People v. Maita

157 Cal. App. 3d 309, 203 Cal. Rptr. 685, 1984 Cal. App. LEXIS 2205
CourtCalifornia Court of Appeal
DecidedJune 19, 1984
DocketA019840
StatusPublished
Cited by16 cases

This text of 157 Cal. App. 3d 309 (People v. Maita) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
People v. Maita, 157 Cal. App. 3d 309, 203 Cal. Rptr. 685, 1984 Cal. App. LEXIS 2205 (Cal. Ct. App. 1984).

Opinion

Opinion

FLAHERTY, J. *

Philip Joseph Maita (hereafter appellant) was found guilty after a nonjury trial of six counts of pimping (Pen. Code, § 266h), seven counts of pandering (Pen. Code, § 266i) and one count each of keeping a house of ill fame and keeping a house used for prostitution (Pen. Code, §§315, 316). These convictions stem from appellant’s management and ownership of the Lily Theater in Redwood City. The Lily Theater specialized in sexually explicit live entertainment. Appellant contends that his convictions cannot stand because (1) the on-stage performances at the Lily Theater were protected by the First Amendment, (2) the evidence was insufficient to support the pimping and pandering convictions, and (3) the evidence of appellant’s management and operation of the Lily Theater was derived from unlawfully seized evidence.

On several occasions between February 3, 1981, and March 6, 1981, undercover officers of the San Mateo County Sheriff’s office observed activities at the Lily Theater, which was owned and operated by appellant. The officers reported basically the same type of stage performance on each occasion.

After paying a $6 to $8 admission fee, with appellant sometimes acting as cashier, a customer enters the theater and sits on one of the seats surrounding the stage. Shortly thereafter, a female employee walks on stage, *314 accompanied by music, and promptly disrobes. She is naked except for garter belt, stockings, and high-heeled shoes. The employee first fondles herself and then steps up to the edge of the stage.

Several of the customers approach the stage and some of them place money on the floor of the stage. The employee then assumes a kneeling or squatting position and permits several of the patrons to suckle her breasts or orally copulate her. The employee then takes the money left onstage and puts it into her stockings. This activity usually lasts for approximately half an hour.

The second part of the show commences when the announcer, sometimes appellant, asks for a male volunteer from the audience. The female employee then takes the volunteer on stage, undresses him, and orally copulates him in full view of the audience. On at least one occasion, the employee had sexual intercourse with the customer during the second part of the act. The employee and customer go backstage together and another female employee appears onstage and repeats the performance.

In addition to observing these activities, the police also enlisted the services of a woman who agreed to work as an undercover informant. She was equipped with a miniature transmitting and recording device and met with appellant for the ostensible purpose of obtaining employment as a dancer at the Lily Theater. The interview was recorded. Appellant told the informant that employment at the theater would require nude dancing and real sex acts on stage with customers of the theater. Appellant told her that the sex acts would include orally copulating the customers and having the customer orally copulate her. Appellant stated that she could work four shows a day, seven days a week with each show being 40 minutes long. He further stated that he would pay her $12.50 for performing each live show. Moreover, she could expect to earn $25 to $30 in tips each show which she could keep.

Based on the information provided by the undercover informant and the observations of the undercover officers, a search warrant issued to search the Lily Theater and its corporate headquarters, Randolph Entertainment, Inc., for records pertaining to the operation of the theater. The corporate headquarters of the Lily Theater also served as appellant’s residence. On March 6, 1981, police officers simultaneously served the warrants at the Lily Theater and at Randolph Entertainment, Inc. Evidence was seized from both locations showing appellant’s management and operation of the theater.

The San Mateo District Attorney filed an information in superior court charging appellant with six counts of pimping, seven counts of pandering, three counts of presenting obscene live conduct and one count each of keep *315 ing a house of ill fame and keeping a house used for prostitution. Appellant pled not guilty to all counts.

Appellant waived jury trial. After hearing several days of testimony, the court ruled that while appellant was not guilty of the obscenity charge, he was guilty of all the remaining counts. Appellant was placed on probation for five years on the condition that he serve six months in the county jail and pay a fine totalling $7,500. As a further condition of probation, appellant cannot be associated with any enterprise “which has sexual conduct or sexual activity as its primary theme.” This appeal followed.

Appellant’s primary contention is that the sexual activity at the Lily Theater took place in a legal context which was protected by the First Amendment of the United States Constitution. The trial court found appellant not guilty of the three counts of presenting obscene live conduct. Therefore, appellant argues, application of the pimping and pandering laws under which he was convicted to the nonobscene theatrical performance at the Lily Theater violates the First Amendment.

Theatrical performances have, in recent years, been afforded broad First Amendment protection. (See, e.g., Morris v. Municipal Court (1982) 32 Cal.3d 553 [186 Cal.Rptr. 494, 652 P.2d 51] [successful challenge to city ordinance prohibiting nude entertainment]; Barrows v. Municipal Court (1970) 1 Cal.3d 821 [83 Cal.Rptr. 819, 464 P.2d 483] [successful challenge to prohibition of “any obscene song, ballad or other words” as applied to theatrical performance]; In re Giannini (1968) 69 Cal.2d 563 [72 Cal.Rptr. 655, 446 P.2d 535] [successful challenge to law regulating “wilful and lewd exposure” as applied to “topless” dancer]. No one seriously contends, however, that anything which occurs upon a stage is automatically immune from state regulation. In California v. LaRue (1972) 409 U.S. 109 [34 L.Ed.2d 342, 93 S.Ct. 390], the court pointed out with respect to First Amendment protections, “. . . [A]s the mode of expression moves from the printed page to the commission of public acts that may themselves violate valid penal statutes, the scope of permissible state regulations significantly increases.” (Id., at p. 117 [34 L.Ed.2d at p. 351].) In other words, the courts have held that when “speech” and “nonspeech” elements are combined in the same course of conduct, a sufficiently important governmental interest in regulating the nonspeech element can justify incidental limitations on First Amendment freedoms.

There is no doubt that in the instant case the application of the pimping and pandering laws creates an indirect tension with what the trial court found to be constitutionally protected expression. However, this infringement is justified if the government regulation “. . .

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Bluebook (online)
157 Cal. App. 3d 309, 203 Cal. Rptr. 685, 1984 Cal. App. LEXIS 2205, Counsel Stack Legal Research, https://law.counselstack.com/opinion/people-v-maita-calctapp-1984.