People v. Baylinson

211 A.D. 40, 206 N.Y.S. 804, 1924 N.Y. App. Div. LEXIS 9877
Appellate Division of the Supreme Court of the State of New York·Decided November 28, 1924·Published·Cited by 3 cases

Opinion

Mekrell, J.:

Section 43 of the Penal Law provides that: A person who wilfully and wrongfully commits any act which seriously injures the person or property of another, or which seriously disturbs or endangers the public peace or health, or which openly outrages public decency, for which no other punishment is expressly prescribed by this chapter, is guilty of a misdemeanor * *

The judgment of conviction from which the defendant has appealed recites his conviction for “ the misdemeanor of unlawfully violating section 43 of the Penal Law, committed in the city and county of New York on February 21, 1923 (wilfully and unlawfully outraging public decency).” The crime charged in the information was that the defendant did “ cause and permit to be exhibited to the public in a certain hotel called Waldorf-Astoria, there situate, a certain picture and painting in the following form, to wit: The presence of Christ at the marriage feast in Cana, in Galilee after having performéd His first miracle of changing the water in the water pots into wine at the request of the Blessed Virgin Mary, said picture or painting having inserted in modern street clothes pictures intended to be the persons of ex-Congressman Volstead, William H. Anderson and William Jennings Bryan, the said Volstead holding his right hand upon the shoulder of Christ, William Jennings Bryan spilling the wine out of one of the pots filled with the same, while Anderson is seen standing in the doorway nearby behind Volstead and Bryan, the same being a picture or painting obviously offensive to the general [42] public decency and to the religious sensibilities of divers good citizens, in that it purported to portray Christ as a violator of the National Prohibition Law and the Prohibition Law of the State of New York against the form of the Statute in such case made and provided and against the peace of the People of the State of New York.”

The picture was shown at an annual exhibition of the Society of Independent Artists, a domestic corporation, of which society the defendant was the paid secretary. The society holds annual exhibitions of paintings, sculpture, and other works of art of its members. The evidence shows that in the month of October in each year notices are sent out to former exhibitors and those who are thought to be interested in the approaching annual exhibition, that such an exhibition will be held and inviting the persons notified to become members of the association. Annual dues are exacted from the members, the amount thereof being dependent upon the expense of conducting the exhibition in each year. The testimony of the president of the society was that once a man paid his membership dues he was entitled to have the privilege to show one or two pictures, according to the size of the pictures, at the annual exhibition; that the society did not act as a jury; and that payment of the membership dues entitled the artist to have his picture or pictures hung. The defendant had no voice or discretion as to whether any picture brought by a member of the society should be hung. Membership in the society was sufficient to entitle any one to hang his picture at the annual exhibition, and no one had authority to deprive him of such right. The picture alleged to have been offensive was painted by an artist by the name of J. Francois Kaufman, who was a member of the society and hung the picture by virtue of such membership. The evidence did not show that the defendant took any part in the hanging of the picture, which was one of over eight hundred hung at the annual exhibition of the society held at the Waldorf-Astoria Hotel in February, 1923. The exhibition that year lasted for three weeks. A paid admission was charged to all except members of the society and some otters who had received complimentary tickets of admission. A regular cashier and ticket seller was provided, whose duty it was, in behalf of the society, to sell tickets to its exhibition. During the three weeks’ course of the exhibition in February, 1923, about 10,000 people were admitted thereto, and during the course of the exhibition there was no incident of disorder or a breach of the public peace, nor was -there any evidence that the display of the picture outraged public decency.

The picture itself portrays a scene at the wedding feast at Cana, [43] in Galilee, where the Saviour performed His first miracle by transforming the contents of the water pots into wine for the wedding feast. The picture portrays the Saviour, with the mother of Jesus in an attitude of adoration, with other participants of the feast about the table. There is also shown the likenesses of ex-Congressman Volstead, William Jennings Bryan and William H. Anderson in present-day garb. Volstead stands with his right hand upon the Saviour’s shoulder, his left directing attention to the vessels of wine, one of which lies broken upon the floor, the contents of another, is being spilled out by William Jennings Bryan, while the remaining four stand full of wine at the Saviour’s feet. Anderson, the erstwhile superintendent of the Anti-Saloon League, stands in the open doorway with his eyes upon the Saviour.

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People v. Baylinson, 211 A.D. 40, 206 N.Y.S. 804, 1924 N.Y. App. Div. LEXIS 9877 (N.Y. Ct. App. 1924).

211 A.D. 40 (People v. Baylinson) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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