Mill Creek Associates v. Jackson Foundation

CourtCourt of Appeals of Tennessee
DecidedMarch 11, 2003
DocketM2001-02811-COA-R3-CV
StatusPublished

This text of Mill Creek Associates v. Jackson Foundation (Mill Creek Associates v. Jackson Foundation) is published on Counsel Stack Legal Research, covering Court of Appeals of Tennessee primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Mill Creek Associates v. Jackson Foundation, (Tenn. Ct. App. 2003).

Opinion

IN THE COURT OF APPEALS OF TENNESSEE AT NASHVILLE August 7, 2002 Session

MILL CREEK ASSOCIATES, INC. v. THE JACKSON FOUNDATION, INC.

An Appeal from the Chancery Court for Dickson County No. 7068-01 Leonard W. Martin, Chancellor

No. M2001-02811-COA-R3-CV - Filed March 11, 2003

This is an unjust enrichment case. The plaintiff design firm was contacted by the defendant foundation to develop designs and a budget for the construction of a science theater. The chief designer of the firm worked on the project and presented a proposal to the foundation. The foundation neither accepted nor rejected the design firm’s proposal. Instead, the foundation hired the design firm’s chief designer. Part of the designer’s duties with the foundation was to work on the science theater project “in house.” The foundation refused to pay the design firm a fee for its work on the project. The design firm then sued the foundation on a theory of unjust enrichment for the work performed on the project while the chief designer was still at the firm. The trial court found that since the project was never completed, the preliminary designs did not confer a value on the foundation and, consequently, the foundation had not been unjustly enriched. The design firm now appeals. We reverse, finding that the work performed by the design firm constituted a benefit to the foundation, and that it would be unjust for the foundation to retain that benefit without paying the design firm for the value of the benefit.

Tenn. R. App. P. 3 Appeal as of Right; Judgment of the Chancery Court is Reversed and Remanded

HOLLY KIRBY LILLARD, J., delivered the opinion of the court, in which W. FRANK CRAWFORD , P.J., W.S., and DAVID R. FARMER , J., joined.

Stephen C. Knight, Nashville, Tennessee, for the appellant, Mill Creek Associates, Inc.

Henry F. Todd, Jr., Dickson, Tennessee, for the appellee, The Jackson Foundation, Inc.

OPINION

Plaintiff/Appellant Mill Creek Associates, Inc. (“Mill Creek”), is a design fabrication firm that produces displays for the museum, theater, retail, and trade show industries. It is owned by Sam Craig (“Craig”) and Steve Landers (“Landers”). In August 1998, a representative of Defendant/Appellee The Jackson Foundation, Inc. (“the Foundation”), contacted Mill Creek about designing and building a project for its new Renaissance Center facility1 (“the Project”). The Project involved developing a depiction of a London street scene from the 1830’s in a walkway that would lead into a science theater in the basement of the Renaissance Center. Robert Cooper (“Cooper”), Mill Creek’s sole designer, worked with the Foundation on the Project. The Foundation solicited no other bids or proposals for the design or construction of the project.

Initially, Cooper met with Foundation representatives Douglas Jackson (“Jackson”) and Robert Spencer (“Spencer”) to discuss the Project. After the meeting with Jackson and Spencer, Cooper did preliminary design work, including research, collection of images, and planning. After that, Cooper went to another meeting at the Renaissance Center, this time with Steve Jacobs (“Jacobs”). Jacobs had created the idea for the Project. Cooper and Jacobs exchanged information, and Jacobs provided Cooper with the research Jacobs had conducted. Cooper then did further research and made sketches for the Project. By September 5, 1998, Cooper had spent about thirteen hours working on a proposal for the design and budget for the Project.

In Mid-November, Spencer called Cooper to check on where Cooper was in the “design phase” of the Project. After receiving that call, Cooper worked almost exclusively on the Project until December 2, 1998. On that date, he met with Spencer and Jackson to give the Foundation a packet that included preliminary design printouts, sketches, other related materials, and a budget. The proposal had a $460,000 budget, which included $400,000 in construction plus a 15% design fee for Mill Creek of $60,000.

Though Spencer and Jackson were pleased with how the design looked, they objected to the overall amount of the budget. They asked Cooper to redesign the Project using half of the proposed budget, or approximately $200,000. Consequently, Cooper, along with Landers and Craig, reworked the design to reduce construction costs. On December 16, 1998, Cooper met again with Spencer and Jackson. He gave them a revised packet on the design, along with a revised budget of $245,000, which included $213,000 in construction costs plus a 15% design fee of about $32,000. At that meeting, Cooper gave Spencer and Jackson a letter requesting 20% of the estimated design fee ($6,400) as a “retainer and payment . . . for our services to date.” By the date of this meeting, Cooper had spent approximately 156 hours working on the Project and developing a budget. Spencer and Jackson told Cooper that they would present the new budget to the Foundation’s board of directors for approval.

During the course of the December 16 meeting, Spencer and Jackson also asked Cooper if he would be interested in working directly for the Foundation and taking the Project “in house.” Cooper initially declined. He later reconsidered, however, and was hired by the Foundation as its Senior Exhibit Designer on January 4, 1999. When Cooper left Mill Creek, he was given his research and designs on the Project.

1 The Renaissance Center itself was op ened to the public in A ugust 1999 .

-2- After Cooper was hired by the Foundation, Mill Creek sent the Foundation a bill for $9,390, for 156.5 hours at $60 per hour, the amount of time Cooper spent working on the Project while he was still employed at Mill Creek. The Foundation did not pay Mill Creek for Cooper’s work. On March 11, 1999, Spencer wrote Landers a letter stating:

It was neither my nor Mr. Jackson’s understanding that we had entered into an agreement for the production and design of the London street and theater. We had met with Mr. Cooper on two separate occasions to review what appeared to be preliminary sketches and conceptualization for this project. I assume this information was provided to allow us to make a decision concerning the services of Millcreek [sic].

Therefore, based on its position that there was no contract, the Foundation declined to pay Mill Creek for Cooper’s services designing the Project while he was employed at Mill Creek.

The Foundation never formally accepted or rejected the December 16 proposal presented by Cooper on behalf of Mill Creek. The Foundation later completed a small part of the Project, but did not move forward with the bulk of it. Completion of the London street scene, however, remained under consideration, and completing the Project was “part of the list” of projects to which Cooper was assigned.

On June 16, 1999, Mill Creek sued the Foundation on claims of breach of contract, promissory estoppel, and unjust enrichment. Mill Creek asserted that the Foundation was liable to Mill Creek in the amount of $31,950, which was approximately15% of the Project’s projected budget for design services.2 On August 29, 2001, the case was tried before the trial court, sitting without a jury.

At the trial, Cooper was the primary witness for both sides. Cooper testified as a witness for Mill Creek in its case-in-chief because Cooper was the agent for Mill Creek who dealt with the Foundation. Cooper, however, was also designated as the Foundation’s expert witness and testified on its behalf as well.

In his testimony, Cooper said that he decided to leave his employment with Mill Creek because he was not made a partner with the firm.3 He acknowledged that when he left he was given his research and design work on the Project, and said that he keeps these materials in his Foundation office at the Renaissance Center.

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Mill Creek Associates v. Jackson Foundation, Counsel Stack Legal Research, https://law.counselstack.com/opinion/mill-creek-associates-v-jackson-foundation-tennctapp-2003.