Mills v. Steger

179 F. Supp. 2d 637, 2002 U.S. Dist. LEXIS 413, 2002 WL 46791
CourtDistrict Court, W.D. Virginia
DecidedJanuary 9, 2002
DocketCIV.A. 7:01CV00225
StatusPublished

This text of 179 F. Supp. 2d 637 (Mills v. Steger) is published on Counsel Stack Legal Research, covering District Court, W.D. Virginia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Mills v. Steger, 179 F. Supp. 2d 637, 2002 U.S. Dist. LEXIS 413, 2002 WL 46791 (W.D. Va. 2002).

Opinion

MEMORANDUM OPINION

WILSON, Chief Judge.

In this action, Plaintiff, Thomas S. Mills (“Mills”), Station Manager of WVTF, a public radio station, sues Defendants, Charles W. Steger, Raymond Smoot, Min-nis Ridenour, and Larry Hincker, all Virginia Tech administrators and Mills’ supervisors, under 28 U.S.C. § 1983 and state law. Mills claims Defendants violated the Fourteenth Amendment by reassigning and firing him without due process of law, violated the First and Fourteenth Amendments by reassigning him and firing him in retaliation for his protected speech, and defamed him and violated the Fourteenth Amendment in statements one of the Defendants made to the media. The court finds that Mills’ claims are without merit and that Defendants are entitled to qualified immunity. Accordingly, the court will grant Defendants’ motion for summary judgment.

I.

Mills was employed by Virginia Polytechnic Institute and State University (“Virginia Tech”) as the Station Manager for WVTF, a public radio station, operated by the Virginia Tech Foundation. Under Mills’ leadership WVTF grew from its roots as a small, struggling public radio station to an award winning, nearly self-sufficient radio station, ranked as the most listened to public radio station in similarly sized markets.

Mills’ job responsibilities included making decisions regarding programming and handling public relations issues arising from these programming decisions. Traditionally, Mills’ supervisors, administrators at Virginia Tech, stayed out of programming decisions and deferred to Mills’ expertise. Programming decisions could be very controversial at WVTF, and listeners often criticized Mills for his decisions. In 1990, Mills received two death threats after he canceled a bluegrass show, and in 1995, he was severely criticized for pulling the program “Fresh Air” off the air. (Plaintiffs Exhibit 10.) Some listeners complained because they wanted more classical music, others wanted more bluegrass music, and still others wanted less music and more news programming. (Plaintiffs Exhibit 10.) Mills was quoted in the Roanoke Times as saying, “I am constantly fending off special interest groups who believe WVTF should devote air time to them. It is a long list, ranging from the American Guild of Organists to bluegrass music groups, gay and lesbian organizations, theater groups, you name it.” (Plaintiffs Exhibit 11.)

None of these special interest groups fight harder for their cause than the fans of the Metropolitan Opera. Mills claims that the hard core fans of the Metropolitan *640 Opera are known nationwide for the “no-holds-barred tactics” they use “to get their way.” (Plaintiffs Statement of Facts ¶ 54.) According to Mills, these opera fans fight to retain “the Opera on public radio stations irregardless [sic] of unrealistic restrictions placed upon public broadcasting stations by the Metropolitan Opera.” (Plaintiffs Statement of Facts ¶ 54.) “Perhaps the most oft-told story is that of former Wisconsin Public Radio manager Jack Mitchell, whose decision to drop the Met so angered area opera lovers that they burned him in effigy.” (Plaintiffs Exhibit 11.)

Public radio stations around the country had been canceling the Metropolitan Opera because of its low listenership and the low revenue it produced. (Plaintiffs Statement of Facts ¶ 30-34.) WVTF was no exception. Market research indicated that WVTF was losing substantial listenership to other public radio stations as the result of airing the Metropolitan Opera and that WVTF received low pledge results from Metropolitan Opera listeners. (Mills Aff. ¶ 14-15.) As a result, Mills argued that WVTF should move the Metropolitan Opera from its live airing on Saturday, a prime-time slot, to a tape-delayed airing on Sunday. The Metropolitan Opera, however, refused to allow WVTF, or other public radio stations, to air the opera on Sunday. (Plaintiffs Statement of Facts ¶ 30). The Metropolitan Opera’s live-or-nothing policy forced Mills to cancel the Metropolitan Opera from WVTF’s programming.

This programming decision created a “monstrous public relations flap.” (Plaintiffs Statement of Facts ¶ 36.) Roanoke opera lovers mounted a vigorous defense of the Metropolitan Opera using unconventional tactics. Traditionally, critics of public radio programming would complain directly to the radio station. The Metropolitan Opera supporters, however, mounted an end-run in which they by-passed WVTF and its Station Manager and complained directly to Mills’ supervisors at Virginia Tech. In his deposition, Mills stated that he was “very surprised by the tactics used by the local opera organization and opera listeners, specifically not even bothering to talk to the station about their displeasures about the opera being dropped but instead going directly to the university administration.” (Mills Deposition at 81.) According to Virginia Tech administrators, the cancellation of the opera created a “firestorm” of protests by opera listeners. (Plaintiffs Statement of Facts ¶ 38; Exhibit 11.) As a result of the pressure, Virginia Tech administrators, specifically Larry Hincker, Raymond Smoot, Minnis Ridenour and Charles Steger, decided to intervene in the programming decisions at WVTF.

In December 1999, Hincker directed Mills to place the Metropolitan Opera back on the air. Mills “became quite upset, because Virginia Tech was getting involved in programming decisions at WVTF, contrary to WVTF’s mission statement and statements to the public.” (Plaintiffs Statement of Facts ¶ 39.) After fading to convince Hincker that Virginia Tech should stand up to pressure from the opera lovers, Mills reluctantly followed the directive to put the Metropolitan Opera back on the air.

On December 16, 1999, Mills drafted a letter to Hincker and distributed it to all of the WVTF staff. In the letter, Mills criticized what he viewed as interference from Virginia Tech administrators “with no expertise in broadcasting.” (Plaintiffs Exhibit 13.) Mills wrote that Hincker’s plan to temporarily reinstate the opera and then cancel it later would “make us all look like fools.” Likewise, Hincker’s plan to “educate” their listeners about the harsh live-or-nothing policy of the Opera was *641 unrealistic. “Surely you have recognized by now that you cannot reason with these listeners,” wrote Mills. He stated that in his opinion “this is indeed a dark day in the history of WVTF” because by forcing WVTF to reinstate the Metropolitan Opera, Virginia Tech administrators “severely compromised” WVTF’s ability to “better serve the vast majority of [its] listeners.” Mills ended the letter by suggesting that if Virginia Tech administrators had “hung in there a few more days, had a nice Christmas break, enjoyed the Sugar Bowl, 1 and then returned to campus,” the controversy over the opera would have been over. (Plaintiffs Exhibit 13.)

Mills’ letter, which he distributed to all of WVTF’s employees, “unexplainably” reached the media, and the media contacted Mills. (Plaintiffs Statement of Facts ¶44.) Mills then spoke out publicly on this issue. Mills spoke out, in his own words, “in an effort to prevent fraud from being practiced on the public.” (Plaintiffs Statement of Facts ¶ 45.) Mills accused Virginia Tech of violating FCC regulations by unduly interfering with programming decisions.

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179 F. Supp. 2d 637, 2002 U.S. Dist. LEXIS 413, 2002 WL 46791, Counsel Stack Legal Research, https://law.counselstack.com/opinion/mills-v-steger-vawd-2002.