Momand v. Universal Film Exchange, Inc.

72 F. Supp. 469, 6 F.R.D. 409, 1947 U.S. Dist. LEXIS 2540
CourtDistrict Court, D. Massachusetts
DecidedFebruary 13, 1947
Docket7024
StatusPublished
Cited by14 cases

This text of 72 F. Supp. 469 (Momand v. Universal Film Exchange, Inc.) is published on Counsel Stack Legal Research, covering District Court, D. Massachusetts primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Momand v. Universal Film Exchange, Inc., 72 F. Supp. 469, 6 F.R.D. 409, 1947 U.S. Dist. LEXIS 2540 (D. Mass. 1947).

Opinion

WYZANSKI, District Judge.

There are before me defendants’ motions of January 20 and January 23, 1947 for directed verdicts, defendants’ motions of January 22 and January 27 to set aside the verdicts returned on January 22 and. to enter judgments for defendants and plaintiff’s motion of January 23, 1947 for interest on the verdicts of the jury.

The first of these motions raises issues of general importance under § 7 of the Sherman Act, 26 Stat. 209, as amended by § 4 of tlie Clayton Act, 38 Stat. 731, 15 U.S.C.A. § 15. It poses inter alia two problems of fundamental interest in the law of statutory torts: first, the problem of how far a person who is faced with risk of, (or who has already suffered) injury by the tort of another is entitled to recover for harm suffered in an effort to avert further harm [Compare, Restatement, Torts § 919], and second, the problem of how clearly a plaintiff in order to be entitled to recover damages from defendants must segregate the causes of the losses he suffers, and with what certainty he must show how large a factor in those losses was defendants’ unlawful conduct [Compare, Restatement, Torts § 912, comment (a) par.- 1.]. The setting in which these problems arise is somewhat complicated but for purposes of these motions, it will be enough to summarize the background of the case in the following six paragraphs.

1.June 22, 1937 plaintiff filed suit in this court as the purported assignee of 8 exhibitor companies which formerly engaged in the operation of motion picture theatres in Oklahoma, of one holding company which formerly managed some of those companies, and of one real estate company which formerly was the landlord of those companies. Named as defendants were 8 major motion picture producers: Universal Film Exchange, Inc., Loew’s Inc., Metro-Goldwyn-Mayer Distributing Corporation, Twentieth Century Fox Film Corporation, Vitagraph, Inc., R.K.O. Distributing Corporation, United Artists Corporation and Columbia Pictures Corporation.

2. The complaint or, as it was then called, the declaration charged defendants with having conspired to violate the federal Anti-trust laws in respects summarized in the opinion in Momand v. Universal Film Exchange, D. C. Mass., 1942, 43 F.Supp. 996, 1000, par. 7. These respects included (1) limitation of production, (2) regulation of film rental prices, (3) regulation of customer admission prices, (4) allocation of territories, (5) boycott of independent producers, (6) special privileges to producer-controlled theatres, (7) pooling of resources, (8) collective adoption of the practice of “protection” from independent exhibitors, (9) block booking, (10) blind buying, (11) full line selling, (12) checking exhibitors’ receipts as part of a system of discriminatory percentage contracts, (13) collective agreement “to coerce all independent exhibitors into arbitrating all claims and controversies with them arising out of contracts licensing the exhibition of films” [Deck par. 22 (a)], (14) use of a “standard exhibition contract” [Deck par. 22(b)], (15) “uniform rules for the operation of identical credit systems” [Deck par.. 23], (16) enhancement of minimum admission prices, (17) oppressive practices in connection with execution and performance of contracts, (18) elimination of competing exhibitors through price-cutting, excessive-bids for leases, interference with contracts,, and acquisition of leases, (19) cross-licensing under patents for talking or sound pictures and (20) impeding independent exhibitors in connection with talking or sound pictures. All twenty aspects of this conspiracy were alleged to have damaged each of the alleged assignors of plaintiff.

