Peltier v. Sacks
Opinion
To state a claim under
1. The Native American heritage month event was not government speech
Defendants first argue that the art exhibit was L & I's-the government'-speech, *1178not Peltier's. They claim they decided what forms of art and which art to use in the display, not Peltier, and that his first amendment rights were not impacted by their decision to remove his paintings form their display. Peltier contends that the Native American heritage month event was a public event intended to promote the speech of Native American artists, and that Defendants infringed on his first amendment rights when they effectively censored his speech.2
The Free Speech Clause restricts government regulation of private speech; it does not regulate government speech. Pleasant Grove City v. Summum ,
While the government-speech doctrine is important-indeed, essential-it is susceptible to dangerous misuse. Matal v. Tam , --- U.S. ----,
In determining whether the government speech doctrine applies to a given situation, the question is whether the government acted to facilitate private speech, or to promote its own message. Johanns,
Defendants' argument that Peltier's paintings were government speech is based on Pleasant Grove . There, a City's refusal to include a religious group's artwork in a city monument did not violate the First Amendment because the monument was government speech. See Pleasant Grove ,
Free access — add to your briefcase to read the full text and ask questions with AI
To state a claim under
1. The Native American heritage month event was not government speech
Defendants first argue that the art exhibit was L & I's-the government'-speech, *1178not Peltier's. They claim they decided what forms of art and which art to use in the display, not Peltier, and that his first amendment rights were not impacted by their decision to remove his paintings form their display. Peltier contends that the Native American heritage month event was a public event intended to promote the speech of Native American artists, and that Defendants infringed on his first amendment rights when they effectively censored his speech.2
The Free Speech Clause restricts government regulation of private speech; it does not regulate government speech. Pleasant Grove City v. Summum ,
While the government-speech doctrine is important-indeed, essential-it is susceptible to dangerous misuse. Matal v. Tam , --- U.S. ----,
In determining whether the government speech doctrine applies to a given situation, the question is whether the government acted to facilitate private speech, or to promote its own message. Johanns,
Defendants' argument that Peltier's paintings were government speech is based on Pleasant Grove . There, a City's refusal to include a religious group's artwork in a city monument did not violate the First Amendment because the monument was government speech. See Pleasant Grove ,
In this case, the identity of the speaker is not so clear. Promotional materials for the heritage month event advertised Peltier individually, encouraging onlookers to "come see art by the renowned Native American artist Leonard Peltier," and including a link to Peltier's website. Other materials for the event advertised Native American dance performances, story telling, movie screenings, and discussions. A reasonable observer could have seen the event poster and believed that the speakers were the Native American artists that were listed and promoted individually. Likewise, an observer who saw the poster promoting Peltier's paintings certainly could have identified the intended speaker as Peltier. At the very least, it would not have been clear to an observer that Peltier's art exhibit, and other individually promoted performances, were actually L & I "speaking."
To the extent that government approval of speech supports a government speech defense, L & I simply could not have "effectively controlled" or "exercised final approval authority" over the entirety of speech disseminated during the Native American Heritage Month event. L & I certainly could not have controlled the speech within a discussion or a dance performance.
Viewed in the light most favorable to Peltier, the evidence supports a finding that L & I provided a forum for groups and individuals to exercise private speech. The Native American Heritage Month celebration was therefore not government speech. Thus, the extent to which the Government can control speech depends on the nature of the relevant forum.
Traditional public fora are those places which "by long tradition or by government fiat" have been devoted to assembly, debate, communicating thoughts between citizens, and discussing public questions. Perry Educ. Ass'n v. Perry Local Educators' Ass'n ,
Defendants contend that the Native American heritage month event was actually intended to "educate L & I's employees in the Tumwater office." Other than the general observation that the majority of people who come to the L & I building on a given day are not members of the public, Defendants provide no evidence to suggest that the Native American heritage celebration was intended "mainly for L & I employees." In fact, the event poster that L & I distributed said, "join us at the following public events during the month of November to celebrate Native *1180American heritage." Dkt. 52 Ex. 10 (emphasis added).
Viewed in the light most favorable to Peltier, the evidence supports the inference that the Native American heritage month event was a public forum designated for the celebration, education, and discussion of Native American heritage. Because L & I designated the forum for a certain subject, excluding speech or speakers that did not relate to Native American heritage would have been permissible. But Peltier's paintings depicting Native American culture, and his identity as a Native American, were well within the designated subject matter.
Thus, in the public forum it designated, L & I needed a compelling government interest to remove Peltier's paintings. Defendants contend that L & I removed the paintings because the public controversy they caused "detracted from L & I's overall message."
