Menzel v. List

49 Misc. 2d 300, 267 N.Y.S.2d 804, 1966 N.Y. Misc. LEXIS 2204
CourtNew York Supreme Court
DecidedFebruary 10, 1966
StatusPublished
Cited by35 cases

This text of 49 Misc. 2d 300 (Menzel v. List) is published on Counsel Stack Legal Research, covering New York Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Menzel v. List, 49 Misc. 2d 300, 267 N.Y.S.2d 804, 1966 N.Y. Misc. LEXIS 2204 (N.Y. Super. Ct. 1966).

Opinion

Arthur G. Klein, J.

This action in replevin was tried to the court and a jury. Plaintiff sought to recover a painting by Marc Chagall, which she and her husband had left in their apartment in Brussells when they fled in March, 1941, before the oncoming Nazis.

Treated by the Nazis as decadent Jewish art ”, the painting was seized by the ‘ ‘ Einsatzstab der Dienststellen des Beichsleiters Bosenberg ” on or about March 31, 1941, and a certification or receipt left, indicating that the painting, among other works of art, had been taken into “ safekeeping.”

The Menzels were among the more fortunate who were able to escape. They settled in the United States and lived here since 1941. Mr. Menzel died in 1960.

Search had been made by Mr. and Mrs. Menzel for the painting ever since the end of the war, but they were unable to locate it, until in 1962, it was discovered in the possession of defendant Albert A. List.

Demand, refusal, and this action followed.

[302]*302List, a well-known art collector, defending, brought in as third-party defendants the proprietors of the gallery from which he purchased the painting, Klaus G. Peris and Amelia B. Peris, doing business as Peris Galleries. Peris likewise is a well-known art gallery.

Plaintiff in her complaint alleges that she is and at all times since 1932 has been the lawful owner of the painting, entitled “ Le Paysan a L’echelle ” [The Peasant and the Ladder] and has been and now is entitled to immediate possession of the painting.

On or about March 31, 1941, the complaint alleges, the painting was “wrongfully and illegally looted and stolen from her former residence by the Nazi Goering-Bosenberg Group ”; and “ at no time has any compensation been paid for same by the German or Belgian governments or received by plaintiff from any other source ”.

Discovery in November, 1962, and demand and refusal, are then alleged; and plaintiff’s prayer for relief is in the form customary in replevin actions, praying for possession or, in the alternative, for the value, which the complaint alleged to be $25,000.

The answer, denying knowledge or information as to the material allegations of the complaint, set up as an affirmative defense that the cause is barred by the New York Statute of Limitations.

In his third-party complaint, List alleges that he purchased the painting from defendants Peris, whose galleries are located at 1016 Madison Avenue, on or about October 14, 1955, for $4,000; that the painting was entitled “L’echelle de Jacob [Jacob’s Ladder] ”; that in the purchase Peris Galleries warranted and represented that their title was valid and that they were empowered to sell the painting to List.

Admitting that List was a bona fide purchaser for value, and that they warranted title to the painting, the third-party defendants set up as defenses a Statute of Limitations [presumably New York] and that they, too, were bona fide purchasers of the painting in good faith and for value.

As to Mrs. Menzel, the third-party defendants denied she was the owner; denied knowledge or information as to the rest of her complaint and set up as to her, also, a Statute of Limitations and asserted that they were bona fide purchasers for value and in good faith, and without any knowledge or information as to the existence of any defect in title.

[303]*303It appears from the record that the Menzels bought the painting in 1932 from the collection of Walter Schwarzenberg through Galerie Georges Giroux, in Brussels, and paid for it 3,800 Belgian francs, the equivalent of $150. The painting remained in the Menzels’ Brussels home until they fled in 1941.

The whereabouts of the painting between 1941 and 1955 are unknown.

Peris testified that he bought the painting in July 1955 from Galerie Art Moderne in Paris for $2,800 in French francs.

He further stated that title was not warranted in writing or orally to third-party defendants; that Galerie Art Moderne is one of the leading, most representative, reputable galleries in Paris, as is Peris Galleries in New York; and amongst such galleries the offer of sale of any painting is in and of itself, in the custom of the trade as between galleries, warranty of title. Art galleries of such standing assume, without the necessity of inquiry, that an offer of sale constitutes a representation of authenticity and good title.

The defense also urged before the jury that since the painting was described in the receipt as an oil, but in fact was a gouache, it was not the same painting which the Menzels had left in their apartment.

Likewise, the defendants maintained that the title of the painting having variously been referred to as “ Le paysan a 1’Echelle ” (the peasant and [at] the ladder); “ Nez et Echelle [Nose and Ladder] ”; “ Le Paysan [The Peasant] ”; “ L’echelle sur le Nez [The ladder on the Nose] ”; and “L’echelle de Jacob [Jacob’s Ladder] ”, it could not positively be identified as the same work. In addition, Peris testified that on occasion Chagall prepared two gouaches of the same subject and used only one as the basis for an eventual oil painting. For all of these reasons, Peris urged the jury that the painting which the Menzels left in Brussells was not the painting received in evidence.

The defendants also raised issues, as to Mrs. Menzel’s right to bring this replevin action, in view of Mr. Menzel’s death, since the original purchase was made by him.

The jury by its verdict for the plaintiff has established the identity of the painting, by whatever name, and whatever description; Mrs. Menzel’s unqualified ownership of the painting; that the painting was looted and stolen from her apartment, as alleged in the complaint, and that the painting, or its value, which the jury fixed at $22,500, be awarded to Mrs. Menzel; and that List upon delivery of the painting to Mrs. Menzel recover the $22,500 from Peris Galleries.

[304]*304The result reached is amply supported by the record, and the motion to set aside the verdict as contrary to the weight of the evidence is denied.

There remain for disposition, on the motion to set aside, numerous questions of law which have been earnestly and forcefully pressed by able counsel for the defense and vigorously opposed by learned counsel for plaintiff.

These include:

(I) the defense of the Statutes of Limitations of New York and Belgium;

(II) the plaintiff having fled Belgium, abandoned everything in her apartment;

(III) the painting was captured by occupying land forces on land and title accordingly passed to the nation prosecuting the war;

(IV) the painting was lawfully requisitioned by German authority, as an occupying power in the prosecution of the law and as confiscation of the property of its nationals;

(V) that the defendants are bona fide purchasers of the painting for value.

In their supplemental brief, the third-party defendants, planting themselves upon Banco Nacional de Cuba v. Sabbatino (376 U. S. 398

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Bluebook (online)
49 Misc. 2d 300, 267 N.Y.S.2d 804, 1966 N.Y. Misc. LEXIS 2204, Counsel Stack Legal Research, https://law.counselstack.com/opinion/menzel-v-list-nysupct-1966.