New Orleans Opera Guild, Inc. v. Local 174, Musicians Mutual Protective Union

127 So. 2d 358, 47 L.R.R.M. (BNA) 2681, 1961 La. App. LEXIS 1810
CourtLouisiana Court of Appeal
DecidedFebruary 20, 1961
DocketNo. 125
StatusPublished
Cited by3 cases

This text of 127 So. 2d 358 (New Orleans Opera Guild, Inc. v. Local 174, Musicians Mutual Protective Union) is published on Counsel Stack Legal Research, covering Louisiana Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
New Orleans Opera Guild, Inc. v. Local 174, Musicians Mutual Protective Union, 127 So. 2d 358, 47 L.R.R.M. (BNA) 2681, 1961 La. App. LEXIS 1810 (La. Ct. App. 1961).

Opinion

LUTHER E. HALL, Judge pro tem.

This is an appeal from a judgment maintaining an exception of no cause of action and dismissing plaintiff’s suit.

The plaintiff is the New Orleans Opera Guild Inc., a non-profit Louisiana corporation, organized for the purpose, among other things, of presenting musicals and other performances, in the city of New Orleans.

The defendants are two labor organizations, viz., Local 174, Musicians Mutual Protective Union, which represents the New Orleans musicians, and American Federation of Musicians, the National Union, with which the local is affiliated.

Plaintiff brought these proceedings seeking an injunction against the defendants and % monetary judgment for damages in the amount of $375,600, together with reasonable attorneys’ fees.

The petition itself occupies sixteen pages of the transcript, but its essential allegations are that plaintiff is engaged in the business of sponsoring cultural performances in the city of New Orleans, including performances by soloists, orchestras and Broadway musicals. Plaintiff secures these attractions either by direct contract with the artistic group itself or through booking agents.

Plaintiff has nothing to do with the employment of and no control over the various actors, artists and musicians composing the productions, it simply stages the show after it arrives in New Orleans and in that connection it itself employs the services of stage hands, electricians and property men, all of whom belong to various craft unions and with whom plaintiff has had no quarrel. It also in past years has had agreements with the local and national musicians’ unions, defendants herein, covering the employment of local musicians whose services might become necessary from time to time to complement the musicians travelling with the show; but the petition alleges that commencing with about the year 1957, the defendant Local Union demanded that plaintiff obligate itself by contract to hire ten musician members for each musical show without regard either to the number of musicians travelling with the show, or the desires or wishes of plaintiff or of the conductors or directors of the show. When plaintiff refused tó accede to this demand, the Local Unioh demanded that plaintiff agree to hire a certain fixed minimum of local musicians for each show and threatened that if petitioner did not enter into such an agreement, that the local union would cause petitioner to lose the services of all musicians, both local and national, by placing petitioner on an “unfair list”, and publishing same throughout the country. That when petitioner still refused, the threat was carried out and plaintiff was placed on the “unfair list”, which was published both locally and nationally, the result of which has been that plaintiff is not only unable to hire local musicians, but many shows have cancelled their contracts with plaintiff, due to the fact that the musicians travelling as an integral part of the productions refuse to perform under plaintiff’s sponsorship since they are all likewise members of locals affiliated with the defendant, National Union.

[360]*360Plaintiff alleges that the defendant Local Union has a monoply pertaining to the services of professional musicians in the New Orleans area in that all professional musicians who live and desire to perform publicly in the New Orleans area, are members of the local and further alleges that the defendant National Union, “by means of its agreements, combinations, charters, bylaws, arrangements, and conspiracies, directly and indirectly through its various local unions and local union members, has a monopoly pertaining to professional musicians throughout the entire nation, in that substantially all professional musicians in the nation are members of various local unions affiliated with the national union; that the said monopoly is so effective and complete that unless professional musicians in the United States become and remain members of some local union affiliated with the national union, such musicians find it impossible to secure employment in their chosen field”.

Plaintiff alleges that all of the wrongs complained of in its petition are part of an “illegal combination, conspiracy, agreement and arrangement, by and between the officers, directors, agents, employees and members of the defendant Local Union, and also by and between the said defendant Local Union and the defendant National Union; that the purpose and effect of said actions by said defendants has been to destroy petitioner’s business”; and that ■“one of the motivations of the said defendant Local Union in attempting to injure and destroy your petitioner’s business has been to eliminate and discourage competition in the field of theatrical and musical entertainment in the city of New Orleans”.

The petition concludes by alleging “that the actions of defendants, Local Union and National Union, in attempting to enforce their featherbedding demands, thereby stifling and damaging industry, enterprise and efficiencjq and in their efforts to induce other persons to breach contracts lawfully entered into with your petitioner, and in their efforts to eliminate your petitioner as a competitor in the field of musical entertainment in the New Orleans area, and in their use of their monopoly power over the supply of professional musicians both in the New Orleans area and elsewhere in the state” violate the laws and jurisprudence of this state, including the provisions of the State Monopoly Act. LSA-R.S. 51:121 et seq.

The prayer is for treble damages and attorneys’ fees under LSA-R.S. 51:137 and for various items of injunctive relief.

While, as initially stated herein, the present appeal is from a judgment maintaining an exception of no cause of action and dismissing plaintiff’s suit, the defendants-appellees strenuously urge this Court to consider and decide various other exceptions which were argued below but which were not passed upon by the trial court. Defendants have neither appealed nor answered the instant appeal, nor have they filed any exceptions in this Court. Ordinarily an exception not considered by the trial court is not before this court for review. State ex rel. Boucher v. Heard, 228 La. 1078, 84 So.2d 827.

However, one of the exceptions not considered by the trial court but urged upon us for decision is an exception to the jurisdiction of the state courts rationae materiae, and since no valid judgment can be rendered by a court if it lacks jurisdiction over the subject matter, the Court feels obliged sua sponte to consider this exception.

The exception is based upon defendants’ contention that this is a labor dispute affecting interstate commerce and that the jurisdiction of the state courts is pre-empted by the National Labor Relations Act, as amended, 29 U.S.C.A. § 151 et seq.

We do not agree with defendants’ contention.

The National Labor Relations Act finds its constitutional justification solely in the Interstate Commerce clause of the [361]*361Federal Constitution, art. 1, § 8, cl. 3 (American Communications Association, C.I.O. v. Douds, 339 U.S. 382, 70 S.Ct. 674, 94 L.Ed. 925) and the Act relates exclusively to interstate commerce, 29 U.S.C.A. § 141 et seq.

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127 So. 2d 358, 47 L.R.R.M. (BNA) 2681, 1961 La. App. LEXIS 1810, Counsel Stack Legal Research, https://law.counselstack.com/opinion/new-orleans-opera-guild-inc-v-local-174-musicians-mutual-protective-lactapp-1961.