Music Tribe Commercial nv v. Auratone LLC

CourtDistrict Court, D. Nevada
DecidedJuly 22, 2021
Docket2:18-cv-01682
StatusUnknown

This text of Music Tribe Commercial nv v. Auratone LLC (Music Tribe Commercial nv v. Auratone LLC) is published on Counsel Stack Legal Research, covering District Court, D. Nevada primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Music Tribe Commercial nv v. Auratone LLC, (D. Nev. 2021).

Opinion

1 Patrick J. Reilly Nevada Bar No.: 6103 2 Matthew J. McKissick Nevada Bar No.: 15281 3 BROWNSTEIN HYATT FARBER SCHRECK, LLP 100 North City Parkway, Suite 1600 4 Las Vegas, NV 89106-4614 Telephone: 702-382-2101 5 Facsimile: 702-382-8135 Email: preilly@bhfs.com 6 mmckissick @bhfs.com 7 Attorneys for Defendant/Counterclaimant, Auratone LLC 8 UNITED STATES DISTRICT COURT 9 DISTRICT OF NEVADA 10 MUSIC TRIBE COMMERCIAL NV, INC. ll AND MUSIC TRIBE GLOBAL BRANDS, Case No.: 2:18-cv-01682-JCM-BNW LTD., 2b Plaintiffs, ORDER GRANTING 137 MOTION TO CONFIRM ARBITRATION 14 AWARD AND ENTER JUDGMENT AURATONE LLC, 15 Defendant. 16 7 AURATONE LLC, 18 Counterclaimant, 19 Vv. 20 | MUSIC TRIBE COMMERCIAL NV, INC. AND MUSIC TRIBE GLOBAL BRANDS, 21 LTD., 22 Counterdefendants. 23 After considering the Motion of Defendant/Counterclaimant Auratone LLC to confirm the 24 95 July 9, 2021 Award (the "Award") rendered by Arbitrator Jane Michaels, and for entry of 26 || Judgment thereon, any oral argument presented, and Response filed, all papers submitted by the 27 || parties having been read, proper notice having been given, good cause appearing therefore, 28

1 || IT IS HEREBY ORDERED that: 2 || The Award attached hereto as Exhibit A, pp. 1-18, is hereby confirmed. The clerk shall ENTER JUDGMENT as set out by the arbitration award (ECF No. 57-4 at 20-21) and CLOSE this case.

6 7 | Dated July 22, 2021. _ Xe 1 C. Atalan UNITED STATES DISTRICT JUDGE 10 11 - 12

45 16 17 18 19 20 21 22 23 24 25 26 27 28

Exhibit A

Award July 9, 2021 ARBITRATION

MUSIC TRIBE GLOBAL BRANDS, LTD.; and MUSIC TRIBE COMMERCIAL NV, INC., Claimant, v. AURATONE LLC, Respondents. AWARD

This is a trademark case concerning ownership of the standard character mark “AURATONE” (the “AURATONE Mark”). The parties to this arbitration proceeding are Music Tribe Global Brands, Ltd. and Music Tribe Commercial NV, Inc. (collectively “Music Tribe”) and Auratone LLC (“Auratone”). The parties entered into an Arbitration Agreement (the “Agreement”) seeking determination of is a single issue: “Whether Auratone LLC owns rights in the AURATONE Mark in connection with

loudspeakers, prior to any rights of Music Tribe Global Brands, Ltd. in the United States.” Agreement Section I(d). Music Tribe’s priority date for the AURATONE Mark for loudspeakers is the filing date of its application to register the Mark with the United States Patent & Trademark Office (“USPTO”) on June 12, 2012. Auratone filed an application to register the AURATONE Mark for loudspeakers on June 14, 2014. The question is whether Auratone can establish that it acquired common law rights in the AURATONE Mark that precede Music Tribe’s June 12, 2012 priority date. BACKGROUND FACTS AND PROCEDURAL HISTORY In 1958 John Archibald Wilson (“Jack Wilson”) founded a speaker business in California. He began building his speakers entirely by hand – having designed, engineered, and constructed the speakers from his home in Los Angeles. Mr. Wilson called his new speakers “Auratones.” Mr. Wilson’s speakers were reference monitors

developed to assist studio recording engineers and other music professionals mix music to mimic how songs ultimately sound on consumer speakers. On February 28, 1963, Mr. Wilson filed a trademark application for the standard character mark “AURATONE” with the USPTO in International Class 9 (U.S. Class 36) in connection with: “High Fidelity Furniture and Parts Thereof – Namely Loudspeaker Enclosures, Loudspeaker Wall Baffles, Extension Loudspeaker Enclosures, Loudspeaker Enclosure Grilles and Grille Boards, Loudspeaker Enclosure Speaker Port Covers, Loudspeaker Enclosure Tuning Ducts, Loudspeaker Enclosure Mounting Bracket Kits, Loudspeaker Adapter Boards, High Fidelity Component Equipment

