McKenzie v. Artists Rights Society, Inc.

CourtDistrict Court, S.D. New York
DecidedNovember 15, 2024
Docket1:22-cv-01619
StatusUnknown

This text of McKenzie v. Artists Rights Society, Inc. (McKenzie v. Artists Rights Society, Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
McKenzie v. Artists Rights Society, Inc., (S.D.N.Y. 2024).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK MICHAEL MCKENZIE, individually and doing business as AMERICAN IMAGE ART, an unincorporated dba, 22 Civ. 1619 (JHR) Plaintiff, OPINION & ORDER -v.- ARTISTS RIGHTS SOCIETY, INC. et al., Defendants. JENNIFER H. REARDEN, District Judge: Plaintiff Michael McKenzie (“McKenzie,” or “Plaintiff”), individually and doing business as American Image Art (“American Image”), sues Defendants Artists Rights Society, Inc. (“ARS”), Vice President of ARS Janet Hicks (“Hicks”), Morgan Art Foundation Ltd. (“Morgan”), Morgan’s Director Philippe Grossglauser, and Morgan’s New York agent Simon Salama-Caro for (1) false designation of origin and false advertising under the Lanham Act, 15 U.S.C. § 1125(a)(1)(A) and (a)(1)(B), and (2) a racketeering enterprise and conspiracy in violation of the civil Racketeer Influenced and Corrupt Organizations Act (“RICO”), 18 U.S.C. § 1961 et seq. ECF No. 25 (Am. Compl.).1 Defendants ARS and Hicks (collectively, the “ARS Defendants”)2 move to dismiss Plaintiff’s claims under Federal Rule of Civil Procedure 12(b)(6). ECF No. 26. For the reasons stated below, the motion is GRANTED. I. BACKGROUND3

1 The case was originally assigned to the Honorable Analisa Torres. It was reassigned to the Honorable Mary Kay Vyskocil and then to this Court. 2 Defendants Morgan, Grossglauser, and Salama-Caro were also named in the Amended Complaint. However, only the ARS Defendants have appeared. 3 The factual allegations taken from the Amended Complaint and the exhibits attached thereto are accepted as true for purposes of this motion to dismiss. See Blue Tree Hotels Inv. (Canada), Ltd. v. Starwood Hotels & Resorts Worldwide, Inc., 369 F.3d 212, 217 (2d Cir. 2004). Plaintiff is an art publisher that worked with the late artist Robert Indiana to create and produce two images: one called “LOVE” and the other, “HOPE.” Am. Compl. ¶¶ 1-2. The LOVE image consists of four colored letters with the first two letters (“LO”) stacked atop the remaining letters (“VE”) and the “O” tilted outward to the right. Id. ¶ 20; see id. ¶ 18. Indiana first published the LOVE image in the 1960s, when it gained global popularity through display on commercial products, paintings, and outdoor sculptures. Id. ¶¶ 18-20. None of those publications was made

with a copyright notice. Id. ¶¶ 19-22. In 2007, Plaintiff and Indiana created the HOPE image, “similar to the LOVE image,” with the first two of four colored letters positioned above the last two letters. Id. ¶¶ 50-52. Plaintiff and Indiana began producing the HOPE image in 2008, when it quickly became well known for its connection to former President Barack Obama’s presidential campaign. Id. ¶¶ 53-55, 59-60. At that time, the HOPE image began “competing with the LOVE image.” Id. ¶ 55; see id. ¶¶ 54, 60-61. Plaintiff avers that neither the “HOPE image, nor the LOVE image, ha[s] ever been copyrighted. Nor could they [be], as the law will not allow for the copyrighting of a word, regardless of form or aggrandizement.” Id. ¶¶ 4, 19 (further alleging that “the image LOVE is in

