Matthew Green v. DOJ

CourtCourt of Appeals for the D.C. Circuit
DecidedAugust 2, 2024
Docket23-5159
StatusPublished

This text of Matthew Green v. DOJ (Matthew Green v. DOJ) is published on Counsel Stack Legal Research, covering Court of Appeals for the D.C. Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Matthew Green v. DOJ, (D.C. Cir. 2024).

Opinion

United States Court of Appeals FOR THE DISTRICT OF COLUMBIA CIRCUIT

Argued May 6, 2024 Decided August 2, 2024

No. 23-5159

MATTHEW D. GREEN, ET AL., APPELLANTS

v.

UNITED STATES DEPARTMENT OF JUSTICE, ET AL., APPELLEES

Appeal from the United States District Court for the District of Columbia (No. 1:16-cv-01492)

Benjamin D. Margo argued the cause for appellants. On the briefs were Corynne McSherry, Mitchell L. Stoltz, Brian M. Willen, and Lauren Gallo White.

John W. Crittenden was on the brief for amicus curiae Legal Scholars in support of appellants.

Charles Duan was on the brief for amici curiae Public Knowledge, et al. in support of appellants.

Jack I. Lerner was on the brief for amicus curiae Kartemquin Educational Films and International Documentary Association in support of appellants. 2

Vivek Krishnamurthy was on the brief for amicus curiae Accessibility, Archival, and Security Fair Users in support of appellants.

Brian J. Springer, Attorney, U.S. Department of Justice, argued the cause for appellees. With him on the brief were Brian M. Boynton, Principal Deputy Assistant Attorney General, and Daniel Tenny, Attorney.

John Matthew DeWeese Williams and Lucy Holmes Plovnick were on the brief for amici curiae Association of American Publishers, Inc., et al. in support of appellees.

David Jonathan Taylor was on the brief for amici curiae DVD Copy Control Association, Inc. and Advanced Access Content System Licensing Administrator, LLC in support of appellees.

Before: HENDERSON, MILLETT and PILLARD, Circuit Judges.

Opinion for the Court filed by Circuit Judge PILLARD.

PILLARD, Circuit Judge: Twenty-six years ago, Congress enacted the Digital Millenium Copyright Act to protect copyrighted works made available online from digital piracy and unauthorized access. Plaintiffs-Appellants, a computer science professor and a tech inventor, say the Act is so plainly unconstitutional that it cannot be applied to anyone. They challenge the law’s prohibitions against circumvention of technological protections on copyrighted works and distribution of the means to circumvent. In their view, those provisions violate the First Amendment’s free speech protections by unduly stifling the fair use of copyrighted works. 3 Having abandoned their as-applied challenges, plaintiffs seek outright invalidation of a central pillar of the Act as overbroad and a prior restraint on speech in violation of the First Amendment. We reject both facial challenges.

I.

A.

The First Amendment and Copyright Clause appear, at first glance, to be in tension. The First Amendment guarantees freedom of speech, see U.S. Const. amend. I, but the Copyright Clause, by “securing for limited Times to Authors . . . the exclusive right to their respective writings . . . ,” id. art. I, § 8, cl. 8, has the “inherent and intended effect” of restricting some expression by others, Golan v. Holder, 565 U.S. 302, 327-28 (2012). The tension is more apparent than real, however, insofar as the Copyright Clause bolsters the First Amendment by acting as an “engine of free expression.” Id. at 328 (quoting Harper & Row Publishers, Inc. v. Nation Enters., 471 U.S. 539, 558 (1985)). By creating a “marketable right to the use of one’s expression, copyright supplies the economic incentive to create and disseminate ideas.” Id. (quoting Harper & Row, 471 U.S. at 558). Consistent with the Copyright Clause, the First Amendment “securely protects the freedom to make—or decline to make—one’s own speech,” but it “bears less heavily when speakers assert the right to make other people’s speeches.” Eldred v. Ashcroft, 537 U.S. 186, 221 (2003). The purpose of Copyright law to “promote the Progress of Science and useful Arts,” U.S. Const. art. I, § 8, cl. 8—in other words, to “promote the creation and publication of free expression,” Eldred, 537 U.S. at 219—generally accords with the First Amendment’s aims.

That said, to avoid impeding robust expression, courts have long recognized a common-law doctrine of “fair use” that 4 implies an “author’s consent to a reasonable use of his copyrighted works” by other speakers. Harper & Row, 471 U.S. at 549 (quoting Horace G. Ball, Law of Copyright and Literary Property 260 (1944)). Fair use has historically limited copyright owners’ exclusive rights in order to facilitate certain uses of information by nonowners. In the Copyright Act of 1976, which gave copyright holders “a bundle of exclusive rights” to their copyrighted work, Congress codified fair use as an affirmative defense to a claim of copyright infringement. Andy Warhol Found. for the Visual Arts, Inc. v. Goldsmith, 598 U.S. 508, 526-27 (2023) (quoting Harper & Row, 471 U.S. at 546). The fair use doctrine permits the use of copyrighted work “for purposes such as criticism, comment, news reporting, teaching, . . . scholarship, or research,” 17 U.S.C. § 107, and enables “courts to avoid rigid application of the copyright statute when, on occasion, it would stifle the very creativity which that law is designed to foster,” Andy Warhol Found., 598 U.S. at 527 (quoting Stewart v. Abend, 495 U.S. 207, 236 (1990)).

Faced with First Amendment challenges to statutes that regulate copyright, the Supreme Court has described fair use as one of two “traditional First Amendment safeguards” designed to strike a balance in copyright law. Eldred, 537 U.S. at 220. The other referenced safeguard is copyright’s distinction between uncopyrightable ideas and copyrightable expression, codified at 17 U.S.C. § 102(b). That distinction ensures that “every idea, theory, and fact in a copyrighted work becomes instantly available for public exploitation” even though particular means of expressing it do not. Eldred, 537 U.S. at 219. Copyright laws are not categorically invulnerable to First Amendment challenge, but where “Congress has not altered the traditional contours of copyright protection”—as where it aptly respects the idea/expression dichotomy and fair use—the Supreme Court has opined that “further First Amendment 5 scrutiny is unnecessary.” Id. at 221. Thus, fair use is a “built- in First Amendment accommodation[]” in copyright law— endowing fair use with some constitutional pedigree. Id. at 219.

In acknowledging that the fair use defense serves constitutional values, we do not mean to suggest that Congress lacks freedom to alter the contours of that defense. To the contrary, the Supreme Court has consistently acknowledged Congress’s power to “take a fresh look” should it disagree with judicial application of fair use doctrine. Sony Corp. of America v. Universal City Studios, Inc., 464 U.S. 417, 456 (1984). And Congress has in fact done so at various points throughout the nation’s history. For instance, while Justice Story once recognized abridgment as one type of non-infringing fair use, Folsom v. Marsh, 9 F. Cas. 342, 344-45 (C.C.D. Mass. 1841), Congress later extended copyright’s protection to exclusive abridgement rights, see Copyright Act of 1909 § 1(b), Pub. L. 60–349, 35 Stat. 1075 (1909); see also Paul Goldstein, Derivative Rights and Derivative Works in Copyright, 30 J. Copyright Soc’y U.S.A. 209, 214 (1982).

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Matthew Green v. DOJ, Counsel Stack Legal Research, https://law.counselstack.com/opinion/matthew-green-v-doj-cadc-2024.