Cabinets, and Record Changer Bases; Also, High Fidelity Loudspeaker Systems, Extension Loudspeakers, and Loudspeakers.” The date of Mr. Wilson’s first use of the AURATONE Mark was November 19, 1958 and the date of its first use in commerce was December 22, 1959. On October 1, 1963 the USPTO approved the application, granting Mr. Wilson the nationwide exclusive right to use the AURATONE Mark in connection with music speakers. U.S. Registration Number 757, 789. Initially Mr. Wilson operated as a sole proprietor under the name Jack Wilson Company. By 1969 he was doing business under the name Auratone Products, continuing to operate as a sole proprietor. The AURATONE Mark was assigned from John A. Wilson d/b/a Jack Wilson Company to John A. Wilson d/b/a Auratone Products. In the 1970s, Mr. Wilson created the Auratone Corporation with his wife, Harriet Elaine Wilson and their son Paul Wilson acting as the corporation’s first directors. Mr. Wilson licensed use of the AURATONE Mark to the corporation and conducted

Auratone-related business through the corporation from that point forward. The Auratone Corporation was run as a family enterprise. Mr. Wilson’s wife worked with him as the company’s vice president. The Wilson children, including his daughters Marlaine Hysell (“Ms. Hysell”) and Michelle Jacobsen (“Ms Jacobsen”), also helped with the speaker-manufacturing process during their formative years by performing tasks suitable for children. During the 1970s and 1980s, Mr. Wilson’s Auratone speakers were endorsed by Quincy Jones, who used them to record and mix his albums. Most notably, Quincy Jones used Auratone speakers in the production of Michael Jackson’s famous Thriller

album. The Thriller album became one of the best-selling albums of all time, significantly enhancing the reputation of the Auratone speaker. As recently as 2020, Michael Jackson’s producer was still using Jack Wilson’s Auratone speakers. In addition to Quincy Jones’ endorsement of Auratone speakers, Lion Share Recording Studios, Inc. gave Auratone permission to use its name and photographs for advertising, promotional and publicity purposes. Following these endorsements, Auratone experienced banner years in recognition and sales. However, after the death of his wife in December 1987, Mr. Wilson’s business started suffering. In addition, Mr. Wilson’s own health declined and, by the 1990s, he was struggling to keep up with manufacturing and orders for his products. In 2004, in part due to his deteriorating physical condition, Mr. Wilson failed to file his Section 8 Declaration to renew the AURATONE Mark’s registration with the USPTO. As a result, the trademark registration was cancelled on July 3, 2004. Mr.

Wilson passed away in June 2005 at the age of 84. Mr. Wilson left a Will that specified how his assets were to be distributed. With respect to the Auratone Corporation and Auratone Products business, the Will provides as follows: I give any stock or interest which I may have in Auratone Corporation and Auratone Products, or any other corporation or business organization in which I am actively involved and in which I have an ownership to my wife, HARRIET ELAINE WILSON, if she survives me for thirty (30) days, and if she does not then this gift shall lapse and become a part of the residue of my estate. The Will directs that the residue of Mr. Wilson’s estate goes to the Trustee of the Wilson Family Trust, dated March 2, 1984 and amended on September 14, 1987. During their lives, Mr. Wilson and his wife were the trustees of the Wilson Family Trust. Subsequent to Mr. Wilson’s death, the successor Trustee became California First Bank. After Mr. Wilson passed away, his daughters (Ms. Hysell and Ms. Jacobsen) traveled to San Diego to handle their father’s affairs. They arranged to transport the property from Mr. Wilson’s home in San Diego to Ms. Hysell’s home in Georgia. The property included sound systems in various forms of completion, as well as various tools, certain machinery, and boxes of raw speakers, wires, and crossovers. When the contents of Mr.

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