the public domain”). Nonetheless, Indiana entered into two contracts with Morgan in the 1990s, pursuant to which Indiana purported to convey to Morgan all “copyright, trademark, and other rights” in LOVE—in addition to “the exclusive right to reproduce, promote, and sell” the LOVE image and “produce and fabricate,” own, and sell sculptures of LOVE. Id. ¶ 24. Under those agreements, Indiana also conveyed to Morgan the purported right to sue for copyright infringement of the LOVE image. Id. ¶ 25. Plaintiff claims that, despite any supposed transfer of copyright from Indiana to Morgan, “Defendants well knew” and “certainly know now” that LOVE was not, in fact, protected by copyright. Id. ¶¶ 4, 25, 39. Nevertheless, “Defendants . . . combined together for at least two decades to fraudulently represent that they had and still have a copyright on the LOVE image.” Id. ¶ 4. “The Defendants, through ARS, have been fraudulently licensing their falsely-claimed copyright to the LOVE image . . . to collect millions of dollars paid by licensees” to use the image. Id. ¶ 4; see id. ¶¶ 26-44; id. Ex. A (“ARS/Morgan Agreement,” dated March 1, 1999) (“authoriz[ing] ARS to act as a . . . representative worldwide with regard to licensing third parties

for reproductions of the Works of Robert Indiana”). Accordingly, Defendants’ conduct continues to harm American Image, which is authorized to “produce and market the HOPE [i]mage” and “is in direct competition with the LOVE image.” Am. Compl. ¶¶ 8, 58; see id. Ex. B (“HOPE Agreement”). II. LEGAL STANDARD On a motion to dismiss, a court “accept[s] as true” “all well-pleaded factual allegations” and draws all reasonable inferences in favor of the non-moving party but does not consider “conclusory allegations or legal conclusions couched as factual allegations.” Dixon v. von Blanckensee, 994 F.3d 95, 101 (2d Cir. 2021) (citations omitted). The Court may consider both “the facts and allegations . . . contained in the complaint and in any documents that are either

incorporated into the complaint by reference or attached to the complaint as exhibits.” Blue Tree Hotels Inv. (Canada), Ltd. v. Starwood Hotels & Resorts Worldwide, Inc., 369 F.3d 212, 217 (2d Cir. 2004); see Chambers v. Time Warner, Inc., 282 F.3d 147, 152-53 (2d Cir. 2002). “Where a document is not incorporated by reference, the court may never[the]less consider it where the complaint relies heavily upon its terms and effect, thereby rendering the document integral to the complaint.” United States ex rel. Foreman v. AECOM, 19 F.4th 85, 106 (2d Cir. 2021) (quoting DiFolco v. MSNBC Cable L.L.C., 622 F.3d 104, 111 (2d Cir. 2010)). “[B]efore materials outside the record may become the basis for a dismissal,” however, “several conditions must be met.” Faulkner v. Beer, 463 F.3d 130, 134 (2d Cir. 2006). “For example, even if a document is ‘integral’ to the complaint, it must be clear on the record that no dispute exists regarding the authenticity or accuracy of the document.” Id. “It must also be clear that there exist no material disputed issues of fact regarding the relevance of the document.” Id. In adjudicating the ARS Defendants’ motion, the Court considers the ARS/Morgan Agreement and the HOPE Agreement. Both are “incorporated into the complaint by reference”

and “attached” to the Amended Complaint as exhibits. Blue Tree Hotels, 369 F.3d at 217; see ARS/Morgan Agreement; HOPE Agreement; see, e.g., Am. Compl. ¶¶ 32, 57. The Court does not, however, consider the purported agreement between Morgan and Indiana filed by the ARS Defendants, ECF No. 28 (Sholder Decl.), Ex. A, as it is “unclear” whether that exhibit is “a true and correct copy.” United States ex rel. Foreman, 19 F.4th at 109 (finding error where documents submitted by the defendants that related to the Complaint were considered despite questions “as to [their] authenticity and status” having been raised). Although Plaintiff alleges that Morgan and Indiana entered into an agreement that generally matches the description of this exhibit,4 he describes the ARS Defendants’ version as “unilaterally redacted” and “not signed by Morgan.” See ECF No. 30 (Opp.) at 4 n.4. “In light of possible disputes as to” authenticity, the Court does

not consider the agreement between Morgan and Indiana submitted by Defendants.

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