National Phonograph Co. v. American Graphophone Co.

135 F. 809, 1905 U.S. App. LEXIS 5128
CourtU.S. Circuit Court for the District of Connecticut
DecidedMarch 17, 1905
DocketNos. 1,076, 1,103
StatusPublished
Cited by2 cases

This text of 135 F. 809 (National Phonograph Co. v. American Graphophone Co.) is published on Counsel Stack Legal Research, covering U.S. Circuit Court for the District of Connecticut primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
National Phonograph Co. v. American Graphophone Co., 135 F. 809, 1905 U.S. App. LEXIS 5128 (circtdct 1905).

Opinion

PLATT, District Judge.

The two patents in suit relate to processes for duplicating phonograph records. The title to them is in the complainant, and it is alleged that they are infringed by the defendant.

In case 1,076 the patent in suit is No. 667,662. This was granted February 5, 1901, but the application therefor was filed May 8, 1900. In case 1,103 the patent in suit is No. 713,209. This was granted November 11, 1902, but the application therefor was filed March 5, 1898. It will be seen that the later patent relates to the earlier application. The alleged infringement arises in both cases from the use by the defendant of the same process of manufacture. The issues in each case are practically the sSme, and the two patents are so closely related that our burdens will be lessened by considering them together, and when they enter' the art to treat the earlier application as the first approach.

It is claimed by complainant that the earlier application resulting in patent in suit 1,103 relates to a broader matter than the later application resulting in patent in suit 1,076. In short, that the “hollow cylindrical phonogram” may, under the process shown in patent in suit 1,103, be formed by casting, dipping, or expanding, while under patent in suit 1,076 it must be formed by casting; one being the genus, the other the species—but this is parenthetical. It is believed that the [810]*810most searching analysis will fail to discover any defense which has been neglected by defendant’s counsel. The cases undoubtedly invited such treatment, but the court is content to merely suggest some of the considerations which seem to warrant the conclusions finally reached.

And now let us step, as best we can, into the patentee’s shoes, and find whether, in the particular branch of the art at which he aimed when he sought these patents, he did, by the exercise of inventive genius, add anything to the then existing common stock of knowledge. The graphophonic art may be said to have fairly begun with the invention of Bell and Taintor, letters patent No. 341,314, dated May 4, 1886. This taught the public how to produce the commercial and transferable sound record. It led at once to an anxious search for a mold and material and method for producing a large quantity of satisfactory duplicate records of unvarying and excellent quality. On the same date Taintor told how records could be duplicated by so using plumbago as to make an electroplated matrix, and then copying the master record by mechanism. The trouble with mechanical duplication, however, is that, after a few. copies have been produced, the master record becomes so worn that later duplicates are imperfect, and it was still, therefore, very important to find a way of making an unlimited number of accurate duplicates in a mold. To cast divers kinds of materials in molds was a long understood practice, and it was obvious that, if the ancient art of casting could be made serviceable in the matter of producing good records, the ideal method would be reached. In using molds, when the article to be produced was spherical, it is evident that the mold must be divided; but when the article is not spherical, and if the molten material is of such a character that upon cooling it contracts, then a continuous mold can be used. It will be conceded, I think, that casting waxlike materials in continuous molds to obtain blanks, which, after shrinking, could be withdrawn lengthwise, was not a very difficult matter, and was thoroughly developed long before either patent in suit. Such was the state of affairs when the search for the “ideal” in the matter of duplicating sound records was taken up.

Passing by some slight suggestions which can be found in English and American patents, it is well to come at once to Mr. Edison’s patent No. 484,583, dated October 18, 1893, generally known as the “split mold” patent. This confessedly discloses everything which the patent in suit for a casting process discloses, except the longitudinal extraction from a continuous mold. At the date when the application for the 1893 patent was filed—January 5, 1888—it may well be that the waxlike substance with suitable contractile power had not been found; but on October 18, 1893, soap compositions, with low melting point and high coefficient of expansion and contraction, had become well known, and were in general use. Mr. Edison was after a practical process, and confessedly the use of the split mold was not practical, because of the fins or burrs made by the seams; and it is equally clear, since the soapy combination then known would contract sufficiently in cooling, that the continuous mold was a practical thing, except for other troubles.

Eioret’s United States patent No. 538,373, October 30, 1894, and Young’s British patent No. 1,478, January 33, 1894, are of importance, [811]*811because they deal with the duplication of sound records, rather than blanks. Eioret softens a celluloid ring by plunging it in hot water, then forces a mandrel into the ring large enough to push the softened celluloid into all the cavities of a mold, tlien by plunging the whole into cold water permits the celluloid to harden and at the same time to contract enough so that it can be easily withdrawn from the mold by unscrewing. He also shows that very slight contraction permits tlie unscrewing. Young, using a continuous mold and a thin strip of celluloid, collapsed tiie strip after impressing it by expanding, and then withdrew it longitudinally. By using a material then well known in the art, with a higher coeilicient of expansion and contraction, it would seem that the necessity for collapsing would have been obviated. Appelt (No. 303,976) describes the casting of rollers in a cylindrical mold and allowing the material to congeal, so that the roller will easily come out of the tube in consequence of the shrinkage “which all compounds composed principally of gelatine and of glycerine undergo." Day (No. 563,572) describes the casting of a printer's roller, and by the introduction of cool air causing it to shrink at the inner surface, and withdraw itself from the outer tube, when it may be removed from the tube. It is true that these are in another art, but they disclose quite as plainly as any of the former citations that, if a proper material is provided, it is easy to cool it to the point where the inevitable contraction permits its longitudinal extraction from a continuous mold. Eong prior to the patents m suit it was known that certain waxlike materials had the property of contracting when cooled. Mr. Edison’s patent No. 382,417, dated May 8, 1888, specifically refers to that quality. He was then engaged in showing how, by the use of an exceedingly smooth die, a satisiactory blank could be produced, upon which engraving could proceed at once without cutting. There is no way of extracting the finished blank from the solid die, which he offers as one form, except to take advantage of that quality of contraction to which he referred in connection with the effect of cooling upon the wax in the mold.

To understand the entire matter, it is necessary to know the distinction between blanks and sound records. Blanks are made by a process which only differs from that used in making records in one respect. The blank must come out of the mold with a smooth surface upon which to engrave the tiny indentations which assist in repeating vocal or instrumental sounds to the ear, but the record must come out of the mold with those tiny indentations already impressed thereon. The one process would, therefore, seem not only to be analogous to the other, but the two would seem to be so interwoven as to be really a part of the same art.

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Bluebook (online)
135 F. 809, 1905 U.S. App. LEXIS 5128, Counsel Stack Legal Research, https://law.counselstack.com/opinion/national-phonograph-co-v-american-graphophone-co-circtdct-1905.