Miller v. UMG Recordings, Inc. (erroneously named as Def Jam Recordings, Island Records, and Universal Music Group)

CourtDistrict Court, N.D. Illinois
DecidedFebruary 10, 2020
Docket1:19-cv-02262
StatusUnknown

This text of Miller v. UMG Recordings, Inc. (erroneously named as Def Jam Recordings, Island Records, and Universal Music Group) (Miller v. UMG Recordings, Inc. (erroneously named as Def Jam Recordings, Island Records, and Universal Music Group)) is published on Counsel Stack Legal Research, covering District Court, N.D. Illinois primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Miller v. UMG Recordings, Inc. (erroneously named as Def Jam Recordings, Island Records, and Universal Music Group), (N.D. Ill. 2020).

Opinion

UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION

ERIC L. MILLER, Plaintiff,

v. Case No. 19-cv-02262

UMG RECORDINGS, INC., a Delaware Judge John Robert Blakey corporation,

Defendant.

MEMORANDUM OPINION & ORDER In 2008, Plaintiff Eric Miller signed an agreement with Defendant UMG Recordings, Inc. wherein he promised to deliver Kanye West’s early, unreleased master recordings. In return, Defendant agreed to commercially release the recordings. It declined to do so, however, because it found that the master recordings contained samples that neither Defendant nor Plaintiff owned. Plaintiff now sues for breach of contract, breach of fiduciary duty, unjust enrichment, and equitable estoppel and also seeks punitive damages and attorneys’ fees. Defendant moves to dismiss under Federal Rule of Civil Procedure 12(b)(6). For the reasons explained below, this Court dismisses with prejudice Plaintiff’s claims except for Plaintiff’s breach of contract claim, which may proceed. BACKGROUND Plaintiff, a music producer, discovered Kanye West in 1995 and recorded West’s first artist album, but it was never released. [35] ¶ 13. Defendant is a music

corporation. Id. ¶¶ 14–16. In 2005, Kanye West sued Plaintiff regarding these unreleased masters. [35] ¶ 1. As a result, Kanye West, Plaintiff, and Defendant entered into a settlement agreement (the Settlement Agreement), id. ¶ 2; [35] (Ex. 1), pursuant to which Plaintiff promised to deliver West’s unreleased master recordings (the Works) and transfer all ownership rights to Defendant. [35] (Ex. 1, cl. 1). Plaintiff also

represented and warranted that no materials within the Works violated or infringed upon the rights of any other person. Id. For its part, upon receiving the Works, Defendant had 21 days to review them and determine if they were satisfactory for commercial distribution. Id. at cl. 3. If Defendant determined the Works were suitable for release, the Settlement Agreement obligated it to commercially release the Works by December 31, 2008 and pay Plaintiff a percentage of the net profits. Id. at cl. 4(d). Initially, all appeared to

be proceeding as planned: Defendant completed the verification process, paid Plaintiff, and remained silent as to any problems with the Works. [35] ¶ 30. Defendant, however, did not release the Works by December 31, 2008. Id. ¶ 32. Instead, in the fall of 2008, Defendant, on behalf of West, asked to delay release “until 2nd quarter of 2009,” id. ¶ 34, so that the Works would not be overshadowed by West’s album “808s and Heartbreak,” scheduled to be released shortly. Id. Plaintiff agreed. Id. But 2009 came and went, and Defendant still failed to release the Works. Id. ¶ 35. When Plaintiff asked for an explanation, Defendant responded that the Works contained possible third-party music samples that neither Defendant nor

Plaintiff owned. Id. For that reason, Defendant could not and would not release the Works. Id. Nine years later, Plaintiff filed this lawsuit. [1] (Ex. 1). LEGAL STANDARD Defendant seeks to dismiss the First Amended Complaint for failure to state a claim under Federal Rule of Civil Procedure 12(b)(6). On a motion to dismiss, this Court must construe the First Amended Complaint in the light most favorable to

