Peck v. City of Boston

750 F. Supp. 2d 308, 2010 U.S. Dist. LEXIS 116128, 2010 WL 4292156
CourtDistrict Court, D. Massachusetts
DecidedNovember 1, 2010
DocketCivil Action 09-10606-JGD
StatusPublished
Cited by15 cases

This text of 750 F. Supp. 2d 308 (Peck v. City of Boston) is published on Counsel Stack Legal Research, covering District Court, D. Massachusetts primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Peck v. City of Boston, 750 F. Supp. 2d 308, 2010 U.S. Dist. LEXIS 116128, 2010 WL 4292156 (D. Mass. 2010).

Opinion

MEMORANDUM OF DECISION AND ORDER ON CROSS-MOTIONS FOR SUMMARY JUDGMENT

DEIN, United States Magistrate Judge.

I. INTRODUCTION

The plaintiff, Bruce Peck (“Peck”), makes his living as a street performer. He has brought this action for declaratory and injunctive relief, pursuant to 42 U.S.C. § 1983, claiming that the defendant, City of Boston (“City”), violated his constitutional right to free speech by implementing a policy restricting the area in which street performers may perform their acts *310 at Boston’s Faneuil Hall. The matter is before the court on the parties’ cross-motions for summary judgment (Docket Nos. 27 and 31). At issue is whether the City’s policy imposes unreasonable restrictions on the time, place and manner of street performances at Faneuil Hall, and in particular, whether it is narrowly tailored to address a significant governmental interest and whether it leaves open ample alternative channels for communication. For the reasons detailed below, this court finds that there are disputed issues of material fact on these issues. Accordingly, both motions for summary judgment are DENIED.

II. STATEMENT OF FACTS 1

The following facts are undisputed unless otherwise indicated.

Peck’s Work as a Street Performer

Plaintiff Peck is a resident of Florida who makes his living as a street performer using the stage name Stephen Chance. (DF ¶¶ 1, 5; PF ¶ 2). Peck has performed in over twenty different countries and has worked as an acrobat, magician, escape artist, balloon twister and human statue. (PF ¶ 2). Street performers typically work in places that have open spaces, a significant number of tourists, and where small crowds are able to gather. (DF ¶ 3). Peck has performed at a number of locations in Boston, which is well-known for street performers. (DF ¶¶ 7, 15). Over the past decade, he has spent multiple summers performing at Faneuil Hall, which is located on publicly owned property in Boston. (PF ¶ 3).

In 2008, Peck came to Boston and performed at both Faneuil Hall and the New England Aquarium. (DF ¶¶ 6, 8). During the time period from about mid-May 2008 to late July 2008, Peck performed at Faneuil Hall as a living statue known as the “Golden Cowboy.” (PF ¶ 4; DF ¶¶ 9, 11-12, 14). Thus, Peck wore a costume, covered himself from head to toe in golden colored makeup, and struck various poses. (PF ¶¶ 5, 7; DR ¶ 7). His audience would leave money in a nearby container. (PF ¶ 7; DR ¶ 7). Peck’s golden cowboy performance was completely silent. (Id. ¶ 6).

Restrictions on Street Performers at Faneuil Hall

In July 2008, the City erected metal barricades around the north, south and east sides of the Faneuil Hall building and established a policy prohibiting street performers from conducting performances outside of a designated area (the “Designated Area”) located on the west side of the building in a section of the property known as Dock Square. (See DF ¶¶ 17, 26; PF ¶ 18). The policy went into effect on July 24, 2008, when Boston police officers prevented street performers from set *311 ting up in their usual locations and, without regard for the nature of the shows, instructed every performer to conduct his or her performance in the Designated Area. (DF ¶¶ 28-29; PF ¶ 28). The police also informed the street performers, including the plaintiff, that they would be subject to arrest if they left the Designated Area. (DF ¶ 30; PF ¶ 31). In fact, on one occasion when Peck was sitting near Faneuil Hall with his performance gear in a suitcase, City law enforcement personnel threatened to arrest him and impound his equipment if he did not move into the Designated Area. (PF ¶¶ 32-33). Approximately a dozen street performers, including the plaintiff, were impacted by the policy, which remains in place today. (PF ¶¶ 20, 41).

The parties dispute whether the size of the Designated Area was sufficient to accommodate Peck and all of the other street performers who wished to perform at Faneuil Hall. The City, citing testimony from Stephen Crosby, the Deputy Commissioner of the City’s Property Management Department, claims that the Designated Area covers approximately 5,000 square feet of space. (See DF ¶ 27 (citing Def. Ex. C at 64-65); PF ¶ 15). Peck, on the other hand, contends that the Designated Area measures only 15 feet by 15 feet, and that it is too small to allow any more than one or two of the approximately 12 street performers to present their acts at one time. (PR ¶ 27; PF ¶¶ 29, 43; PI. Ex. 1 at 89, 95-96).

The parties also dispute whether the City’s policy on street performers was created solely for the purpose of addressing noise complaints from nearby businesses or whether it was aimed at ensuring safety and security at Faneuil Hall as well. Again, the record contains conflicting evidence on the issue. For instance, Michael Galvin, the Chief of the City’s Property Management Department, testified that during the summer of 2008, he received a number of complaints from Faneuil Hall businesses about the level of noise caused by some of the street performers. (See PF ¶¶ 8, 10-11; PI. Ex. 3 at 33-34). The complaints led to a meeting at which City and law enforcement officials addressed concerns about the street performers and decided to restrict the street performers to the Designated Area. (PI. Ex. 3 at 33-34; PI. Ex. 4 at 59). According to Mr. Galvin, who was present at the meeting, the decision to move street performers into the Designated Area was based “solely” on concerns regarding noise. (PI. Ex. 3 at 58-59).

Nevertheless, the record also contains evidence showing that the City’s concerns about street performers extended to issues of public safety and building security. For example but without limitation, Sergeant Daniel Downey, the official in charge of overseeing the City’s law enforcement efforts at Faneuil Hall, testified that in 2008, the City was experiencing a number of problems with street performers, including loud noise and incidents of street performers assaulting each other. (PF ¶ 17; Def. Supp. Ex. E at 34). Additionally, according to Sergeant Downey, crowds gathering near the east side of the Faneuil Hall building to watch the street performers “would block one or several of the entrances going into either the upper hall or into the shops, making it a dangerous situation for people going in or out of that building.” (Def. Supp. Ex. E at 35; see also Def. Ex. D at 50-51). Sergeant Downey also stated that the crowd’s close proximity to the buildings in that area threatened to harm the physical structures. (Def. Ex. D at 51). He testified that the City addressed these problems by erecting metal safety barriers on three sides of the Faneuil Hall building and by moving the *312 street performers to the remaining west side. (Def. Ex. D at 36).

Events Following the Establishment of the Designated Area

Following the establishment of the Designated Area, the plaintiff went to City Hall to learn the basis for the City’s policy.

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Bluebook (online)
750 F. Supp. 2d 308, 2010 U.S. Dist. LEXIS 116128, 2010 WL 4292156, Counsel Stack Legal Research, https://law.counselstack.com/opinion/peck-v-city-of-boston-mad-2010.