Æolian Co. v. Cunningham Piano Co.

251 F. 301, 1918 U.S. Dist. LEXIS 989
CourtDistrict Court, E.D. Pennsylvania
DecidedApril 23, 1918
DocketNo. 1715
StatusPublished
Cited by1 cases

This text of 251 F. 301 (Æolian Co. v. Cunningham Piano Co.) is published on Counsel Stack Legal Research, covering District Court, E.D. Pennsylvania primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Æolian Co. v. Cunningham Piano Co., 251 F. 301, 1918 U.S. Dist. LEXIS 989 (E.D. Pa. 1918).

Opinion

DICKINSON, District Judge.

This controversy concerns claims 1 and 2 of letters patent No. 692,968, dated February 11, 1902, issued to the plaintiff, as assignee of Francis L. Young, the inventor. There is a concord of opinion that claim 1 affords an adequate test of the rights of the parties, so that this only will be.discussed.

The invention relates to the class of mechanical instruments variously known as player pianos, pianolas, and by other names of designation. The appeal which they make to purchasers is to those who desire to have the means of producing music at will, although they are without the musical training and skill to play the ordinary piano. To enable the unskilled person to get music out of a piano, certain mechanical appliances are made use of which are themselves brought into action through the movement of certain levers or controllers; musical results being produced by and through this manipulation.

Prior to the invention claimed to have been made by Young, the player of the instrument was guided in his manipulation of these levers by means of instructions which appeared upon the music sheet. As the sheet moved under the eye of the performer, thé instruction for his guidance would also be brought before him. The instruction necessarily must be understood by him, its significance grasped at once, and through and by a mental operation interpreted in terms of lever movements. This included the particular lever to be moved, the direction in which it should be moved, and the extent and duration of the movement. It was found that this operation called for a degree of skill in the performer which all who wished to be performers did not possess. A conseauence was that intending purchasers of [302]*302these instruments, who listened to the music produced by a skilled performer, found that much of the effect was lost when they attempted to play the same music.

A thought occurred to Young, which is the basis of his claimed invention. The thought was this: A certain line or course of movement could be visualized as followed by every performer. If, therefore, a device was used to describe this line, and if it could be preserved by inscribing it upon the music sheet, then the effects produced during such playing would be represented by that line, and if a device were introduced by which that same line could be followed by an unskilled player, he could reproduce the music which the skilled player had brought out. This thought resulted in the application for and grant of these letters patent; The first thought was materialized through and by a pointer being attached to the levers, so that the point of it would pass over the music sheet and describe what may be called the movement of the music as played.

Through the simple expedient of attaching a pointer to -the con-trailer, and extending this over the music sheet, the line described by the manipulation of the controller in skilled hands could be visually followed in its movements over the music sheet. The like simple expedient of attaching a pencil to the underside of the pointer, so as to touch the music sheet throughout the whole movement of the pointer, or of the music sheet under it, would leave a mark or line on the music sheet as the controller was manipulated. By the aid of a like pointer this line could be followed by a second performer. A modicum of skill was called for in following this line. The practical result was this: The services of a famous artist could be secured to play the music. The effects produced by his rendering would be represented by a line thus made upon the music sheet. Music sheets to any number, with such a line upon them, could be supplied to unskilled users of the instruments. By following the line thus marked on the music sheet, all the effects of the most skillful manipulation of the controller could be thus reproduced.

[1] This brings us to the consideration of one of the defenses to the claim of the plaintiff. It is presented in the averment of lack of invention. Bearing upon this a finding is made of 'a fact which we do not understand to be in dispute. The fact is that the thought which came to Young of having a line which, for want of a better term, we will call the line of expression, visibly traced upon the music sheet by a skilled performer in and by the very act of giving his rendering or interpretation of the music, ¿nd of having this visible line followed and retraced by the unskilled performer, was a thought which, had occurred to no one before Young. The mere drought could not, of course, be given the'protection of a patent. It must first be given expression through and by some physical means, by the operation of which it would be exhibited. Whenever a new thought of real value is thus brought into combination with some means by which the thought is given physical expression, the combination is patentable, although the means may by itself show limited novelty, or even be such" as tirat by itself it would not be patentable. This principle is [303]*303well established, and we do not understand it to be in dispute. A reference to the cited case of Miehle v. Whitelock, 223 Fed. 647, 139 C. C. A. 201, is a sufficient confirmation of it.

[2f The plaintiff has a right to the two' findings for which its counsel contend. These findings are that the prior art does not disclose a then existing knowledge of what has been called the “resultant” line, hereinbefore referred to, and, of course, does not disclose any means, such as a pointer, for following the turnings of such a line. The prior art, it is true, does disclose, through indicated marks of instruction (including the Webber line) upon the music sheet, a means of interpreting the music sheet, and a second performer would have 1he benefit of the same instructions, and in this way, if the skill of the second performer were equal to that of the first, and if each translated the instructions into the same manipulation of the controller, the musical results would he the same, it was, however, the happy thought of Young to resolve this “if” into a certainty by requiring no more of the second performer than that he should so manipulate the controller as that the end of the pointer would follow the indicated line ihroughout its whole course, as it had been drawn by the first performer.

It is not enough, however, that a claimed invention should possess the patentability above mentioned. An invention may be patentable in this sense, but before an applicant for letters patent can claim the right to their issue, he must not only disclose a patentable invention, but he must claim it, and what he discloses and what he claims must be patentable. If he discloses less or claims less than what he has invented, and which he might have disclosed and claimed, he is limited to that which has thus been disclosed and claimed, notwithstanding the fact that he might have claimed more. Even if he sets forth claims in his application, and these are rejected or voluntarily withdrawn or limited by amendment, he gets by his letters patent only what the letters cover, and his rights under the letters patent are restricted to what has been granted to him, and the grant does not expand to embrace more than is covered by the actual grant, because of the fact that the grant might have been more extensive than was made. All which is disclosed beyond what is granted is given to the public, and the public cannot be denied the use of anything which is not in the grant.

Free access — add to your briefcase to read the full text and ask questions with AI

Related

Cunningham Piano Co. v. Æolian Co.
255 F. 897 (Third Circuit, 1919)

Cite This Page — Counsel Stack

Bluebook (online)
251 F. 301, 1918 U.S. Dist. LEXIS 989, Counsel Stack Legal Research, https://law.counselstack.com/opinion/olian-co-v-cunningham-piano-co-paed-1918.