People v. . Muller

96 N.Y. 408, 2 N.Y. Crim. 375, 1884 N.Y. LEXIS 510
CourtNew York Court of Appeals
DecidedOctober 7, 1884
StatusPublished
Cited by55 cases

This text of 96 N.Y. 408 (People v. . Muller) is published on Counsel Stack Legal Research, covering New York Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
People v. . Muller, 96 N.Y. 408, 2 N.Y. Crim. 375, 1884 N.Y. LEXIS 510 (N.Y. 1884).

Opinion

Andrews, J.

The first count in the indictment charges the defendant with selling an indecent and obscene photograph, repreenting a nude female in a lewd, obscene, indecent, scandalous, and lascivious attitude and posture, and the second count charges him with having in his possession divers lewd, scandalous, obscene and indecent photographs of the same "character, with intent to sell the same. Section 317 of the Penal Code declares among other things, that a person who sells, lends, gives away, or offers to' give away, or shows, or has in his possession with intent to sell, or give away, or to show, or advertise, or otherwise offers for loan, gift, sale or distribution, an obscene or indecent book, writing, paper, fixture, drawing or photograph is guilty of a misdemeanor. The evidence on the trial in support of the indictment related to nine photographs produced before the jury, which were proved to have been sold by the defendant in the ordinary course of his employment as a clerk in a store for the sale of books, pictures, and photographs, in the city of New York.

*377 The record contains no special description of the photographs, except that it appears that they represented nude females, and were photographic copies of paintings which had been exhibited in the Salon in Paris, and one of them at the Centennial Exhibition in Philadelphia, and among them were pictures designated “ L’Asphyxie,” “ After the Bath,” and 6Cla Baigneuse.”

The jury, by their verdict of guilty, necessarily found that the photographs were obscene and indecent. The exhibits were produced on the argument of the appeal at the General Term, and the court in its opinion expressed its concurrence with the finding of the jury, saying that they might very well have' found that the photographs were both indecent and obscene. They were not produced in this court, and we are unable to pass upon the question of their obscenity or indecency from the pictures themselves. If the defendant’s counsel desired to insist in this court, that the photographs were not in fact indecent or obscene, and that this appeared from the photographs themselves, and that the finding of the jury was therefore without evidence to support it, it was his duty to have furnished them as a part of the record, or to have insisted upon their production by the district attorney.

Upon the case as presented, we must assume that the pictures were of the character described in the indictment. But exceptions were taken by the defendant on the trial which render it necessary to consider to some extent the scope of the statute, the method of trying the issue of obscenity and indecency, and the relevancy of proof of an innocent intent on the part of a defendant charged with a violation of the statute.

It is to be observed that the statute does not undertake to define obscene or indecent pictures or publications. But the words used in the statute are themselves descriptive. They are words in common use, and every person of ordinary intelligence understands their meaning, and readily, and in most cases accurately applies them to any object or thing brought to his atttention which involves a judgment as to the quality indicated. It does not require an expert in art or literature to determine whether a picture is obscene or indecent, or whether printed words are offensive to decency and good morals. These *378 are matters which fall within the range of ordinary intelligence, and a jury does not require to be informed by an expert before pronouncing upon them. It is evident that mere nudity in painting or sculpture is not obscenity. Some of the great works in painting and sculpture, as all know, represent nude human forms. It is a false delicacy and mere prudery which would condemn and banish from sight all such objects as obscene, simply on" account of their nudity. If the test of obscenity or indecency in a picture or statue is its capability of suggesting impure thoughts, then indeed all such representations might be considered as indecent or obscene. The presence of a woman of the purest character and of the most modest behavior or bearing, may suggest to a prurient imagination images of lust, and arouse impure desires, and so it is of any picture or statue.

The test of an obscene book was stated in Regina v. Hicklin (L. R. 3 Q. B. 369) to be, whether the tendency of the matter to be charged as obscenity is to deprave and corrupt those whose minds are open to such immoral influences, and who might come in contact with it. We think it would also be a proper test of obscenity in a painting or statue, whether the motive of the painting or statue, so to speak, as indicated by it, is pure.or impure, whether it is naturally calculated to excite in a spectator impure imaginations, and whether the other incidents and qualities, however attractive, were merely accessary to this as the primary or main purpose of the representation.

The defendant, on the trial, called as witnesses an artist who had practiced painting for many years, and also a person who had been, engaged in the study of art. They were asked by defendant’s counsel whether there was a distinguishing line, as understood by artists, between pure art and obscene and indecent art. The question was objected to by the prosecutor, and excluded by the court. The issue to be tried was whether the particular photographs in question were obscene or indecent. The defendant was entitled to prove in his defense any facts legitimately bearing upon this issue. The fact that the original pictures of which the photographs were copies had been exhibited in the Salon in Paris was admitted by the prosecution, and it was proved that one of them had been publicly exhibited in *379 Philadelphia. But this did not, as a matter of law, exclude a finding by the jury that the photographs were obscene and indecent. It is not impossible certainly that the public exhibition of indecent pictures may have been permitted in Paris or Philadelphia, and the fact that a picture had been publicly exhibited would not necessarily determine its character as decent or indecent. Indeed, there is but little scope for proof bearing upon the issue of decency or obscenity beyond the evidence furnished by the picture itself.

The question which was excluded, if intended to bring out the fact that pictures might be either decent or indecent, and that the canons of pure art would accept those of one class and reject those of the other was properly rejected, as an attempt to prove a self-evident proposition. If the question was intended to be followed by proof that, according to the standard of judgment adopted and recognized by artists, the photographs in question were not obscene or indecent, it was properly rejected for the reason that the issue was not, whether, in the opinion of witnesses or of a class of people, the photographs were indecent or obscene, but whether they were so in fact, and upon this issue witnesses could neither be permitted to give their own opinions or to state the aggregate opinion of a particular class or part of the community. To permit such evidence would put the witness in the place of the jury and the latter would have no function to discharge. The testimony of experts is not admissible upon matters of judgment within the knowledge and experience of ordinary jurymen. 1 Greenl. Ev. 440.

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Bluebook (online)
96 N.Y. 408, 2 N.Y. Crim. 375, 1884 N.Y. LEXIS 510, Counsel Stack Legal Research, https://law.counselstack.com/opinion/people-v-muller-ny-1884.