Media Rights Technologies, Inc.

United States Tax Court·Decided September 2, 2026·No. 28048-21·Unpublished

Opinion

United States Tax Court

T.C. Memo. 2026-78

HANK RISAN, ET AL., 1

Petitioners

v.

COMMISSIONER OF INTERNAL REVENUE, Respondent

Docket Nos. 4313-20, 28048-21, Filed September 2, 2026.

32885-21, 32909-21.

Woodford G. Rowland, for petitioners.

Daniel J. Kleid, Sharyn M. Ortega, Christiane C. Sanicola, Michael Skeen, and Charles A. S. Wiseman, for respondent in Docket No. 4313-20.

Daniel J. Kleid, Aimee R. Lobo-Berg, Sharyn M. Ortega, Brian A. Pfeifer, Christiane C. Sanicola, and Charles A. S. Wiseman, for respondent in Docket Nos. 28048-21 and 32885-21.

Daniel J. Kleid, Aimee R. Lobo-Berg, Sharyn M. Ortega, Christiane C. Sanicola, and Charles A. S. Wiseman, for respondent in Docket No. 32909-21.

1 We consolidated Media Rights Technologies, Inc., Docket Nos. 28048-21 and

32885-21: and Hank Risan, Docket No. 32909-21, with this case.

Served 09/02/26

[*2] MEMORANDUM FINDINGS OF FACT AND OPINION

HOLMES, Judge: Hank Risan is, by his own testimony, a gifted theoretical mathematician, a renowned collector and expert restorer of vintage guitars and chess sets, a pioneering inventor of programs to protect digital rights, heir to valuable California real estate, and the entrepreneurial founder of several corporations.

The Commissioner says, however, that his tax returns for 2014–17, and the returns of one of his companies for two of those years, greatly underreported taxable income and exaggerated deductions and credits, all to the tune of more than $4 million in taxes and penalties. To decide these cases, we need to pick our way through issues that were left uncontested, issues that turn on the burden of proof, and some burdens of proof that the parties at first shouldered only to let fall.

FINDINGS OF FACT

I. Mr. Risan

Mr. Risan is a California-based music enthusiast with a knack for invention. He grew up in the San Fernando Valley and stayed in California to pursue higher education. He testified that he attended UCLA for a couple of years before finishing his bachelor’s degree at UCSC. He also said that he concurrently enrolled in Ph.D. programs in neurobiology and mathematics at UCSC and did some Ph.D. work in mathematics at Berkeley. He said that he did not complete his doctorate but also testified to post-doc work at “Cambridge in London.” He became disillusioned with mathematics, he testified, after his groundbreaking solution of what he called the “Alexander Postulate” was misappropriated by another post-doc. Mr. Risan said he learned of this while at the Sorbonne in Paris, where a professor showed him that post-doc’s work, and Mr. Risan believed it to be his own. 2

2 Within mathematics, there is a subfield of topology called knot theory to

which a Princeton mathematician named James Waddell Alexander II made pioneering contributions, including something called the Alexander polynomial. Alexander polynomial, Academic, https://en-academic.com/dic.nsf/enwiki/554295 (last visited Aug. 21, 2026). This became a fruitful source of advances in knot theory in the late twentieth century. The field is so recondite that one is not surprised that Mr. Risan’s self-acknowledged contributions have been left unmentioned in descriptions of topology and knot theory that are simple enough for laymen to understand.

[*3] Mr. Risan testified this was not the last time his own work was appropriated by others.

II. Mr. Risan’s Ventures

A. Corporations

Three of Mr. Risan’s businesses are relevant here. Media Rights Technologies, Inc. (MRT) is the other petitioner in these cases. Blue- Beat, Inc., and Encryptos, Inc., are corporations whose corporate-level income the Commissioner included in his determination of Mr. Risan’s own.

MRT is in the businesses of digital-rights management, intellectual property, and software development. Mr. Risan and his bookkeeper, Leslie Schlaefli, testified that MRT did not have customers from 2014 through 2017. It nevertheless employed people in a variety of fields. MRT claimed salary expenses for software engineers, marketing staff, a human resources person, and “music rippers.” These music rippers were the employees who put music on the BlueBeat website— more on that shortly. MRT hired Ms. Schlaefli, the only entirely credible witness in these cases, as its bookkeeper beginning in 2007. While not a tax accountant, she did fill in and prepare the company’s tax returns when no one else was available to do so. Her approach was to print out a profit-and-loss statement and input the numbers listed there to Quick- Books. She did not check the accuracy of the numbers, and she wasn’t familiar with the underlying revenues or expenses associated with the numbers she was seeing on that statement. She was also not personally familiar with Mr. Risan’s guitar sales and recorded them using Mr. Risan’s bank statements and his own descriptions of what the transactions were.

Mr. Risan founded MRT, serves as its president and CEO, and retains majority ownership, his share hovering by his own account somewhere between 51 and 67%. MRT had an orchestra of other investors— Mr. Risan estimated it had 400 shareholders at the end of 2017. As MRT did not have customers during the years at issue, it relied on shareholder loans to cover its expenses, such as employee salaries. Ms. Schlaefli testified that Mr. Risan had an “ongoing” loan to MRT, which she estimated was between $5 and $10 million. Ms. Schlaefli credibly named three additional shareholders who lent money to MRT: Daniel Lewin, Tom Antonopoulos, and Don Lieberman, with Mr. Lieberman lending over a million dollars to the company. These loans were sent

[*4] via checks and wire transfers, and Ms. Schlaefli testified that stockholder paperwork did accompany the shareholder loans. There may have been other loans, but Ms. Schlaefli was not sure.

Why did a company with no customers and lots of expenses have so many shareholders? Mr. Risan testified that people were investing because of the value of the burgeoning catalog of music held by Blue- Beat—a separate entity. 3

This leads us to Mr. Risan’s two other business entities. In 1998 Mr. Risan had an “online guitar museum” called TheMomi.org. He started broadcasting music on the site, and the broadcasting service evolved into BlueBeat. Mr. Risan incorporated BlueBeat in 2003, and it has been broadcasting ever since with Mr. Risan serving as its CEO. Mr. Risan testified that BlueBeat streamed music for free, as all broadcasting platforms did “in the early days.” As a result, BlueBeat did not produce significant revenue. It did, however, have a small amount of advertising revenue (about $3,500 a year) from ads on the BlueBeat website. Ms. Schlaefli included BlueBeat’s ad revenue in MRT’s income because she kept only one set of books for MRT and BlueBeat. While BlueBeat had its own bank accounts, Ms. Schlaefli would record deposits with MRT’s own transactions. BlueBeat employees were initially paid by MRT, and Ms. Schlaefli was unsure when that practice ceased.

While BlueBeat was not generating significant revenue, Mr.

Risan had a plan to make it a hit. The asset, he testified, was its digital audio catalog, which he copyrighted. He believed this catalog was the largest copyright registration in history and was “worth a lot of money.” The plan was to sell the catalog to “a stronger partner” who would buy Mr. Risan out. Mr. Risan testified this sale was in progress at the time of trial.

In 2016, Mr. Risan noticed a rise in cyber attacks on institutions such as banks, and he believed the BlueBeat catalog would be a prime target for a similar attack. He therefore invented a technology called “The Enigma,” which BlueBeat used to protect its network. Mr. Risan incorporated Encryptos in 2016, and it is the entity that controls The

3 A federal grand jury has since alleged that the reason is a long series of mis-

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