National Academy of Design v. United States

31 Cust. Ct. 164, 1953 Cust. Ct. LEXIS 927
CourtUnited States Customs Court
DecidedDecember 3, 1953
DocketC. D. 1564
StatusPublished

This text of 31 Cust. Ct. 164 (National Academy of Design v. United States) is published on Counsel Stack Legal Research, covering United States Customs Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
National Academy of Design v. United States, 31 Cust. Ct. 164, 1953 Cust. Ct. LEXIS 927 (cusc 1953).

Opinion

LawreNce, Judge:

There was imported into the United States from France merchandise described as “1000 Triangular rosettes (metal), 1000 Sliding blue triangles (metal), 50 Meters of ribbon.” The rosettes and sliding triangles were classified by the collector of customs within the provisions of paragraph 397 of the Tariff Act of 1930 (19 U. S. C. § 1001, par. 397), reading as follows:

Articles or wares not specially provided for, if composed wholly or in chief value of platinum, gold, or silver, and articles or wares plated with platinum, gold, or silver, or colored with gold lacquer, whether partly or wholly manufactured, 65 per centum ad valorem; * * *

The ribbon was classified pursuant to the provisions of paragraph 1207 of said act (19 U. S. C. § 1001, par. 1207), as modified by the General Agreement on Tariffs and Trade, 82 Treas. Dec. 305, T. D. 51802, as follows:

Fabrics, with fast edges, not exceeding twelve inches in width, and articles made therefrom; tubings, cords, tassels, and cords and tassels; all the foregoing wholly or in chief value of silk or of silk and india rubber, and not specially provided for, whether or not Jacquard-figured_25% ad val.

The only claim made by plaintiff is that the rosettes, sliding triangles, and ribbon, being used exclusively as regalia, are entitled to entry free of duty within the terms of paragraph 1773 of said act (19 U. S. C. § 1201, par. 1773), which cover, inter alia — •

* * * regalia and gems, where specially imported in good faith for the use and by order of any society incorporated or established solely for religious, philosophical, educational, scientific, or literary purposes, or for the encouragement of the fine arts, or for the use and by order of any college, academy, school, seminary of learning, orphan asylum, or public hospital in the United States, or any State or public library, and not for sale, subject to such regulations as the Secretary of the Treasury shall prescribe; but the term “regalia” as herein used shall be held to embrace only such insignia of rank or office or emblems as may be worn upon the person or borne in the hand during public exercises of the society or institution, and shall not include articles of furniture or fixtures, or of regular wearing apparel, nor personal property of individuals.

At the trial of this case, four exhibits, offered on behalf of plaintiff, were received in evidence; the director of the National Academy of Design (plaintiff herein) appeared and testified; and counsel for the parties entered into an oral stipulation to the effect “that the National Academy of Design is a society incorporated and established solely for the encouragement of fine arts, or school, or seminary of learning.”

Plaintiff’s exhibit 3 was received in evidence as a sample of the merchandise described on the invoice as “Triangular rosettes, metal,” [166]*166and plaintiff’s exhibit 4 was received to illustrate the item described as “Sliding blue triangles, metal.” Said exhibit 4 had inserted in the metal triangle a length of red ribbon, approximately 3K inches, which ribbon, according to the record before us, was imported in continuous rolls with no lines of demarcation as to where it was to be cut. Other exhibits offered on behalf of plaintiff will be referred to infra.

Vernon C. Porter, director of the National Academy of Design, who appeared on behalf of plaintiff, testified in substance as follows: According to the articles of incorporation of the Academy, its purpose is the exhibition and advancement of the fine arts, which includes architecture and instruction in the arts. The headquarters of the National Academy of Design are located in New York City, and there are no branches connected with it. As director of and under the guidance of a council of 14 members, Porter arranges for the exhibitions, manages office details, and supervises the school operated in connection with the Academy. The total general membership is limited to 500 and consists of painters, sculptors, and men in the graphic arts and in architecture. Honorary memberships are bestowed on men who reside outside the United States for distinguished work in the field of art. The 500 persons who comprise the general membership are divided equally between classes designated as associates and academicians, an academician who is of higher rank being one who has contributed something to the world of art.

The witness, who was familiar with the merchandise in controversy, explained the uses thereof. As to exhibit 3, he stated—

When a man has been elected an academician he receives a diploma with his name on it and at the same time a rosette and the letter stating that he has been appointed or elected an academician of the National Academy of Design. This is your diploma which you may frame and hang in your office and this is the button which you may wear in your buttonhole at public functions and private functions and that goes out with a card which states it is the property of the Academy and it is so designated in our book and we have a receipt for each, button sent to each academician.

Witb reference to exhibit 4, the witness described its use as follows:

It is identical [to exhibit 3] except in the designation that they have been elected an associate of the National Academy of Design and the same procedure is followed and the man receives a diploma with his name on it and it so designates that he is an associate together with a ribbon to be worn for his buttonhole at public functions of the Academy. We also receive a receipt from him at the time we mail him the designating small triangular and a receipt for the diploma so that we know it has gone through.

Exhibits 3 and 4 have never been sold to members of the National Academy of Design but remain the property of the society.

Upon being queried about the different types of exercises conducted by the National Academy of Design at which the insignia would be [167]*167worn, the witness referred to from 6 to 10 public functions and 2 private functions during tbe course of a year. Functions designated as “public” would be exhibitions at which the council and other members would act as hosts or hostesses. On these occasions, speeches are made, reports read, and prizes awarded. Also, at the close of each term of the school operated by the Academy, there is a public function where the students and their relatives and friends are present, at which time prizes and scholarships are awarded, and members of the Academy are in charge. As “private” functions, a general meeting and an annual meeting are held each year for the nomination and election of officers, a consideration of new members, and the transaction of routine business in connection with the operation of the Academy and its activities. Members of the Academy are requested to wear the insignia represented by plaintiff’s exhibits 3 and 4 at public functions, but it is not a violation of the purposes or desires of the Academy if the insignia were worn in private. In fact, although he had never seen it done, the witness was quite certain that the insignia could be worn on the street.

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Related

§ 1001
19 U.S.C. § 1001
§ 1201
19 U.S.C. § 1201

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Bluebook (online)
31 Cust. Ct. 164, 1953 Cust. Ct. LEXIS 927, Counsel Stack Legal Research, https://law.counselstack.com/opinion/national-academy-of-design-v-united-states-cusc-1953.