Plaintiff, accept as true all well-pleaded facts, and draw all reasonable inferences in his favor. Yeftich v. Navistar, Inc., 722 F.3d 911, 915 (7th Cir. 2013); Bonte v. U.S. Bank, N.A., 624 F.3d 461, 463 (7th Cir. 2010). Statements of law, however, need not be accepted as true. Yeftich, 722 F.3d at 915. This Court is also limited to considering only the “allegations set forth in the complaint itself, documents that are attached to the complaint, documents that are central to the complaint and are referred to in it, and information that is properly

subject to judicial notice.” Williamson v. Curran, 714 F.3d 432, 436 (7th Cir. 2013). To survive, the First Amended Complaint must “state a claim to relief that is plausible on its face.” Yeftich, 722 F.3d at 915. For a claim to have facial plausibility, a plaintiff must plead “factual content that allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged.” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009). While the factual allegations required to state a plausible claim for relief depends upon the complexity of the case, threadbare recitals of the elements of a cause of action, supported by mere conclusory statements, will not suffice. Limestone Dev. Corp. v. Vill. Of Lemont, 520 F.3d 797, 803–04 (7th Cir. 2008).

ANALYSIS I. Breach of Contract Defendant seeks dismissal of Plaintiff’s breach of contract claim, arguing that Plaintiff failed to perform his precedent obligations under the contract, thereby excusing Defendant from any subsequent performance. [43] at 12–14; see also Hardin, Rodriquez & Boivin Anesthesiologists, Ltd. v. Paradigm Ins. Co., 962 F.2d

628, 633 (7th Cir. 1992) (“Under Illinois law, a condition precedent is some act that must be performed. . . before a contract becomes effective or before one party to an existing contract is obligated to perform. The failure to perform a condition precedent may be construed as a breach of contract.”) (internal citations omitted). But to support this argument, Defendant points to Plaintiff’s contractual warranties. Id. Plaintiff represented and warranted that “no ‘Materials’ embodied in the Masters will violate or infringe upon the rights of any person or entity,” [35] (Ex. 1,

cl. 1). Defendant contends that, upon delivery, the Works were not as promised and instead contained samples. [43] at 12–14. Defendant argues this breach amounted to nonperformance and excused its obligation to release the Works. [43] at 12. Even though Plaintiff’s complaint suggests the Works were not as he warranted, see [35] ¶¶ 4, 11, 35, 57, Defendant confuses two contractual concepts: warranties and performance. While courts recognize that the failure to perform excuses another party’s performance, Hardin, 962 F.2d at 633; Costello v. Grundon, 651 F.3d 614, 640 (7th Cir. 2011) (applying Illinois law), a breach of warranty does not necessarily excuse the other party’s performance. Thus, if Plaintiff failed to provide the Works

as warranted, Defendant is entitled to seek the difference between the value of the Works as accepted and the value of the Works as promised, Custom Automated Mach. v. Penda Corp., 537 F. Supp. 77, 84 (N.D. Ill. 1982); but Plaintiff’s breach of his warranties would not necessarily excuse Defendant from its performance under the Settlement Agreement. A different portion of the Settlement Agreement, however, did compel

Plaintiff’s performance. The Settlement Agreement obligated Plaintiff to “deliver the Masters and all recordings of the Masters and any other sound recordings (or portions thereof) embodied therein, including, but not limited to sampled recordings and any such recordings which may be in his possession or in the possession of Steve Hulme (‘Hulme”) or any other person or entity.” [35] (Ex. 1, cl. 1) (emphasis added).

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Miller v. UMG Recordings, Inc. (erroneously named as Def Jam Recordings, Island Records, and Universal Music Group), Counsel Stack Legal Research, https://law.counselstack.com/opinion/miller-v-umg-recordings-inc-erroneously-named-as-def-jam-recordings-ilnd-2020.