Freedom of speech, though not absolute, is protected against censorship or punishment, unless shown likely to produce a clear and present danger of a serious substantive evil that rises far above public inconvenience, annoyance, or unrest. Terminiello v. Chicago ,
Even if the evidence supported a finding that the Native American heritage event was a limited public forum, removing Peltier's paintings would still not be permissible.3
A subject matter or speaker-based exclusion must meet two requirements to be permissible in a limited public forum. First, it must be "reasonable in light of the purpose served by the forum." Cornelius ,
L & I's purported reasons for removing Peltier's paintings are particularly important. Defendants claim they removed Peltier's artwork once displaying it detracted from "L & I's message." There is no evidence that Defendants set objective criteria for including art or artists to begin with, however, other than the art relate to Native American heritage. Defendants initially found no reason to exclude Peltier's paintings from the Native American heritage month event, despite discussing *1181the risk of controversy beforehand. Nor were Defendants concerned about the paintings during the first two weeks of the event. Defendants decided that Peltier's paintings conflicted with "L & I's message" only after receiving complaints, reaching out to those who complained, and "listening carefully to their thoughts and concerns." In other words, whether artwork fell within L & I's intended purpose of celebrating Native American heritage seemingly depended on the approval or disapproval of outside viewers. Enforcing the exclusion of artwork is intrinsically flawed when exclusion is contingent upon the subjective reaction of viewers of the artwork, as perceived by government officials. Hopper,
Here, L & I's only evident standard for inclusion, haphazardly imposed half way through the month-long exhibit, was that art or artist be non-controversial. The mere fact that the artwork causes controversy is, of course, patently insufficient to justify its suppression.
2. Sacks and Church personally participated in removing the paintings
Sacks argues that he is entitled to summary judgment because he did not personally participate in removing the paintings. Peltier points out that Sacks took personal responsibility for the decision to remove the paintings.
After L & I removed the paintings, Sacks explained to those who had complained: "we made the very difficult decision to rotate in other Native American art," and "we removed Leonard Peltier's paintings," indicating that he participated in the decision. Peltier has alleged facts that, when viewed in the light most favorable to him, support the inference that Sacks participated in the decision to remove Peltier's paintings.
Defendants incorrectly contend that in individual-capacity § 1983 lawsuits, plaintiffs are required to show that the officials "left their official roles behind and instead embarked on a course deliberately indifferent to plaintiffs' constitutional rights." Dkt. 42 at 11. There is no such requirement under § 1983. To establish personal liability under 1983, a plaintiff must show that the official, acting under color of state law, caused the deprivation of a federal right. See Hafer,
3. Inslee did not personally participate in removing the paintings
While Peltier has alleged sufficient facts to demonstrate that Church and Sacks participated in removing Peltier's paintings, Peltier offers no evidence that Inslee participated at all in selecting or removing the paintings. Peltier contends that Inslee must have had at least some part in removing the paintings because as Governor of Washington, Inslee is "the highest decision-maker in the state." Dkt. 1 at 13. But there is no respondeat superior liability under § 1983. See Monell v. Dep't of Soc. Servs. of City of New York ,
Accordingly, Defendants' Motion for Summary Judgment is GRANTED with respect to all Plaintiffs' claims against Defendant *1182Jay Inslee in his individual capacity, and those claims are DISMISSED WITH PREJUDICE .
4. Defendants are not entitled to qualified immunity
Defendants Church and Sacks argue that even if they violated Peltier's rights by removing his art, they are nevertheless entitled to qualified immunity because the violation was not clearly established.4
Under the qualified immunity doctrine, "government officials performing discretionary functions generally are shielded from liability for civil damages insofar as their conduct does not violate clearly established statutory or constitutional rights of which a reasonable person would have known." Harlow v. Fitzgerald ,
Qualified immunity protects officials "who act in ways they reasonably believe to be lawful." Garcia v. County of Merced ,
Ample precedent holds that when the government designates a public forum for expressive activity, even if the government limits the activity to certain subjects, restricting certain speech is prohibited. See Perry Educ. Ass'n v. Perry Local Educators' Ass'n ,
Peltier correctly points to Supreme Court precedent holding that the first amendment prohibits restrictions that distinguish among different speakers and allow speech by some but not others. Citizens United v. FEC ,
Perhaps most established is that restricting speech because it causes controversy or offense is the very censorship the first amendment prohibits. See FCC v. Pacifica Found.,
In Hopper , the Court specifically held that removing art from an exhibit at City Hall because the artwork sparked controversy violated artists' first amendment rights. The City had opened an art gallery within city hall and exhibited art done by local artists. Artists who were initially invited to display their work at the gallery were summarily uninvited when their submissions provoked controversy. Hopper,
It was clearly established that in a public forum, Defendants needed a compelling government interest to remove or prohibit speech. It was also clearly established that in excluding certain art from the exhibit, Defendants had to establish definite and unambiguous criteria for inclusion in the first place, which they did not. A reasonable director of a state agency, and public affairs manager, respectively, would have known that removing art based solely on certain individuals' disapproval of a speaker's identity violated well-established first amendment principles.
Accordingly, Defendants are not entitled to qualified immunity.
