the court’s admonishment to the jury to disregard all such testimony or evidence; 4) the court allowed a nonexpert witness give an opinion concerning an ultimate issue of the case; 5) Szarvas did not have the effective assistance of counsel.

*518 Discussion

I. The Doctrine of Fair Use

In the recent case of Marcus v. Rowley (9th Cir. 1983) 695 F.2d 1171, the United States Court of Appeals for the Ninth Circuit explained the doctrine of fair use. The court, at pages 1174-1175, stated:

“Fair use is most often defined as the ‘privilege in others than the owner of a copyright to use the copyrighted material in a reasonable manner without his consent, notwithstanding the monopoly granted to the owner . . . . ’ Rosemont Enterprises, Inc. v. Random House, Inc. 366 F.2d 303, 306 (2d Cir. 1966), cert, denied, 385 U.S. 1009, 87 S.Ct. 714, 12 L.Ed.2d 546 (1967). [Citations omitted.] This doctrine was judicially created to ‘avoid rigid application’ of the copyright laws when that application would defeat the law’s original purpose which was the fostering of creativity. Iowa State University Research Foundation, Inc. v. American Broadcasting Cos., 6521 F.2d 57, 60 (2d Cir. 1980). Because the doctrine was developed with a view to the introduction of flexibility and equity into the copyright laws, it has evolved in such a manner as to elude precise definition. Universal City Studios, Inc. v. Sony Corp. 659 F.2d 963, 969 (9th Cir. 1981), cert, granted, 457 U.S. 1116, 102 S.Ct. 2926, 73 L.Ed.2d 1328 (1982). It is, as Professor Nimmer has stated, a ‘most obscure doctrine.’ 3 Nimmer on Copyright, § 13.05 at 13-54.1 (1982).
“The doctrine of fair use was a judicially articulated concept until Congress recognized its importance and incorporated it into section 107 of the revised Copyright Act. The legislative history states that ‘[s]ection 107 is a restatement of this judicially developed doctrine—it neither enlarges nor changes it in any way.’ 122 Cong. Rec. 3144 (1976) (statement of Sen. Tunney). See H.R. Rep. No. 1476, 94th Cong., 2d Sess. 66, reprinted in 1976 U.S. Code Cong. & Ad. News 5659, 5690 [Hereinafter cited as H.R. Rep. (1976)]. Thus, the cases dealing with the doctrine of fair use under the common law and those under section 107 both give consideration to the same factors in analyzing whether the doctrine should apply. Section 107 codifies the factors developed under the prior case law.”

Title 17 United States Code, section 107 states: “Notwithstanding the provisions of section 106, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not *519 an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—

“(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
“(2) the nature of the copyrighted work;
“(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
“(4) the effect of the use upon the potential market for or value of the copyrighted work.”

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Cite This Page — Counsel Stack

Bluebook (online)
142 Cal. App. 3d 511, 191 Cal. Rptr. 117, 1983 Cal. App. LEXIS 1658, Counsel Stack Legal Research, https://law.counselstack.com/opinion/people-v-szarvas-calctapp-1983.