3. Defendants’ initial defense was the statute of limitations. Judge McLellan having ordered a separate trial of that issue [Momand v. Paramount Pictures Dis-- *473 tributing Co., D.C. Mass., 36 F.Supp. 568, 571] this Court held that Loew’s was entitled to a total judgment for it on that defense. Momand v. Universal Film Exchange, D.C. Mass., 43 F.Supp. 996, 1012-1013. This Court also held that the other seven defendants had the benefit of a partial bar of the statute of limitations. [Ibid.] Without restating what has already been reported, it will suffice to say here that this Court ruled inter alia that no recovery could be had against any defendant for alleged wrongs before May 6, 1928 or subsequent to December 31, 1933 — and indeed recovery could not be had for all that 1928-1933 period nor on a parallel basis against all seven remaining defendants. Moreover, and this is a point that plaintiff’s brief ignores, it was only with respect to the alleged uniform contracts arbitration and credit conspiracies that plaintiff was entitled to reach back into 1928, 1929, 1930, and the first 5j4 months of 1931.

4. Thereafter plaintiff proceeded to final judgment in a pair of cases which he had begun, and which were tried together, in the District Court for the Western District of Oklahoma. A. B. Momand v. Twentieth Century-Fox Film Corporation et al., No. 6516, and A. B. Momand v. Griffith Amusement Co. et al., No. 6517, 37 F.Supp. 649. The defendants in Oklahoma No. 6516 included all eight of the defendants in the Massachusetts case except Metro-Goldwyn-Mayer. But it was conceded [see hearing of October 9 and 10, 1946 in the instant case before me, (Tr. pp. 59-60)] that in 1936, which (according to Ct. Ex. 3, fdg. 2, note 1, p. 2) was a year before action No. 6516 was begun in Oklahoma, Loew’s had taken over all the assets and assumed the liabilities of Metro-Goldwyn-Mayer. Upon the basis of that concession I treated Metro-Goldwyn-Mayer as privy to the judgment in Oklahoma No. 6516. [Oct. 9-10 Tr. p. 62, 72, 74-75], The other defendants in this case I treated as parties to that judgment [Ibid.].

5. That Oklahoma Judgment, [according to my view expressed in rulings on October 9 and 10, 1946 (Tr. pp. 71-76, 80-82)] became a conclusive determination between the parties in the case before me of these among other issues. (1) Defendants by agreement used from May 1, 1928 through June 30, 1930 a Standard Exhibition Contract and took concerted action to enforce the compulsory arbitration provisions therein [Ct. Ex. 3, fdg. 92 (e), p. 70; fdg. 94, p. 71], and those actions were as a matter of law an unreasonable restraint of interstate commerce [Ct. Ex. 3 C-7, pp. 74, 75]. (2) Defendants by agreement from January 1926 until December 1, 1930 adopted and enforced credit committees’ rules concerning the credit statement and rating of ven-dees of theatres who had not assumed the licensing contracts of their vendors. [Ct. Ex. 3, fdg. 92 (d), p. 70; fdg. 94, p. 71], and those actions were as a matter of law a prohibited restraint of interstate commerce. [Ct. Ex. 3, C-6, p. 74]. (3) Defendants had not engaged in a conspiracy with respect to (a) “the self-regulation program” involved in the Production Code [Ct. Ex. 3, fdg. 93, p. 71] or (b) “block booking” [Ct. Ex. 3, fdg. 96, p. 72], or (c) acquisition of theatres [Ct. Ex. 3, fdg. 86 (g), p. 68, or (d) allocation of territories [Ct. Ex. 3, fdg. 86 (h), p. 68], or (e) limitation of production or distribution [Ct. Ex. 3, fdg. 88, p. 69] or (f) insistence that exhibitors should accept films in the order of release or on the day booked for display. [Ct. Ex. 3, fdg. 101 f, p. 82].

6.Accordingly, I ruled that in the case tried before the jury and me, plaintiff could not show that defendants had conspired in ways in which the Oklahoma court had adjudged defendants had not conspired.

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72 F. Supp. 469, 6 F.R.D. 409, 1947 U.S. Dist. LEXIS 2540, Counsel Stack Legal Research, https://law.counselstack.com/opinion/momand-v-universal-film-exchange-inc-mad-1947.