5. Peltier's "Official Capacity" claims are dismissed
Peltier sued Sacks, Church, and Inslee in both their "individual" and their "official" and capacities, but he did not sue the State. The reason for these choices is not clear.
Official-capacity suits are generally just another way of suing the state or agency that employs the agent. Hafer v. Melo ,
Peltier provides no evidence to suggest that Defendants decided to remove his paintings based on L & I's official custom, pattern, or policy. In fact, Peltier does not assert a Monell claim, and does not mention a potential policy or custom at all; he simply contends that Defendants each were part of the decision to remove the paintings. Accordingly, Defendants' Motion for Summary Judgment on this point is GRANTED, and all of Plaintiff's "official capacity" claims are DISMISSED WITH PREJUDICE .
B. Intentional Infliction of Emotional Distress
Peltier alleges that removing his art was outrageous conduct, and that the Defendants knew or should have known that it would cause him emotional distress. Defendants argue that they were not malicious actors, and removing the paintings was not outrageous.
*1184To prevail on a claim for the tort of outrage, (also known as the intentional infliction of emotional distress), a plaintiff must prove that (1) the defendant engaged in extreme and outrageous conduct, (2) the defendant intentionally or recklessly inflicted emotional distress on the plaintiff, and (3) the conduct actually resulted in severe emotional distress to the plaintiff. Kloepfel v. Bokor ,
Even viewed in the light most favorable to the Peltiers, Defendants' conduct does not meet the outrage standard. Removing art after receiving complaints about the artist is not extreme, atrocious, or utterly intolerable conduct, even if it violated Peltier's first amendment right.
Accordingly, Defendants' Motion for Summary Judgment on Peltier's Intentional Infliction of Emotional Distress claim is GRANTED , and that claim is DISMISSED WITH PREJUDICE.
C. Negligence
The Peltiers allege that Defendants were negligent in violating Leonard Peltier's federal and state constitutional rights. Specifically, Plaintiffs claim that Defendants had a "duty of reasonable care to not trample on Peltier's first amendment rights." Defendants argue that Plaintiffs have not established any duty to support a negligence claim.
To maintain an action for negligence under Washington law, a plaintiff must show (1) that the defendant owed a duty of care to the plaintiff, (2) the defendant breached that duty, (3) the plaintiff was injured, and (4) the defendant's breach was the proximate cause of the injury. Doty-Fielding v. Town of South Prarie,
There is no support for the claim that a first amendment violation turns a constitutional violation into a negligence case. The Peltiers provide no evidence to support a negligence claim other than the conclusory allegation that Defendants "trampled on their duty of reasonable care and caused direct and foreseeable harm." Dkt. 51 at 23.
To the extent the Peltiers claim Defendants had a duty to not violate Leonard Peltier's state constitutional rights, Washington does not recognize a cause of action in tort for a violation of the constitution. Blinka v. Wash. State Bar Ass'n ,
Accordingly, Defendants' Motion for Summary Judgment on Plaintiff's Negligence claim is GRANTED , and that claim is DISMISSED WITH PREJUDICE.
D. Violation of Washington State Constitution
The Peltiers contend that they suffered "general and special damages" as a result of Defendants violating Washington State constitutional rights to due process, peaceable assembly, and freedom of speech. See Washington Constitution Art. I, § 3, 4, and 5. Defendants reiterate that Washington does not recognize a cause of action in tort for a violation of the constitution. The Peltiers now say that they will "accept a *1185finding of violation and an order to rehang the paintings," which they apparently claim are permissible forms of relief. Dkt. 51 at 22.
Washington law contains no counterpart to
Washington Courts have also refused to recognize a cause of action for a constitutional violation when Plaintiffs may obtain adequate relief under the common law. See Reid v. Pierce County ,
If the Peltiers wished to seek an order to re-hang his paintings for the remainder of the "contracted period"-essentially, a specific performance contract claim, they should have alleged breach of contract. The Peltiers cite no authority imposing a mandatory injunction to remedy a state constitutional violation, and they do not articulate why a constitutional cause of action is more appropriate than a breach of contract cause of action.
Accordingly, Defendants' Motion for Summary Judgment on Plaintiff's Washington Constitutional claim is GRANTED , and that claim is DISMISSED WITH PREJUDICE.
IV. CONCLUSION
Defendants' Motion for Summary Judgment [Dkt. 42] is GRANTED with respect to Plaintiffs' fifth and fourteenth amendment, intentional infliction of emotional distress, negligence, and Washington constitutional claims. The motion is GRANTED with respect to Plaintiffs' § 1983 claim against Defendant Jay Inslee, and against all Defendants in their "official capacities." Plaintiff has raised a genuine issue of fact as to whether removing his paintings violated his first amendment rights, and Defendants are not entitled to qualified immunity. The motion is therefore DENIED with respect to Plaintiff's first amendment claim.
IT IS SO ORDERED.
Footnotes
328 F. Supp. 3d 1170 (Peltier v. Sacks) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.