Ortiz-Gonzalez v. Fonovisa

CourtCourt of Appeals for the First Circuit
DecidedJanuary 17, 2002
Docket00-2290
StatusPublished

This text of Ortiz-Gonzalez v. Fonovisa (Ortiz-Gonzalez v. Fonovisa) is published on Counsel Stack Legal Research, covering Court of Appeals for the First Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Ortiz-Gonzalez v. Fonovisa, (1st Cir. 2002).

Opinion

United States Court of Appeals For the First Circuit

No. 00-2290

JUAN R. ORTIZ-GONZALEZ,

Plaintiff, Appellee,

v.

FONOVISA,

Defendant, Appellant.

No. 01-1004

DISTRIBUIDORA NACIONAL DE DISCOS, INC.,

APPEALS FROM THE UNITED STATES DISTRICT COURT

FOR THE DISTRICT OF PUERTO RICO

[Hon. Juan M. Pérez-Giménez, U.S. District Judge]

Before

Boudin, Chief Judge,

Kravitch,* Senior Circuit Judge,

* Of the Eleventh Circuit, sitting by designation. and Torruella, Circuit Judge. Irene M. Vera, with whom Alfredo Castellanos was on brief for appellant.

Rafael E. Silva-Almeyda, with whom Jésus R. Rabell-Méndez was on brief for appellee.

January 17, 2002 KRAVITCH, Senior Circuit Judge. In these consolidated

cases involving copyright infringement, defendant-appellant

Distribuidora Nacional de Discos, Inc., (“Distribuidora”), a

distributor, appeals from the district court’s judgment awarding

statutory damages, raising the following issues: whether a

distributor can be liable for copyright infringement where

plaintiff has not established that the producer was guilty of

copyright infringement, and whether it violated due process for

a defaulting party to not be notified of a trial date or to not

have a damages hearing. Defendant-appellant Fonovisa, the

producer, appeals the district court’s denial of its motion

requesting attorney’s fees.

I. BACKGROUND

Juan R. Ortiz-Gonzalez allegedly authored and composed

two songs, entitled “Si Así Tu Eres” and “Soy La Peregrina.”

These songs were included, without his permission, in an album

entitled “De Vuelta Al Sabor” that was produced by Fonovisa, a

Latin music record label. Fonovisa licensed the right of

distribution of the album to Distribuidora, which then licensed

the right to Distribuidora Aponte, Inc. (“Aponte”).* After the

album was distributed, Ortiz-Gonzalez filed a cause of action

against Fonovisa, Distribuidora, and Aponte, alleging copyright

*Aponte is not a party in this appeal.

-4- infringement under the Copyright Act, 17 U.S.C. § 101 et seq.

(2001), and violations of the Lanham Act, 15 U.S.C. § 1051 et

seq. (2001).

Fonovisa answered the complaint, but Distribuidora and

Aponte never responded. Ortiz-Gonzalez proceeded to trial;

Distribuidora and Aponte were not notified of the trial date.

At trial, Ortiz-Gonzalez presented his evidence, then

voluntarily dismissed the case against Fonovisa. Instead,

Ortiz-Gonzalez pursued his cause of action against Distribuidora

and Aponte, both of whom were in default.** Concomitant with the

dismissal, the parties entered into an agreement that Fonovisa

would not collect any award of attorney’s fees or costs. The

court found Fonovisa’s request for attorney’s fees moot due to

the agreement.

Following the trial, Ortiz-Gonzalez filed a post-trial

memorandum on the liability of Distribuidora and Aponte and

requested an award of damages. Distribuidora first made an

appearance at this stage, filing a reply to plaintiff’s post-

trial memorandum; Aponte did not reply. Having determined that

no hearing on damages was necessary, the court awarded the

**Default was entered after the defendants failed to make an appearance or respond to the complaint within the appropriate time period; as to Fonovisa, the entry of default was later set aside by the court.

-5- plaintiff $9,500.00 in statutory damages against Distribuidora

and $6,756.79 in actual damages against Aponte. Distribuidora

appeals from the court’s award of statutory damages. Fonovisa

appeals the district court’s denial of its motion requesting

attorney’s fees. These cases were consolidated on appeal.

II. DISCUSSION

A.

Distribuidora appeals the order of the district court

awarding Ortiz-Gonzalez statutory damages after a default

judgment for copyright infringement under 17 U.S.C. § 504

(2001). The defendant asserts it was error for the court: (1)

to find Distribuidora liable as a distributor where the

plaintiff had not established that the producer was guilty of

infringement; (2) to hold a trial and award damages against

Distribuidora where the plaintiff had not notified Distribuidora

of the trial date; and (3) to not hold a hearing on damages.

Whether a distributor can be found liable for copyright

infringement where the plaintiff has not established that the

producer is guilty of infringement is a question of law that is

reviewed de novo. Liberty Mut. Ins. Co. v. Metro. Life Ins.

Co., 260 F.3d 54, 61 (1st Cir. 2001). The issue of notice of

the trial after defaulting is also a question of law reviewed de

-6- novo. Id. As to a hearing on damages, the need for such a

hearing is vested with the district court and reviewed for abuse

of discretion. HMG Prop. Investors, Inc. v. Parque Indus. Rio

Canas, Inc., 847 F.2d 908, 919 (1st Cir. 1988).

1. Distributor Liability

Distribuidora contends that a distributor’s liability

for copyright infringement is derived from a producer’s

liability.*** The Copyright Act, however, states that “the owner

of a copyright under this title has the exclusive rights to do

and to authorize any of the following: . . . (3) to distribute

copies or phonorecords of the copyrighted work to the public by

sale or other transfer of ownership, or by rental, lease, or

lending.” 17 U.S.C. § 106 (2001). Section 106(3) explicitly

grants to the copyright owner the exclusive right to distribute

copies of the copyrighted work. See 2 Melville B. Nimmer &

David Nimmer, Nimmer on Copyright § 8.11[A] (2001); see also

Cable/Home Communication Corp. v. Network Prods., Inc., 902 F.2d

829, 843 (11th Cir. 1990). The Copyright Act further provides

that “anyone who violates any of the exclusive rights of the

*** Distribuidora contends that Ortiz-Gonzalez must proceed under a theory of contributory liability, and that where there is no primary infringer there can be no secondary infringer. Because the producer, Fonovisa, was not found to be an infringer of Ortiz-Gonzalez’s copyright, Distribuidora argues that it cannot face liability as a distributor. This is premised on an inaccurate conception of the law.

-7- copyright owner . . . is an infringer of the copyright.” 17

U.S.C. § 501(a) (2001); Cable/Home Communication Corp., 902 F.2d

at 843 (“Public distribution of a copyrighted work is a right

reserved to the copyright owner, and usurpation of that right

constitutes infringement.”); 2 Nimmer & Nimmer, supra, §

8.11[A]. Thus, if Distribuidora distributed copies of Ortiz-

Gonzalez’s copyrighted work, the act of distribution is a direct

infringement itself, not an act of contributory or vicarious

infringement.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cite This Page — Counsel Stack

Bluebook (online)
Ortiz-Gonzalez v. Fonovisa, Counsel Stack Legal Research, https://law.counselstack.com/opinion/ortiz-gonzalez-v-fonovisa-ca1-2002.