Monotype Corp. v. International Typeface Corp.

43 F.3d 443, 1994 WL 707044
CourtCourt of Appeals for the Ninth Circuit
DecidedDecember 21, 1994
DocketNos. 93-35478, 93-35511
StatusPublished
Cited by32 cases

This text of 43 F.3d 443 (Monotype Corp. v. International Typeface Corp.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Monotype Corp. v. International Typeface Corp., 43 F.3d 443, 1994 WL 707044 (9th Cir. 1994).

Opinion

HARLINGTON WOOD, Jr., Circuit Judge:

Ordinarily when we read a printed page we are seeking the meaning conveyed, but in this case we are required to look beyond the page into the very competitive international typeface business. To some extent we must consider the various typefaces, their history and development, the business relationships of competitors, and other aspects of this unique business. Even so, only ordinary issues of contract, evidence, instructions, the conduct of the trial, and related issues are involved. The problems initially arise because typefaces are not afforded copyright protection which has permitted popular typefaces originally developed by one to be easily and closely copied by a competitor without compensation.

FACTUAL BACKGROUND

The Monotype Corporation PLC (“Mono-type”), plaintiff, is an English corporation founded in 1897 for the purpose of manufacturing .and selling the Monotype typecaster, an ancestor of modern practice. The rights to manufacture and sell these typecaster machines were purchased from the inventor. As Monotype grew, so did the demand for its typefaces. David Saunders, a long-time employee and keeper of the Monotype historical records, identified at trial Monotype books from as early as 1910, which showed the variety of typefaces offered by Monotype. In the 1930’s Monotype retained some of the most recognized experts to design its typefaces, one of whom in 1931 designed one of the most popular typefaces, Times New Roman.

International Typeface Corporation («ITC”) was organized in 1969 in the United States to promote typeface design in this country through voluntary agreements among competitors not to copy or simulate the work of ITC designers. Before ITC was established copyright protection was not available, and segments of the industry would copy popular typefaces developed by another to market it without making royalty payments to the designer. ITC was therefore created to offer subscribers typefaces from the best designers, and to create a demand for these typefaces by investing in their promotion under trademark names. It is through ITC’s “Subscriber Agreements” that the license to distribute ITC’s typefaces could be obtained by another in the market. Under the agreement, each company paid [447]*447ITC a royalty fee for each ITC typeface it distributed.

Monotype and ITC entered into ITC’s standardized “Subscriber Agreement” in 1979. Both companies recognized a need for expansion that each company thought the other could help fill. The purpose of the agreement was to ensure that Monotype would pay royalties to ITC for the ITC designs which Monotype distributed to its own customers. In return for the royalties, ITC would promote the licensed typefaces and subscribers as people who voluntarily followed an ethical code. The agreements are terminable on ninety days notice at the option of the subscriber. Subsequent to the execution of the agreement, the companies each engaged in their own businesses. Mo-notype paid ITC royalties for ITC Alphabets which Monotype distributed to its customers.

The Subscriber Agreement (which by its terms represents the entire agreement of the parties) contained the following provisions which are at issue:

1. Except as otherwise agreed to in writing, any Alphabets licensed by ITC may only be faithfully reproduced by the Subscriber without modification ... and only from artwork or drawings supplied by ITC and the Subscriber shall not, directly or indirectly, produce, sell, or offer for sale, lease or otherwise dispose of any ITC Alphabets, regardless of whether they have or have not been licensed hereunder, to anyone in any manner other than pursuant to all of the terms and conditions of this Agreement, nor shall the Subscriber create or offer to its customers any weight or version of a licensed Alphabet which is not available from ITC.

Alphabets were defined thusly:

“Alphabet” shall mean a set of all the letters of the alphabet.... Each weight or version of a single typeface design such as Roman or Italic in an expanded or condensed or outline form, for example, without limitation, shall be considered as a separate Alphabet.

Following formation of this relationship between Monotype and ITC, another company, Adobe Systems, developed a computer software program called PostScript. Adobe worked in conjunction with Apple Computers to develop a PostScript device for the Laser-Writer, a printer marketed by Apple. Initially included with the LaserWriter were thirteen typefaces in PostScript format. Adobe and Apple later added twenty-two additional typefaces to the LaserWriter set. This collection of thirty-three typefaces and two symbols is known as the “LaserWriter Plus 35,” which quickly became the industry standard.

In the early 1990’s, Microsoft decided to assemble a collection of typefaces for its Windows software program. Microsoft wanted a collection of typefaces in computer format to compete with those offered by Adobe in PostScript format. The typefaces had to be of the same “width metrics”1 and of similar style so the documents created with one set of core fonts could print on a system using another set of core fonts. Adobe set the width metrics for nine of the ITC typefaces used in the LaserWriter.2

Monotype submitted a list of typefaces for Microsoft’s consideration. Included in Mono-type’s offering were competitive substitutes for the original thirteen typefaces. Later, Monotype offered Microsoft a competitive list of all thirty-five typefaces except the nine ITC typefaces and ITC Zapf Dingbats.3 Mo-notype also offered Microsoft the right to license the ITC typefaces at the royalties set by ITC. Microsoft believed, based on the advice of its type director, that the royalties [448]*448would be excessive in light of the anticipated volume of constraints since similar typefaces could be offered under other names without the payment of royalties.

Microsoft then expressed interest in licensing from Monotype the typefaces competitive with the ITC typefaces and ITC Zapf Dingbats. Monotype claims that it then went into its archives and located several old typefaces that, with some modifications, could meet the Adobe width metrics. The modification process began around March 1991. Subsequently in September 1991, Microsoft accepted Monotype’s proposal and the Monotype typefaces were released as part of the “Microsoft Font Pack.” ITC claims, however, that Mo-notype did not go back into its archives and independently create these typefaces. ITC asserts that Monotype “cloned” the ten ITC typefaces to make Monotype’s “competitive typefaces.”

The disagreements between Monotype and ITC escalated. Monotype claimed ITC disrupted Monotype’s relationship with its customers causing concerns about possible liabilities that could arise if the particular Mono-type products were used without ITC licensing. Monotype then brought this case alleging seven causes of action seeking injunctive, declaratory relief and damages.

The case was bifurcated for jury trial. Phase One dealt only with the issue of whether or not Monotype had breached its subscriber agreement. Monotype offered the testimony of Robin Nicholas, the typographic origination manager for Monotype. He testified that the nine typefaces involved could all be traced back to their early origins and subsequent induction in Monotype’s library long before the creation of ITC.4

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Cite This Page — Counsel Stack

Bluebook (online)
43 F.3d 443, 1994 WL 707044, Counsel Stack Legal Research, https://law.counselstack.com/opinion/monotype-corp-v-international-typeface-corp-ca9-1994.