Osadchy v. Southern Methodist University

232 S.W.3d 844, 2007 Tex. App. LEXIS 6887, 2007 WL 2421513
CourtCourt of Appeals of Texas
DecidedAugust 28, 2007
Docket05-06-01115-CV
StatusPublished
Cited by11 cases

This text of 232 S.W.3d 844 (Osadchy v. Southern Methodist University) is published on Counsel Stack Legal Research, covering Court of Appeals of Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Osadchy v. Southern Methodist University, 232 S.W.3d 844, 2007 Tex. App. LEXIS 6887, 2007 WL 2421513 (Tex. Ct. App. 2007).

Opinion

OPINION

Opinion by

Justice LANG.

Eugene Osadchy appeals the trial court’s summary judgment in favor of Southern Methodist University, ordering that he take nothing in his premise liability suit. In three issues, Osadchy asserts the trial court erred when it granted SMU’s motion for summary judgment because: (1) it failed to apply the “public invitee” doctrine; (2) it failed to recognize Osadchy’s status as a “business invitee”; and (3) in the alternative, Osadchy was a licensee and he did not have actual knowledge of the alleged dangerous condition. For the following reasons, we affirm the judgment of the trial court.

I. FACTUAL AND PROCEDURAL BACKGROUND

On February 12, 2005, Osadchy tripped and fell on the stairs outside of the building housing the Meadows School of the Arts on the SMU campus. Osadchy brought a premise liability suit against SMU, the owner of the premises, alleging he sustained personal injuries to his hand as a result of his fall while he was an “invitee” on SMU’s premises.

Osadchy is a cellist and employee of the University of North Texas. At the time of the fall, he was also a member of the Dallas Chamber Orchestra. Osadchy stated that, during his membership with the Orchestra from 2000 to 2005, the Orchestra used different facilities for practice sessions, including the facilities at the Meadows School of the Arts. The Meadows School of the Arts facility was used two or three times a year by the Orchestra. Osadchy stated in his deposition that on *847 February 12, 2005, the Orchestra was originally set to rehearse elsewhere, but it was more convenient for some members of the Orchestra to meet at SMU. Accordingly, Ronald Neal, an adjunct Professor at SMU and artistic director for the Orchestra, contacted Osadchy by telephone and told him to meet the other members of the Orchestra at the Meadows School of the Arts for rehearsal at approximately 9:30 a.m.

Upon arrival at the SMU campus, Osadchy attempted to enter the Meadows School of the Arts building by mounting the steps on the south side of the building. While carrying his cello, he tripped as he walked up the stairs. In an attempt to break his fall, Osadchy outstretched his left hand and landed on his fingers. The personal injuries he sustained to his hand were diagnosed as severe ligament trauma to the joints of his fingers. Osadchy admits that a readily accessible ramp was located next to the steps, but he chose to use the stairs. He stated he had entered the building on several prior occasions to his fall using the same stairs where the accident occurred. Also, Osadchy testified in his deposition that, at the time he ascended the stairs and tripped, he was able to see the stairs and nothing was hidden from his view.

The Meadows School of the Arts has a policy requiring any person or organization wishing to use space at the Meadows School of the Arts premises to make a written request. It is undisputed neither the Orchestra, nor any member of the Orchestra, submitted a written request to use the Meadows School of the Arts facility for rehearsal on the date of the accident. Osadchy testified in his deposition that the rehearsal on February 12, 2005, was not an “SMU-sponsored function.”

Prof. Neal, by sworn affidavit, stated members of the Orchestra planned to rehearse for a performance on February 12, 2005. According to Prof. Neal, shortly before rehearsal, “some of the Orchestra members decided it would be convenient for them to hold the rehearsal at the Meadows School of the Arts.” Further, Prof. Neal stated, “the rehearsal was not a part of my duties or responsibilities as an adjunct professor at SMU,” and the performance “was not to be held on SMU’s campus, was not sponsored by SMU, and had no connection to SMU or the Meadows School.”

Osadchy offered the affidavit of engineer William Purcell, who opined about the stairway, stating, “SMU knew or should have known of their responsibility to provide a premises free of recognized (reasonably foreseeable) hazards likely to result in death or severe injury to persons reasonably anticipated to be exposed to such hazards.” Specifically, Purcell stated as follows: “Mr. Osadchy’s pathway was approximately 9 3/4", or 3 1/4" out of allowable height. This amounts to the riser being fifty percent (50%) in excess of the allowed maximum for the risers of this stairway.” According to Purcell, SMU knew or should have known, among other things, that according to the Uniform Building Code any unsafe conditions were to be corrected.

Nancy Cochran, Director of SMU’s Division of Music, testified the Orchestra has no affiliation with SMU. SMU has contractual agreements with some musical organizations to rent the school’s facilities in exchange for a benefit to SMU such as providing tickets to the performances or opportunities to recruit SMU students. However, SMU did not have any relationship with the Orchestra, Cochran did not know the Orchestra was using the Meadows School of the Arts for rehearsal, Prof. Neal was not authorized to invite anyone to the premises outside the scope of his *848 duties as an adjunct professor, and the written application procedure for use of the premises was not followed in this instance. Cochran stated that because the school is large, it is possible that individuals might access the building without proper authorization, but she would intervene if this came to her attention. Further, Cochran stated if she became aware faculty members were using the school’s facilities in an unauthorized way, then she would speak to them directly. '

SMU filed a traditional motion for summary judgment, pursuant to Texas Rule of Civil Procedure 166a, arguing Osadchy was at most a licensee, the alleged premise defect was “open and obvious,” and therefore, as a matter of law, SMU breached no duty to Osadchy. After a hearing, the trial court granted SMU’s motion for summary judgment. Osadchy filed a motion for new trial, which the trial court denied. He now brings this appeal.

II. STANDARD OF REVIEW

We review a summary judgment de novo to determine whether a party’s right to prevail is established as a matter of law. Dickey v. Club Corp. of Am., 12 S.W.3d 172, 175 (Tex.App.-Dallas 2000, pet. denied). The standards for reviewing motions for summary judgment are well established. Nixon v. Mr. Prop. Mgrnt. Co., 690 S.W.2d 546, 548-49 (Tex.1985); Thompson v. Curtis, 127 S.W.3d 446, 449 (Tex.App.-Dallas 2004, no pet.). To prevail, a defendant moving for summary judgment must either disprove at least one element of each of the plaintiffs theories of recovery or plead and conclusively establish each essential element of an affirmative defense, thereby rebutting the plaintiffs cause of action. City of Houston v. Clear Creek Basin Auth., 589 S.W.2d 671, 678 (Tex.1979); Gen. Mills Rests., Inc. v. Tex. Wings, Inc.,

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
232 S.W.3d 844, 2007 Tex. App. LEXIS 6887, 2007 WL 2421513, Counsel Stack Legal Research, https://law.counselstack.com/opinion/osadchy-v-southern-methodist-university-texapp-2007.