Musselman v. Jasgur (In Re Seminole Walls & Ceilings Corp.)

446 B.R. 572, 2011 WL 768745
CourtUnited States Bankruptcy Court, M.D. Florida
DecidedMarch 2, 2011
DocketBankruptcy No. 6:01-bk-01966-KSJ. Adversary Nos. 6:04-ap-77, 6:04-ap-79
StatusPublished
Cited by7 cases

This text of 446 B.R. 572 (Musselman v. Jasgur (In Re Seminole Walls & Ceilings Corp.)) is published on Counsel Stack Legal Research, covering United States Bankruptcy Court, M.D. Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Musselman v. Jasgur (In Re Seminole Walls & Ceilings Corp.), 446 B.R. 572, 2011 WL 768745 (Fla. 2011).

Opinion

AMENDED FINDINGS OF FACT AND CONCLUSIONS OF LAW 1

KAREN S. JENNEMANN, Bankruptcy Judge.

Throughout his life, Joseph Jasgur, a celebrity photographer, took thousands of photos of Hollywood stars, including the earliest professional photographs of Marilyn Monroe. But Jasgur’s photographic acumen sadly never translated into any financial success, and he recently died without seeing any monetary rewards for his work, despite its apparent value. Indeed, disputes over the ownership of Jas-gur’s work are the primary contested issue in these two related adversary proceedings pending since 2004.

*577 Now, after more than six years of litigation, multiple interim opinions, 2 and a week-long trial, 3 the Court finally can determine who owns Jasgur’s life work. The primary contenders are: (1) the debtor, Seminole Walls & Ceilings Corporation (“SWC”), now administered by Carla Mus-selman, the Chapter 7 trustee, working in tandem with Jasgur’s estate; (2) the Gail A. Williamsen Irrevocable Children’s Trust; and (3) Dartlin Africh, who, through his affiliated businesses, purchased certain portions of Jasgur’s work from SWC on the eve of the forced conversion of SWC’s confirmed Chapter 11 case to a liquidating Chapter 7.

The Chapter 7 trustee has filed two adversary proceedings, the first to determine who owns Jasgur’s work, and the second to avoid the transfer from SWC to Africh. 4 Jumping to the conclusion, the Chapter 7 trustee wins in both adversary proceedings. SWC together with Jasgur’s estate owns the photos and other assets. The transfer to Africh is an avoidable fraudulent transfer under § 544(b) of the Bankruptcy Code 5 and Florida Statute § 726.105(l)(a), and the Chapter 7 trustee is entitled to return of the assets under § 550 of the Bankruptcy Code.

Because the Chapter 7 trustee ultimately seeks to avoid SWC’s transfer of the contested items to Africh, the first issue is whether SWC ever had any ownership interest in them. The Williamsen Trust asserts SWC did not. If SWC had no interest to transfer, the avoidance issues are moot. As such, the Court will present this saga in two separate parts. Part I addresses who owned this memorabilia before it was sold to Africh. Part II resolves whether the transfer to Africh was fraudulent and is avoidable.

PROLOGUE

Limiting the Cast of Characters

As a prelude, many of the defendants who at one time may have asserted a claim to Jasgur’s work failed to respond or appear at trial. Each was properly served and given an ample opportunity to participate in this litigation. The Court finds these parties have no interest of any kind in the assets at issue (the “PITA Assets,” defined infra at page 6). Specifically, the Court holds that none of the following persons or entities has an ownership interest in the PITA Assets: Debbie Jasgur, 6 *578 Robert Fox, 7 Vintage Partners, Inc., 8 Bradley E. Whittle, 9 The Funding Solutions, Inc., 10 Joseph Yaron, 11 and Gene T. Chambers. 12

As to the Chapter 7 trustee’s claims against Joseph Jasgur — now Jasgur’s estate, Jasgur having died on March 21, 2009 — the Chapter 7 trustee and the representative of Jasgur’s estate, Tom Endre, have reached a settlement agreement that requires the estate to turnover to the Chapter 7 trustee all items that are part of the “Jasgur Collection” currently in the estate’s possession. 13 Under the terms of the settlement, the Chapter 7 trustee will market and sell the Jasgur Collection, and, after paying any portion due to any other party claiming a valid interest, the Chapter 7 trustee and Jasgur’s estate will split the proceeds, with the Chapter 7 trustee receiving 50% and Jasgur’s estate receiving the remaining 50%. The settlement also resolves any intellectual property issues relating to the Chapter 7 trustee’s sale, which greatly enhances the value of the Jasgur Collection. The assets at issue in this litigation — the PITA Assets — are a subset of the larger Jasgur Collection.

As to the Chapter 7 trustee’s claims against Paul Philipson, his interests are *579 resolved in the settlement agreement with Tom Endre which provides that Philipson’s claims shall be satisfied from the Jasgur estate’s 50%. Previously, the Court had ruled that Philipson may have some interest in the Jasgur Collection based on certain copyright documents filed with the United States Copyright Office (Doc. No, 278). Because Philipson’s claim lies appropriately against the Jasgur estate and not the bankruptcy estate and because of the settlement reached with Endre, the Court need not further rule on Philipson’s interest in the PITA Assets.

PART ONE

THE UNLIKELY STORY OF HOW MARILYN MONROE’S FIRST PROFESSIONAL PHOTOGRAPHS CAME INTO POSSESSION OF A FLORIDA DRYWALL COMPANY

CHAPTER 1: A Young Photographer Fails to Capitalize on his Good Fortune

This story begins in the 1940s when Joseph Jasgur, then a young photographer, took the earliest known model photographs of Marilyn Monroe. While living in Hollywood, young Jasgur lived the life of a “glamour groupie,” mingling with celebrities and Hollywood icons at movie studios, always camera in hand. He took voluminous photographs of many Hollywood stars and collected Hollywood memorabilia, hoping to make a fortune someday. Fortune indeed appeared to have smiled on young Jasgur when he photographed an aspiring starlet named Norma Jean Dougherty, who the world has since come to know as Marilyn Monroe.

Despite being in the right place at the right time in his youth, Jasgur recently passed away seeing little return on his life’s work. He never received or followed competent legal or financial advice. Throughout his life he sold and resold his work to numerous parties in a series of haphazard transactions that were never well documented and for which Jasgur rarely collected any money. The last in this series of bungled transactions was to a most unlikely purchaser: PITA Corporation, 14 a holding company then controlled by this story’s apparent villain, Robert Fox.

On January 6, 2000, PITA and Jasgur signed a purchase agreement providing that, for $6,250, Jasgur would sell to PITA the rights to copies of 250 black and white 11 by 14 inch photos of Marilyn Monroe (10 sets containing 25 images per set), along with 20 signed letters of authenticity. 15

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Bluebook (online)
446 B.R. 572, 2011 WL 768745, Counsel Stack Legal Research, https://law.counselstack.com/opinion/musselman-v-jasgur-in-re-seminole-walls-ceilings-corp-flmb-2011.